Please make a playlist of tracks like this one.

I like the balance worked out between the fast pulsating echoes and the floating high notes. They balance, but without anything being resolved or asserted. Great!! 

Taken from the "Consolation" EP.
Available on Bandcamp:
https://crowslabyrinth.bandcamp.com/album/consolation

Crows Labyrinth returns with a new EP, this year's second release. The three tracks span nearly 20 minutes and should please anyone that loves improvised fretless bass playing in an ambient setting.

This EP covers the lighter, more melodic aspect of Crows Labyrinth's musical output. If you liked the last two tracks of his debut album "Travels", then you'll be in for a treat. 
http://crowslabyrinth.bandcamp.com/album/travels

Crows Labyrinth is inspired by many artists. These names are a small selection: Brian Eno, Robert Fripp, Tangerine Dream, Steven Wilson (with his Bass Communion and I.E.M. projects), Tom Heasley, Loscil, Clem Leek. 

Also interesting for fans of Atrium Carceri, Raison d'Être, Lustmord and Biosphere.

All tracks played and recorded by Theo Tol. 
Production, sound design and compositions by Theo Tol. 
Mastering by Arian Prins at Hydra Music Studio. 
Artwork by Brian Watson of Plan A art: www.facebook.com/planAart/

http://crowslabyrinth.com
http://crowslabyrinth.bandcamp.com
http://facebook.com/CrowsLabyrinth
http://twitter.com/crowslabyrinth
http://crowslabyrinth.tumblr.com
http://www.last.fm/music/Crows+Labyrinth

Stateless

Dutch bass guitar dronescaper. One man, a bass guitar and effects processing. Improv is everything.

Shop here: http://crowslabyrinth.bandcamp.com

What started as an experiment in December 2011 turned out to become a real project that resulted in a full album. The experiment was simple but challenging: try to create ambient soundscapes by exclusively using bass guitars. As an extra challenge, every track should be recorded as one take, one flow of sound, one improvisation.

The result is six long tracks, six sonic adventures in which the listener can get lost and discover new details and nuances with every spin, and a solo bass piece called "Below", which is an exception to the pattern. This track was written more than ten years ago. Somehow the vibe of this piece of music fits perfectly on this album and also functions as an interlude to the final track of the album, "Heliograph", which is a bit brighter in sound color than the other tracks on the album.

Comments

Spaceschneider

encym III

how the night came

officialAATA

Stan Magendanz

Luovodifaberge