BOOKING: anakadabra[at]outlook.de

ANA, born in Munich, discovered her passion for music at an early age. After having passed quite a few different styles, she is influenced by many distinctive sounds.
Fascinated from the world of electronic music, her dedication to music brought her to buying records and found herself more and more behind the decks. She co-founded eZOO, an internetbased radioshow and popular club night in Munich and organised her own underground parties which made her an indispensable part of munich`s electronic scene.

ANA`s style has been described as an inspiring blend of rare old and modern tracks, which varies between house and techno. She merges that to her own unique style with her specific sound color.

It didn`t take long for her talent to be discovered. So it was no surprise that she found her way to be booked for national and international gigs, as much as her residency since 2006 in Harry Klein Club. The club became her creative playground and a place to experiment with sounds and finding her very own groove. 

After some time, this wasn' t enough anymore, and it was time to move forward for something new. 2012 she started together with Julietta her very own night 'Slave to the Rhythm' where the girls could gather with friends and artists they really love.
After spending a while in the studio, she released her first EP on japanese underground label fasten musique. Her first remix was released in february 2015 on underground label mode of expression. 


You could listen to her sets in clubs such as Panorama Bar (Berlin), Robert Johnson (Frankfurt), Eleven (Tokio), Weekend (Berlin), Club der Visionäre (Berlin), Privilege (Ibiza), Distillery (Leipzig), Kassablanca (Jena), Lo*kee (London), Bed Supper Club (Bangkok), Rex (Paris) or events like Boiler room radio (UK), Sonne, Mond & Sterne (Germany), Zoo Project (Ibiza), Partysan Yachting (Turkey), Rave on Snow (Austrian Alps) or Love Parade (Berlin). Also renowned clubs from other countries like Russia, Japan, Switzerland, Spain, France, Netherlands, Romania, Croatia asked her to play.

http://www.residentadvisor.net/dj/ana/

Kim Gordon
Thurston Moore
Lee Ranaldo
Steve shelley
Mark Ibold

Obsessed with music!

http://roarformusic.tumblr.com/



R3HAB – "All My Life" is OUT NOW

Listen/stream: https://www.cybr.at/AllMyLife

‘WORK’ out now:
https://www.cybr.at/work

Chris Kaeser is a french Dj, Producer and owner of D-TraCK's label. Born into a musical family as his father was a conductor and his mother was singer. He quickly made his first steps in Music and release his first track in 1991. Among his most important success: "Over", "Pump Over", "Who's In The House", "The Rhythm Of The Beat", "Back To The Rhythm"... Chris is also known as Shazer'K. 
Alongside his productions, Chris started developing his DJ career and played some of the best Clubs across the world, including Ministry Of Sound, Pacha, Club Paradise (Mykonos), Queen (Paris), Via Notte, Opium Garden, Mansion, El Divino (Ibiza + Brazil), Maktum Club (Korea).

PRESS:

"Jeffares voice soars above the hauntingly icy bass lines and chilly atmospherics. Bombs and death rays, corporate decay, and failed or failing love are just some of the bleak themes the band explore, and their album's title track might offer the best solution to the hopelessness of it all."
-- SPIN

"The charm of Snowden's debut is its understated authenticity: Underneath all the accoutrements, these are Jeffares's bedroom songs, and it's not hard to extrapolate to their simpler days as anguished acoustic ballads."
-- Village Voice

"The original Snowden taught Yossarian that man is matter-- kill us and we're dead. It's OK for stylish post-punk to matter, too, and Anti-Anti does so without forgetting to be fun."
-- Pitchfork

"[Anti Anti's] balance of gloom and grandeur is brilliantly executed, ultimately leaving the listener with an insatiable thirst for more of the same."
-- Drowned In Sound

"For all the discussion of concept, geography, and songcraft, it's the heart pulsing through the reverb that makes Anti-Anti a must-listen."
-- Stereogum

"It's clear [Snowden] aren't willing to just turn on the cruise control through [their] show; the performance is more like a constant pulse between implosion and explosion with each member able to flail or pull back seamlessly."
-- CMJ

"Such tracks as 'Black Eyes' prove that Snowden can play uneasy funk as well as its peers, but the music is most interesting when the band goes its own way."
-- Washington Post

"Snowden's music sounds like Interpol's dark momentum getting tripped up on the Arcade Fire's treacherous terrain - lacquered bolts of guitar judder over off-kilter percussion, and anomic vocals blear through the densely layered mix."
-- Paste Magazine

"On 'Anti-Anti' Snowden creates plenty more to admire than angry words. To find it, all you have to do is ignore the urge to dance long enough to sit down and listen."
-- MSNBC

"Snowden lace their upbeat, catchy guitar stomps with thoughtful lyrics diametrically opposed to mindless hipsterism."
-- Entertainment Weekly

"Anti-Anti is a cyclonic swirl of guitars approximating jet-engine drones, brackish cascades of water emanating from the bottom of a dank cave and shards of tuned barbed-wire."
-- Atlanta Journal-Constitution

"The Cure never delivered gloom so buzzy."
-- URB

Firehouse Recordings NYC // [SELF:TIMER] // Pleasure Planet 
Bookings:  jo@klsbookings.com
Americas & Canada:  ryan@liaisonartists.com

CPGs is following