March 3, 6pm
Galway Arts Centre, 47 Dominick Street, Galway City
 
Speakers in order
Chair: Katrina Goldstone. Panel: Vukasin Nedeljkovic, Anthony Haughey (DIT), Charlotte McIvor (NUIG), Megs Morley, curator;  Anne Mulhall,(UCD).

Panel discussion as part of Asylum Archive

Leveling up has truly changed Yuuya’s life. In the real world, things have done a complete 180. He’s getting used to his new school and making fast friends—which includes a fluffy companion in the other world. Meanwhile, thanks to his physical prowess and good looks, his popularity is through the roof (though he’s oblivious to this). He’s also finally learned how to use magic! Will it be enough to help him survive fires, assassins, and trials in the wilderness?!

I Got a Cheat Skill in Another World and Became Unrivaled in the Real World, Too, Vol. 2 by Miku read by Curtis Michael Holland

Some secrets should stay behind closed doors…
 
Gemma’s got it all figured out: she has her amazing best friends April and Anna, a high-flying job, and a dating life that’s strictly no-strings-attached. Men fall at her feet – and she walks away from them without a backwards glance.

Max is a jet-setter with zero interest in settling down. Between London and New York City, he’s in a position of power, working at a luxury hotelier. But when he meets Gemma in a high-stakes hotel pitch, their chemistry is instant, electric…and completely off limits. Why? Because Max is Anna’s brother. And Anna has just one rule: don’t even think about her brother.

But the danger zone is Gemma’s favorite place to be. And some things are worth bending the rules for…

The Suite Secret by Tierney Page read by Will H. Watt and Evelyn Rose

From the international bestselling author of The Drowning Woman, a psychological thriller about a couple rocked by infidelity who moves to a villa in Spain’s Costa Brava to rebuild their relationship, only to welcome a pair of visitors who have no intention of leaving.  

Sydney Lowe’s life in New York is shattered when her husband, Curtis, admits to a meaningless affair with a client. Begging for forgiveness and vowing to prove his devotion, Curtis suggests the couple retreat to a remote hilltop house in Spain to repair their marriage.  

High above the Mediterranean, Sydney and Curtis are working on the isolated property and their relationship when a pair of Australian travelers turns up at their door in dire need of help. Lonely for companionship and desperate for free labor, Sydney and Curtis invite the attractive young couple to stay. But as the days pass, dark secrets come to light, the Lowes’ bond is tested, and not everyone will leave the villa alive.

“Robyn Harding is probably among the writers I most recommend, and once again she has excelled herself with damaged and damaging characters wreaking havoc on each other. I loved every page! When can I read the next one?” ―Liz Nugent, internationally bestselling author of Strange Sally Diamond

Strangers in the Villa by Robyn Harding read by Katherine Littrell

El afamado escritor, politólogo, y conferencista Agustín Laje presenta La batalla cultural: Reflexiones críticas para una Nueva Derecha – un manifiesto que informará, animará y facultará a los “guerrilleros culturales” para no bajar los brazos en la batalla que sigue perjudicando a nuestras familias y a la sociedad en general.

En el mundo contemporáneo, la sociedad y la cultura cambian a gran velocidad. La voluntad de dirigir esos cambios está en la base de las batallas culturales que hoy se viven en todas partes. Bien investigado y argumentado inteligentemente, este libro define el concepto de batalla cultural y muestra hasta qué punto la cultura ha llegado a ser el botín principal del poder, cómo se han desarrollado estas batallas desde los tiempos modernos hasta la actual posmodernidad y cómo enfrentarlas.

En este libro, Agustín Laje:

Explica qué es la batalla cultural, cómo darla, y cuales son su características
Analiza cómo la nueva izquierda entendió este fenómeno, frente a una derecha que menospreció el poder de la cultura
Examina cómo entendió este fenómeno la nueva izquierda, frente a una derecha que menospreció el poder de la cultura
Pretende brindar las herramientas necesarias para el nacimiento de una nueva derecha
Este libro está dirigido a:

Las familias que son el principal blanco de ataque en este momento, que se sienten fragmentadas, amedrentadas y que quieren hacer algo más para convertirse en agentes de batalla cultural
A los Jóvenes que cursan sus estudios y que entienden que en sus universidades cada vez hay menos educación y más adoctrinamiento
A todo aquel que se preocupa por los asuntos políticos y mundiales de gran magnitud que crean conflictos en la sociedad
“La lucha política y la lucha cultural son las dos caras de una misma moneda. Si no hay política sin hegemonía, entonces tampoco hay política sin batalla cultural”, dice Laje. “La batalla cultural terminará mostrándose como la madre de todas las batallas.”

The Culture Battle

Famed writer, political scientist, and lecturer Agustín Laje presents The Culture Battle: Critical Reflections for a New Right – a manifesto that will inform, encourage and empower the “cultural guerrillas” not to give up in the battle that continues to harm our families and society in general.

In the contemporary world, society and culture are changing at great speed. The will to lead these changes is at the basis of the cultural battles that are being fought everywhere today. Well researched and intelligently argued, this book defines the concept of cultural battle and shows to what extent culture has become the main spoils of power, how these battles have developed from modern times to today's postmodernity and how to face them.

In this book, Agustín Laje:

Explains what the culture battle is, how to wage it, and what its characteristics are
Analyzes how the new left understood this phenomenon, in the face of a right wing that underestimated the power of culture
Examines how the new left understood this phenomenon, in the face of a right wing that underestimated the power of culture
Aims to provide the necessary tools for the birth of a new right wing

Audible

La batalla cultural by Agustin Laje | 6

In this fast-paced and deliciously witty spy romcom, a single mom finds herself on a mission with the CIA as they attempt to uncover a cult—perfect for fans of Finlay Donovan Is Killing It.

Gabby Greene: Secret agent. Mother of two. Figuring it out as she goes along.

After her divorce, Gabby never expected that she’d be this close to having it all. Spying with a hot handler who’s an expert in after-hours under-the-covers work was not on her current bingo card. But balancing romance, espionage, and school lunches is a job for a magician, not a secret agent. Gabby will just have to keep dreamy Markus at arm’s-length . . .

Easier said than done. Her next mission, should she choose to accept it: Pretend to be Markus’s fiancée so they can infiltrate a Power Couples Retreat to see whether the group is selling national security secrets (in addition to questionable beauty products).

To avert a national crisis, Gabby and Markus will need to look like they’re in love, planning their wedding—and enjoying the honeymoon cottage. Faking a relationship with the perfect man without actually falling for him? Piece of calorie-free cake, right?

Gabby Greene Knows Whodunit by Sam Tschida Read by Mia Hutchinson Shaw

When the FBI turned an Irish mobster into an informant, they corrupted the entire judicial system and sanctioned the worst crime spree Boston has ever seen. This is the true story behind the major motion picture.

James “Whitey” Bulger became one of the most ruthless gangsters in US history, and all because of an unholy deal he made with a childhood friend. John Connolly a rising star in the Boston FBI office, offered Bulger protection in return for helping the Feds eliminate Boston’s Italian mafia. But no one offered Boston protection from Whitey Bulger, who, in a blizzard of gangland killings, took over the city’s drug trade. Whitey’s deal with Connolly’s FBI spiraled out of control to become the biggest informant scandal in FBI history.

Black Mass is a New York Times and Boston Globe bestseller, written by two former reporters who were on the case from the beginning. It is an epic story of violence, double-cross, and corruption at the center of which are the black hearts of two old friends whose lives unfolded in the darkness of permanent midnight.

Black Mass by Dick Lehr and Gerard O’Neill read by John Pirhalla with An Introduction Read by Dick Lehr

Goodbye, diets, restriction, and food noise. Hello, delicious food, satiety, and a healthy way to eat for life!

We have never been more informed—and yet, more confused—about what we eat as we are today. And between our cultural fear over food additives and the buzz around GLP-1 drugs, the noise has become impossible to tune out. Registered dietitian Abbey Sharp has seen—and debunked—it all. Her revolutionary Hunger Crushing Combo Method helps you banish fear foods, guilt, and cheat days, and finally get off the diet roller coaster for good. It’s a simple framework that teaches you to effortlessly balance your meals by combining two or more of the Hunger Crushing Compounds: protein, fiber, and healthy fats. The result? You crush physical hunger, silence emotional cravings, and eat well without deprivation, denial, or dieting. No counting. No tracking. No restricting. Even better, the HCC is adaptable to your goals and unique needs while restoring joy and pleasure to eating.

 Discover:
• Science-backed insight into why the HCC compounds work
• Tips on how to use the HCC method effortlessly and intuitively
• Chapters devoted to specific conditions including weight loss, insulin resistance (type 2 diabetes and PCOS), fitness, menopause, and raising healthy kids
• Thirty easy and adaptable recipes
• Cheat sheets for building your own HCCs
• and much more!
 
Learn how to turn your “unhealthy” cravings into HCCs to stabilize blood sugars and help support a healthy weight—all without giving up the food you love. The Hunger Crushing Combo Method helps you finally feel full and reduce food cravings without ever dieting again. And, yes, you can have your cake and eat it too!

The Hunger Crushing Combo Method by Abbey Sharp read by Abbey Sharp

The “irresistible” (Susan Orlean) untold story of a trailblazing Paris correspondent for The New Yorker, who sounded the alarm about the rise of fascism in Europe while becoming enmeshed in the sensational case of a German serial killer stalking the streets of the French capital on the eve of WWII.

In 1925, the Indianapolis-born Janet Flanner took an assignment to write a regular ‘Letter from Paris’ for a lighthearted humor magazine called The New Yorker. She’d come to Paris to with dreams of writing about “Beauty with a Capital B.” Her employer, self-consciously apolitical, sought only breezy reports on French art and culture. But as she woke to the frightening signs of rising extremism, economic turmoil, and widespread discontent in Europe, Flanner ignored her editor’s directives, reinventing herself, her assignment, and The New Yorker in the process.

While working tirelessly to alert American readers to the dangers of the Third Reich, Flanner became gripped by the disturbing crimes of a man who embodied all of the darkness she was being forced to confront. Eugen Weidmann, a German con-man and murderer, and the last man to be publicly executed in France—mere weeks before the outbreak of WWII. Flanner covered his crimes, capture, and highly politicized trial, seeing the case as a metaphor for understanding the tumultuous years through which she’d just passed and to prepare herself for the dangers to come.

The Typewriter and The Guillotine offers the personal and professional coming-of-age story of an indomitable journalist set against a glamorous, high-stakes backdrop—a tightly-coiled drama full of romance and intrigue. 

The Typewriter and the Guillotine by Mark Braude read by Karen Cass

“A superb biography of a singular life.”–Kirkus Reviews (starred review)

A Rolling Stone journalist presents the story of the late singer-songwriter Justin Townes Earle.

When Justin Townes Earle died of an overdose alone in his Nashville apartment, his death sent waves of grief through the country-Americana music community. The son of alt-country hellraiser Steve Earle had long struggled with mental illness and various addictions. There had been encouraging periods of long-term sobriety and active recovery in his adult life, including the years that led up to his career peak when he released the 2010 masterpiece Harlem River Blues, a career-making album of rambling folk blues set to Southern Gospel.

He sang of cramped Brooklyn apartments and crippling hangovers, about emotional displacement, economic anxiety, and the wandering that characterized his feral, formative years as a rootless kid rambling around Nashville, developing his own unique guitar style and absorbing the musical influences that surrounded him. He was anointed by critics as the next coming of the authentic troubadour. By the time of his death, he’d recorded and released eight albums, creating a striking and original body of work.

Jonathan Bernstein, with the full cooperation of the Justin Townes Earle estate, unravels in these pages a short but incredibly creative life, and reveals the backstories behind Justin’s greatest songs (“Mama’s Eyes,” “White Gardenias”) and what happened when it all fell apart while also capturing a shadow world of the neglected children of Nashville legends who wrestle with the legacies of their hard-living, road-weary, often absent parents.

Justin’s journey to near-stardom is a harrowing story shot through with moments of clarity and promise, including his marriage to his wife Jenn Marie Earle and the birth of their daughter. But what Earle called “the myth”—the idea that one must suffer for one’s art—proved to be too powerful.

This heartbreaking, deeply researched tale is an exemplary music biography.

What Do You Do When You're Lonesome by Jonathan Bernstein read by John Pirhalla

From bestselling author Lisa Graff, this important coming-of-age story follows a thirteen-year-old with a mysterious scar on her face—and a big secret she feels pressured to keep. 

Fallon Little has a secret—and it’s not how she got the enormous scar that divides her face in two.

Thirteen-year-old Fallon has only ever told one person what really happened on the day she got her scar. Why would she? The truth is dark, and Fallon has much brighter things to focus on, like being cast as the lead in the school play, and hanging out with her two best friends, Trent and Kaia. But when Fallon’s uncle Geebie dies, his funeral ignites a wildfire of events that Fallon can’t manage to tamp down. The school play is spiraling out of control, Fallon’s impossible Aunt Lune comes to live with them, and Trent and Kaia might just be so into each other that there isn’t room for Fallon in their friend group any more. And when secrets even worse than the one about Fallon’s scar threaten to come to light, Fallon might not have the strength to keep them buried for much longer.

Through unflinching prose and with a pitch-perfect voice, bestselling author Lisa Graff explores the power of confronting the past as a way to heal in the present in this propulsive and absorbing tour de force.

* “The story’s pitch-perfect tone balances sad and funny moments impeccably….Darkness and light interplay with perfection.”—Kirkus Reviews, starred review   * “Graff infuses viscerally rendered realities of lingering trauma with moments of lightheartedness to deliver a meticulously calibrated work about a girl who refuses to be defined by her past.”—Publishers Weekly, starred review 

A Scar like a River by Lisa Graff read by Suzy Jackson

Create is the national development agency for collaborative arts.

Our mission is to support artists and arts organisations working collaboratively with communities in social and community contexts, be they communities of place or communities brought together by interest.

What We Do

Create supports artists in making exceptional art with communities in the broadest sense – it can be a neighbourhood organisation; pigeon fanciers; a chess club; working fishermen, farmers or asylum seekers. (All these groups have worked with artists through the Arts Council Artist in the Community Scheme managed by Create)

Create supports artists in an open-ended approach to the artistic process and art making – as co-creators with different partners and audiences

Create encourages ways of making art that take place primarily outside of the traditional gallery or theatre space

Collaborative arts is a dynamic and contemporary form of arts practice. Related and similar ways of working can come under the headings of participatory arts, socially engaged arts and in the theoretical realm are closely linked to the concept of relational aesthetics. Collaborative arts practice plays with and contests notions of authorship and the idea of the artist-genius. Work that is made collaboratively often exists outside of the gallery or takes place outside the traditional theatre space. It can also be interdisciplinary and for example involve a musician working with a visual artist or an architect with a dance artist. Create seeks to foster current and future potential for collaboration between artists and communities, encouraging art projects that reflect the exciting ways in which collaborative arts represent a complex range of ideas and approaches.

Artists and arts organisations working collaboratively with communities of place and /or interest is widely seen as one of the most vibrant and challenging areas of arts practice, requiring skills of negotiation and project management. The exploratory processes and practices of collaborative arts demand different approaches to traditional definitions of art, artists and arts development.

Create responds to these demands by offering a range of services for artists and arts organisations which include Professional Development and Advisory Sessions, Learning Development and Create engages in partnerships on initiatives that support and develop collaborative arts practice across all artforms.

Panel discussion as part of Asylum Archive

Create-Ireland