So many layers to entwine to...Very nicely done

Very calming and soothing track! Super nice!

Super nice tones and textures. Well produced.

Top tune. Reminds me of later Irresistible Force.

Nice ambient track! Love the bass sound and the details, good job!

This playful yet calm ambient track has dreamy guitars playing over ethereal pads accompanied by ambient-like keyboards. A playful bass gives the track a somewhat playful and hopeful quality while the overall mood has a yearning feel to it. It’s ideal for video games, documentary films, spa, relaxing retreats, yoga, or meditation. Basically wherever a calm, relaxing, and atmospheric vibe is called for.

For commercial and derivative licenses, please visit us on Sounzone, where you can buy this track for a number of additional uses. https://www.sounzone.com/artist/covert-acoustics?id=36829&format=producer

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QUANDO ELA CHEGOU WHEN SHE ARRIVED

Spring Songs
Duration: ca. 20'
Instrumentation: tenor and piano
Performers: American Modern Ensemble - Alok Jumar, tenor; Geoffrey Burleson, piano
Recorded at Opera America's National Opera Center, Marc A. Scorca Hall, New York, NY, USA, June 4, 2019
Publisher: Bill Holab Music: http://billholabmusic.com/store/index.php?keyword=spring%20songs%20-&main_page=advanced_search_result&search_in_description=1
For More Information: https://robertpaterson.com/spring-songs-version-for-tenor-and-piano

I. English Sparrows (Washington Square) (Edna St. Vincent Millay)
II.  April 5, 1974 (Richard Wilbur)
III. Done With (Ann Stanford)
IV. The Widow’s Lament in Springtime (William Carlos Williams)
V. Spring Rain (Sara Teasdale)

PROGRAM NOTES
Spring Songs for tenor and chamber ensemble or piano is my third song cycle celebrating the seasons. As with the first two, Winter Songs for bass-baritone and Summer Songs for soprano, this cycle contains settings of poems by various American poets.

Whereas both Winter Songs and Summer Songs end with scenes in New York City, Spring Songs begins with New York: a setting of English Sparrows (Washington Square) by Edna St. Vincent Millay, a poem about a scene that takes place in the morning in Greenwich Village, a neighborhood in New York City where Millay lived in the early 1900s. The second movement is a setting of April 5, 1974 by Richard Wilbur, a poem Wilbur wrote in honor of Robert Frost’s one-hundredth birthday, and I interpret as being about overcoming self-doubt through wisdom, and about understanding the change of seasons, but also a change of mind. The third movement, Done With by Ann Stanford, I interpret to be about death and rebirth. Stanford symbolizes this by a house being torn down and the ground paved over, the now suffocated plant life yearning to break through. The Widow’s Lament in Springtime, the fourth movement, is a setting of a poem by William Carlos Williams. I interpret this poem as a modernist, pastoral elegy that uses images of nature to lament the death of a loved one. The final movement, a setting of the poem Spring Rain by Sara Teasdale, is about a happy memory of a lover brought about by an evening thunderstorm.

Spring Songs was commissioned by Rick Teller and Kathleen Rogers and was premiered at Carnegie Hall’s Weill Recital Hall by the American Modern Ensemble, Alok Kumar, tenor, and Geoffrey Burleson, piano.

Spring Songs (Piano/vocal) - V. Spring Rain (Sara Teasdale)

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only way is up

The idea for this track came to me when I was listening to the rattling of a passing train in Tokyo. I imagined the sound to be extremly slowed down.

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Before It's Gone

Covert Acoustics is a creative sound collective dedicated to shaping immersive, genre-fluid sonic worlds.

Rooted in collaboration, we emerged from the world of production music — but have since outgrown those boundaries. Today, we focus on deeply crafted cinematic electronica and ambient downtempo, often blending music with foley, speech, and design to create narrative listening experiences.

Our catalogue spans EPs, albums, and singles — offering curated soundscapes that are as listenable as they are conceptual. Whether you’re tuning in for focused listening or seeking rich sonic textures for creative work, we aim to provide sound that resonates: deliberately, emotionally, and originally.

We’re here to reimagine what listening can be — one immersive release at a time.

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