Living life with pure, unadulterated House music. It's my happy place, my zen garden, my never neverland, my escape, my vacation and at times, house music is the silver lining I need to find to make just a bit of good out of a bad situation. It's hard to explain in words, which is why we can't help but to move when we hear a tantalizing rhythm and why we dance our asses off when we are stressed or worse. The love for the music is reflected by the music being composed and choreographed with the same love. That's what I put into each track choice for every mix set I produce. Pass on the love!

"...a true master..." - Earmilk.com

++++

1974: Eric Salazar, aka Phidippus, is conceived then born shortly after.
1984: Plays first instrument, the autoharp.
1985: Joins a break dancing troop.
1986: Dad buys Amiga 1000. 'Sampled' music discovered.
1990: Gets hands on an Ensoniq EPS-16+ sampling workstation and proceeds to make bad music.
1998: CD EP, "Voluptuous", released. After receiving a demo copy, the staff of Peter Gabriel's record label enjoy the CD as they write memos.
1999: Produces remixes for New Vision Recordings and other labels in the UK.
1999: Awarded best instrumental by Macworld Magazine.
2000: Mercedes, Smirnoff and other companies license Eric's music to promote their products.
2001: Launches New Vision America, a record label. After three singles are released, the label dies a quiet death.
2005: Scores the best selling game, "Belle's Beauty Boutique". What? Its cute.
2008: Releases full length CD, "ES: When I was Emptyhead 1997-2007". The CD goes on to receive airplay in major markets and commendations from the press.
2011: Remixes artists such as The B-52s, Summer Channel and Sasha.
2013: Starts producing under the name Phidippus.
2022: The hip hop single 'Starfish featuring Cap'n Fresh' achieves airplay in 30 states.
2024: Begins screwing around with AI and by 2025 releases 5 albums of AI assisted music.
2025: Continues releasing music.
2026: To be continued...

Kevin Callison calls Denver, Colorado home. Delving into various genres to create an "audio movie" taking his listeners on a journey that fills the mind, body and environment into nothing short of a  study in sound. Weaving through techno, progressive, breaks, acid and house enables his sound selection to get to the corners allowing the mixes to expand  beyond the mundane. Warm, funky bass and intricate mids and highs lend themselves to many tributaries that help dictate an interesting heartfelt connection to those in attendance.
    Being an artist in various genres of expression, Kevin has a full understanding of the holistic approach to attain moments of creation that keep the vibe fresh and inviting. He has been a D.J. since the late nineties curating and performing across the country and internationally in countless shows and events. Also co founding the longest running electronic weekly in Denver “TheUnderground”, co founding the Ekō house venue in Denver, and is a member of Beyōnd. In recent years playing with many international acts(Etienne De Crecy,Laura Jones, Robert Dietz, Keoki, Pig and Dan, Dj T, Kevin Saunderson, Dave Pezzner, Jimmy Edgar, Stephan Bodzin, Lane 8, Cassegrain, Frank and Tony, Maher Daniel, Chris Liebing, Francesca Lombardo, Kyle Watson) festivals (Reset Camp out, Together Festivak, Lillian Gish Film Festival, Eddy out camp out, Great American Techno Festival, Togetherland, DWS,), as well as exciting venues like the Endup in San Francisco, Club vertigo in Costa Rica, Drais in Las Vegas as well as TTT in Las Vegas and along with weekly events(Vedana, Versions, The Underground, Headspace) the ability to make the most discerning ears vibrate with an inventiveness that is an inspired pleasure.


Facebook:
https://www.facebook.com/kevin.callison

A lifetime student of music, Grammy nominated composer/musician Jacob Sanders has appeared on over 30 albums with credits including performance, writing and production. 

Currently on tour with hip-hop icon Big Daddy Kane - other notable links - Anthony Hamilton, Keyon Harrold, Ron Miles, Moby, The Slip, Jon Faddis, J.Most, Emily King, Ben Senterfit, and Uri Djemal. He's provided remixes for such artists as OK GO, Paul Simon, Raheem DeVaughn.

As the Creative Director for CueBro Audio Productions, he's helped to capture international placements with GE, TLC's "Breaking Amish", Nike, Corona, Anderson Cooper, San Miguel Beer, Naturalizer, NFL Films, History Detectives on PBS, Twig Science, and Bryant College. Film Scoring credits include original soundtracks for several movies, one of which (Back Door Channels) made its World Premiere at the Abu Dhabi Film Festival, winning 11 Telly Awards, making it the most awarded documentary of 2012. 

Recently he has collaborated with some of the world's finest dance companies; a.gise and dancers and Chris Ferris & Dancers in NYC and Kibbutz Contemporary Dance in Israel. He's also provided original musical works for local choreographers Jenny Stulberg, Katie Chakey, and Lexy Rose.

His work as a sound designer has been utilized by the world famous Madame Tussaud’s Wax Museum in Times Square, as well as LA based director, Philly K. Recorded cues, composed music, edited, mixed and mastered Dolby 2.0 surround sound design for immersive short film in a custom built 4D theater. Collaborated with Toronto based SimEx-Iwerks on adhering FX with film.

In addition to being dashingly handsome, he is an enthusiast for all things contradictory. The name WhaleHawk demonstrates this enthusiasm along with the style of music which can be all of the genres at once while not being one of them twice.


Songwriter/singer/performer from Denver, CO





@kaylaraemusic




 support:

@godofgroove

Championing the new wave of electronic art.

Underscore Recordings
Make Mistakes 
CLKWRK

"I don’t want it to sound like a ‘real’ band. I want it to sound like a technician made it. That’s what I am: a technician with human feelings.  Bringing love into the machines we use as our art is the most important.  And THIS is how we save the world from bad music." ~ Derick May


All songs here are original creations by J4ME5
 :  All Rights Reserved : 2025 :
Sponsored by subpac

"As a child, I grew up sitting in front of a computer by myself. That is where I learnt about music; playing video games and watching endless reruns of cartoons and American TV shows. Television gave me shelter when I was alone, nursed me with Hollywood’s mythologies. It guided me through nameless countries; with it I brought down colossuses and climbed mountains. I preached its beliefs. But when I grew up, all my heroes died. 

Today, I still come to mourn in deserted movie theatres. There, lights flash before my eyes. But I don’t feel anything in face of the latest blockbusters and their visual explosions, these chaotic clusters where Mechas and Kaijus pile up in between fights under the rain, tsunamis and apocalyptic scenes… Yet I feel numb, except for the roaring sub-basses that fill the void of cinemas. My music is for those who, like me, have grown up amongst the ruins of blockbusters. For them my bass trembles and my synths screech. 

But I know that beyond this digital coldness lie other horizons, other possibilities."

Danger


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