Anthea Caddy
Ned Collette
Steve Heather

cryingroommail@gmail.com

Since 2005, Andrea Gulli is interested in composition and improvisation of electronic music and its interaction with other artistic disciplines such as videoart, cinema, vjing, painting, dance, theater.
He is organizing events in Dobialab cultural center and he is one of the founders of Dobialabel. 
He is member of Neokarma Jooklo (Sextet, Octet, Experience), Dob Orchestra, Orkester Brez Meja/Orchestra Senza Confini, Res_eT, The Homesweepers, Aghe Clope and plays solo and in duo with Giorgio Pacorig and Giovanni Maier. He published records for Troglosound, Qbico, Setola di Maiale, Palomar Records. He performed extensively throughout Europe and collaborated and played with musicians such as Tristan Honsinger, Giancarlo Schiaffini, Peter Brötzmann, Steve Noble, Alison Blunt, Gerry Hemingway, Sylvia Bruckner, Kawabata Makoto, Tomaž Grom, Mikrokolektyw, Maurizio Abate, Bruno Romani, Hartmut Geerken, Eugenio Sanna and many others.



AND is an Anglo-French improvised music duo that explore sound-matter through silence and sonic gestures. Following a recent European tour, Ed Williams and Anouck Genthon develop communication through musical gesture and the questions that raises, such as the use of space and the roles of each musician in a duo.

Ed Williams is a British guitarist and composer active in the Marseille experimental music scene. His approach to improvisation follows on from his training in Classical music theory and Electroacoustic composition.
Anouck Genthon is a French violinist and ethnomusicologist involved in the improvised music scene in an approach particularly sensitive to sound. Enriched by her double stance as musician and researcher, she guides her ear by improvised gestures through the surrounding sound-environment.

1986/87 Mel Ancoly grabbed into the keys and designed, with his almost pesky,annoying arrangements, the frame BeBopTwist could fill in future. He is limited himself not only to the keyboard, but also maltreated the guitar. Not only Tango and electronic sound he raped, but also electronic Tango and sounds of heartache. 
The Mel Ancoly Set make the listener suffer and does not even stop at the bad taste. One (of course weird) masterpiece of kitsch is to be found here:  timeless - criticless - weightless - limitless - tasteless.
Capt'n Albouquerque's concept album "Neue Musik" from  1989/1990 still is unrivaled.
Beside the eponymous "Fucking is holy" (working title of the band: Capt'n Albouquerque & The Holy Fuck), the extravagant backward guitars and the use of jazz-samples it spans an arc from very experimental tracks over almost danceable synthpop like tunes to future trend setting sounds. 
Capt'n Albouquerque & The Holy Noise, jewel of new music.
2015 saw a reunion of the three BeBopTwist inventors in Wetschewell. Axo Apocalypso meanwhile switched from guitar to overtone and percussion for a more ethnic sound and goes now by the name of Flying White Eagle.
Axo Apocalypso - The Eagle Flies, 
ethnic BeBopTwist at its best

BeBopTwist

Dada was initially mainly a literary (and theatrical) movement. The visual arts at first was sidelined. However, the Dada genre cross-over potential was clearly evident not only since Kurt Schwitters' concept of art. 
BeBop is the musical expression of the Dada.
BeBopTwist transferred the, by the Beat Generation propagated, "automatic writing" into music. Basically BebopTwist is a style of jazz in a free form mixed with the psychedelic music of the sixties and in his way to deal with humor is a splash of romance.This genre was been developed about the early to mid seventies. The most significant feature is an oscillating, swinging mood in a sometimes tangoesc manner that draws awareness to an expanding direction.
The first representative of this style was Eddie Chourky. His flowing atonal bass lines are now considered legendary. Chourky quote: "It made a lot of joy to see how my fingers whirling over the fretboard, without I had to consciously intervene." 
With the beginning of the eighties Capt'n Albouquerque refined the genre. More complex scores have enriched the sound and carefully tuned discords rounded out the sound image. Almost annoying keyboard arrangements by Mel Ancoly than defined the framework in which this music had to move. 
While until the early nineties the percussive element was determined only by spontnous made maracas, guiros by same kind and bongoes,up to cocophone there was a full drum set from now, also samples were to hear the first time. 
In the following years, these became an increasingly important function.and finally, at the beginning of the new millennium, emerged some tracks that were composed entirely of samples. However, mostly the compositions made in the classic manner came to hear, and again a lack of a drum set became significant from time to time.
Now the grandson of Harry Rodeos took over the leading role, bringing the music back to its original meaning with an almost state-of-the-art technical approach.
21st Century BebopTwist copes with almost every genre to make the passage of time clearly in his understanding of life.

Currently my MFA thesis explores sonic awareness by interpreting my own audio recordings of sonic masses in motion, into large and small scale drawings to create a new way of investigating my drawing practice. I am interested in sound dynamics across different spatial and temporal scales using sense based investigation, field research recordings and studio based drawing methods while using soundscape ecology as a framework. My research examines the ways that my drawing practice translates soundscape ecology  within my relationship to my body in rural and urban landscapes.  My research examines the ways that my drawing practice translates soundscapes and my body within it. My process involves using my sonological competence to record improvised scores in collaboration with my environment, which then are translated into abstract drawings.

Our mission is to collect, preserve and share Australia’s vibrant and diverse audiovisual culture as embodied by our evolving collection - reflecting who we were, who we are, and who we want to be. 

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Xenharmonic Sound
This odd, inclined music is not developed according to the standards in musicology.
It is certainly 'Xen', but whether it is 'harmonic' seems questionable.
On the one hand free but bold into tonal space thrown melodies, harmonies incessantly decomposed in unbalanced partial figures, as in BeBop. On the other hand, often a rhythm forces the bum to rotate, as in Twist .
The applied technique has not been reached in hours and years of exercises. BebopTwist transferred the, first by Andre Breton and than by the Beat generation propagated, "automatic writing" into music. Basically Bebop Twist is a style of jazz in a free form mixed with the psychedelic music of the sixties and in his way to deal with humor is a splash of romance.

imagem e música www.instagram.com/jesuscimi 

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