A song about love and all the demons that come with it

LOVE YOU TILL THE DAY I DIE (SINGLE)

LOVE YOU TILL THE DAY I DIE

Director Ani White asked me to create a cheesy gay dance track sampling Moreschi's The Last Castrato for queer horror short, Illuminati Castrati. Click link below for more info on film

https://www.imdb.com/title/tt27458060/

Crucifixus (The EQ ReScramble Remix)

I Came For Fire

Soundtrack to a game of armstrong pong featuring pants-round-ankles butch submission dominated by femme force.  First performed by Pong Artists as part of ObScene at Threshold, Wellington NZ on 30th June 2016.

Shovey, shovey, shove, shove.

Digital composition & kazoo: Creek Waddington.
Violin solos (& samples thereof): George M.

Extended background sample with piano, guitar and violin taken from Band Sensations' rehearsal of Sunday, 26th June 2016. https://bandsensations.bandcamp.com/

This soundtrack also samples ping-pong FX provided to Freesound.org by the users gchand1, reinsamba, dobroide, and 150025; including here http://bit.ly/292ZyNp, here http://bit.ly/296Gdeq, and here http://bit.ly/28ZrAWC 
Most are under a similar, attribution-based licence to this track.

This track is in the commons but please don't use it to sell goods or services or other shit like that. Best used for queer performances and making queer things to. Amen

PONG

Joining host Martin Andrews this week is Sian Torrington, artist and activist to discuss her current project, "We don't have to be the Building". A passionate and embodied research, art and writing project about a queer whakapapa of activism and sexuality, through Homosexual Law Reform to today, resulting in assemblage art and writing in the lightboxes on Courtenay Place, Wellington.
www.wedonthavetobethebuilding.tumblr.com
http://allmeaningisthelineyoudraw.wordpress.com
www.soundcloud.com/siantorrington

Sian Torrington, Artist & Activist

Strat raw track. Effects: Ableton live 9, reverb "church" with everything,, eg "decay time" up full.

The Poor Side Of Town Reverb Church.mid

This track is a playing of the gallery walls, floor and furniture. Also commentary from Sian about the show, energetic resonance of the room, and clanging. Harmonic kazoo, double bass and harmonies to honour the show and disrupt the church like space of the gallery.
https://bandsensations.bandcamp.com/

Band Sensations Plays The Engine Room

LOST BOYZ / I FEEL FUCKING AMAZING

LOST BOYZ

Written by Shona Laing
Arranged, mixed & produced by Dudley
Mastered by Nick Roughan

Published by UNIVERSAL/MCA MUSIC PUBLISHING PTY LTD.

www.dudleybenson.com

(Glad I'm) Not a Kennedy

Buy via iTunes

(Glad I'm) Not A Kennedy

suture

I composed this piece to be the backdrop to super 8 footage that my friend Dion shot in the mid-90s at a queer event at the Botanical Gardens in Te Whanganui-a-Tara which resurfaced in 2018. 
What was surprising to me was how many times I had to view the footage to remember that the woman sitting beside was once a romantic partner.  I was fascinated at how my mind had completely erased her from my memory.

Beyond The Shores

nonprofit artist. i seem to make soundtracks mostly.

PONG

Creek Waddington

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