Jean-Luc Guioonet & Will Guthrie 
ELECTRIC RAG - OUT NOW
Ali Buh Baeh Records / Editions Memoire
White Vinyl. Edition of 300

Jean-Luc Guionnet - electric organs, electronics, alto saxophone
Will Guthrie - drums, percussion, microphones

https://willguthrie.bandcamp.com/album/electric-rag

Jean-Luc Guionnet & Will Guthrie - 'Diggers'

On February 16th, I had the honor of opening up for Gerd Janson for Keep On's weekly party at Middlesex in Cambridge, MA.

This is the second portion of that set. The promoter made an announcement during the middle of my set so I used that as a natural way to split it up. It also gave me the opportunity to play one of my favorite Black Box songs -- Think It Over and that is where this recording starts. The recording gets cut off during my last track Xssential-3 -- Hashman Deejay if you want to check out the full track!

Keep On: Zella Warm Up Set for Gerd Janson (Part 2)

https://soundcloud.com/sequences is the main musical output by Niels Geybels. Besides creating sound and visual works he also curates the label Audio. Visuals. Atmosphere.
The sonic worlds of Sequences are arranged to blur the listener’s perception of the mundane and the surreal. It’s the result of an almost obsessive hunt for analog and acoustic sounds, some captured and recorded during travels all around the world, while others have been crafted through tape experiments with an array of instruments and tools like modular synthesizers, electric guitar, piano, contact microphones and reel-to-reel recorders.

Q: "What was a crucial sound experience in your life?"
A: "As a child I was always browsing through my parents music collection and looking at the artwork and designs of all those records they collected. Instrumental music (soundtracks, ambient music, etc..) had a great impact on my earliest listening experience since they held such rich imaginary power."

LINKS:
https://audiovisualsatmosphere.bandcamp.com/
https://sequences.bandcamp.com/album/woven-empty
https://www.instagram.com/sqncs/

TRACK/SOUNDLIST:
Sequences - Woven Empty [live] [excerpt]
Untitled Sketch [#1] & Yucatan, México 2022
Vargtimmen [by Ingmar Bergman] & Halo Arc Tones [by Thorsten Soltau]
Sequences - Vargtimmen
Sequences & Joseph Lawrence Clark - I Won’t Remember [unreleased]
Monte Alban at night, México 2023
Untitled Sketch [#2]
Sequences - Zenith, Ascend III [unreleased]
Untitled Sketch [#3] & Tabasco, México 2022
Sequences - Solfatara [unreleased]
Sequences - Elegía

MNEMOSYNE #052 - SEQUENCES

Recording of my set at Cloud & Spirits for White Label 11/18/23

Live @ Cloud & Spirits — White Label 11/18/23

Interference is an ongoing project by composer c. robert lock. Each installment features algorithmically generated music, created using various data sonification and randomization techniques. This first installment features tracks produced by sonifying computational sorting algorithms, creating spectrographs from digital images, and randomly generated patterns of notes using Max-For-Live. Once the raw materials were generated, they were treated and arranged to create cohesive compositions.

Full album: https://idolatrous-sound.bandcamp.com/album/interference-1-2024

Interference 1.2

DLB2304 

"I wrote "entrée / en mouvement / encore" back in 2016-17. The title reflects the starting idea for the piece, which was to reflect on the concert situation as some sort of ritual that has its entrance, which later generates movement and which keeps on moving after this energy has been thrown into the room. A ritual consisting on both artists and audience, unable to exist without each other. 

This idea led me to think about the popular thought experiment "if a tree falls in the forest..." which later led to reading George Berkeley's "A Treatise Concerning The Principles of Human Knowledge" (1710) to whom the thought is commonly (mis)attributed to. The three movements are composed from extracts from the book, translated into morse code and used as musical material. 

This would become my first "text based" piece, a technique that would evolve in some of my later works such as "one for two" (2018) "YES FOR NO" (2020) and "three_four_maybe" (2021)." 

Xavier Bonfill (april 2023)
credits
released April 14, 2023 

Music by Xavier Bonfill 
Text quotes by George Berkeley "A Treatise Concerning The Principles of Human Knowledge" (1710) 
Vibraphone preparation designed by Miquel Vich 

Producer, audio recording, mixing: Xavier Bonfill 
Mastering: Mikael Tobias 
Cover Artwork: Antonio Martinez 

Performed by: 
Lorenzo Colombo: vibraphone (#2, #3) 
Xavier Bonfill: Max/MSP & Ableton Live (#1, #3) 


With support from KODAs Cultural Funds

entrée / en mouvement / encore

BANDCAMP

encore

Bardo w/ AFTERVOLTER April 2024


Killing Sound @killing_sound- Six harmonies 
Posset -  Long Arm Sour (excerpts)
Letters - Buckeye Jim (traditional)
The Lips of Anna Karina - Die Youngest
NIck Kuepfer -  Driftwood marimba tape manipulations on shore 2
Julie andrews, Bill Lee - Edelweiss 
JESSOP&CO. - Deadbeat Matrimony
Kælan Mikla -  Skuggadans_2
Scott F. Hamrick - Talkaboutism
Nonhorse - My First Shotgun
Johann Mazé - Les Décennies
Irving Paul Pereira - madre's machine 
Helios the vaporwave elf - 🌙⭐️ サンダウン ⭐️🌙
Ernie Altoff -   Ernie Altof 
Johann Mazé - Dérive en Grande Garabagne
Actress (@actress1) - towers 
Essonden Airport -  Essonden Airport
Bruno Liberda - Kadath
microfissures - magnetic strings
Monoton - water
Invisible Music -  Invisible Music
10 Echo - The Will of the way things are
Everly Brothers - LET IT BE ME (Mortier rework)

Bardo W AFTERVOLTER on @rough-radio - April 2024

experimental/improvisation, prepared electric guitar, violin, electronics, coding.

state - [0xB]

DLB2305
three_four_maybe (composed 2020-21, recorded 2023)
for 3 musicians: midi controllers, prepared piano, 24 solenoids, 3 LED panels

When I was a child, before I started writing my own music, I used to write short stories. My poor handwriting made it difficult for others to read, and we didn’t have a computer at home at the time. So my parents got me a typewriter for my birthday. I loved it so much. Ideas would just flow, from my mind, into printed paper. What I liked the most about the typewriter was the sound that it made. And how each word would become music as it got typed. It was an electric typewriter, so there was a little bit of delay between my key presses and the actual sound. I learnt how to work around it and I would type faster or slower in order to queue up characters and hear certain rhythms I had in my head. So that electric typewriter was, in a way, my first sequencer.
I see the grand piano in “three_four_maybe” a bit like a giant typewriter that makes the most amazing sounds. Sounds...  more
credits
released May 12, 2023

Music by Xavier Bonfill
Text quotes from Ludwig Wittgenstein's "Tractatus Logico-Philosophicus"
Solenoid stands setup design by Lorenzo Colombo

Producer, midi recording, mixing: Xavier Bonfill
Audio recording, mastering: Mikael Tobias
Cover Artwork: Antonio Martinez

Performed by NEKO3: Kalle Hakosalo, Fei Nie, Lorenzo Colombo

With kind support from KODAs Cultural Funds & DMF / Gramex Collective Funds

three_four_maybe

three_four_maybe I (4.016)

abgrund, for ensemble (2017) 

Lucerne Festival 
KKL Luzern 23.08.2017

Lucerne Festival Alumni Ensemble:
Raoul Cho flute
Tomonori Takeda clarinet
Vitaliy Kyianytsia piano
Bill Solomon percussion
Marina Kifferstein violin
Rachel Koblyakov violin
Francesco Tosco viola
Simon Thompson cello
Juan Díaz double bass
Conducting:
Mehdi Lougraïda

abgrund, for ensemble

Giuliano Bracci
Tutto chiudi negli occhi
for string quartet
2018 | duration: 20′

Recorded live:
09.09.2018 New European Ensemble, Gaudeamus Muziekweek, Utrecht (NL)

Written for, and with the support of New European Ensemble (NL), Quartetto Maurice (ITA),
TW Classic Forst (BE), Freon Musica (ITA), Amarone String Quartet (GER).
Written with financial support of the Fonds Podiumkunsten NL in the framework of the Werkbijdrage Muziekauteur.

Program notes: http://giulianobracci.com/notes/tutto-chiudi-negli-occhi/

Tutto chiudi negli occhi

Christopher Lock is a composer of acousmatic music based in New York City.  He also performs as an electroacoustic violist and is a music technologist.

Interference 1.2

Christopher Lock

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