sci-fi

sound works

sound design for video installation Knitt

Knitt

You can  watch  with  Graphic notation from here : http://www.csismn.com/SYN-Phon

Graphic notation and composition by Candas Sisman
Barabás Lőrinc: Trumpet 
Ölveti Mátyás: Cello 
Candas Sisman: Electronics and Objects 

Budapest Art Factory (BAF) is pleased to present to you SYN-Phon; sound performance based on graphical notation by Candaş Şişman featuring Barabás Lőrinc & Ölveti Mátyás. Candaş Şişman resided at BAF for the month of June as part of its cross-cultural fertilization residency program. SYN-Phon will be exhibited to act, as a visual linguistic delivery through a cogitation segment followed by the sound performance on June 29th. 

www.csismn.com
www.budapestartfactory.com
www.barabaslorinc.com
www.accordquartet.hu

Coming about to understand the human nature of comprehending linguistics is that of a complex take –on. The constituent elements of language, in general content, bring forward the theory of other minds sharing, with intentioned communication. 

Thought varies with the use and absence of language that comes to be found in line with the development of thinking and impulses from our daily surrounding. Eventually language creates our point of view just as much as our ideas and perception of matters, individualistically. 

Art plays a crucial role in demolishing the boarders of our comprehension our mindset is framed into by literate language. Human language serves as a rather conservative form of communication when comparison to musical language; where the freedom of space employs as a resort for that broad horizon of that, that in search of cutting-edge form of broadcast. 

Candas’s trials of combing various forms don’t necessarily imply the mere creation of a pioneering flash but rather the use of the endless possibilities in associating the known and unknown. Through the unknown, we come about with a new way of thinking that tries to substitute and make space for a new tool of self-expression. Conclusively the graphical notation gives liberate opportunity in creating one’s personal language that holds its basis on feeling the visual and sound in parallel. 

Phonation, in accordance to Candas is the presence of sound language in SYN- Phon where the structure is supported by the synthesis itself. Music in its myriad forms extends to exploiting a communicative human language, thereby making the conceptual idea much more of significant importance than the actual tool. For Candas the presence of music in positively charged negatives spaces is a key element for substitution of the unknown seeking to be expressed. By the happening of SYN-Phon the line of musician will be crossed into a rather freely inflicted composer. Lőrinc and Mátyás as the musical inputs , on trumpet and cello respectively, of the performance will attain free expression 
rightfully to the impulses in line of creating a new language.

SYN-Phon sound performance will demonstrate an articulation based on Candas’s intimate collective findings of Budapest during the month of June. Buda and Pest in the separate geographical allocation hold different quintessence natures, in addition to the anecdote of recent flooding events of Duna the performance is meant to reach out to the audience as a sensual expressive language. The sound performance will include sounds, constructed and picked up in Budapest recorded by Candas himself. 
The whole bulk graphical notation will be available in print form to be part of the introductory assimilation.

SYN-Phon

http://www.csismn.com/F-L-U-X

Sound Design for  FLUX

FLUX_Sound Design.WAV

Tenekemetalokulsolo

celloizmr

rogx

Mizika kopus

Candaş Şişman(1985, İzmir) studied fine arts in İzmir Anadolu High School for Fine Arts and graduated from the Animations Department of Eskişehir Anadolu University in 2009. He spent his one year of college receiving multimedia design training in Holland (2006-2007) With Deniz Kader, in 2011, he founded “NOHlab”, a project which generates collective projects in arts and design.

Candaş Şişman aims to manipulate our notion of time, space and motion by his work, using digital and mechanical technologies. Taking the sciences of nature and universe as his reference point, the artist combines physical forms with images that are produced digitally. Thus a bridge becomes visible, between the physical world and the digital world. The works of Şişman stand on a complex base, but the forms are simple, allowing the audience to engage in intellectual interaction with the artwork; in which “process” is the structural element of utmost importance. 

Candaş Şişman has received several awards since 2007, among which are an Honorary Mention from Prix ARS Electronica Computer Animation/Film/VFX and Best Prize in Sound Design from Roma Viedram Video Festival. He has participated in many exhibition and festival, such as Venice Architecture Biennale, TED X, ARS Electronica, Todaysart Festival and FILE Festival. Candaş Şişman recently realized Sonicfield-01 Sound Installation in Venice Architecture Biennale and ‘FLUX’ audiovisual installation among İlhan Koman Hulda festival in İstanbul. The artist is living and working in İstanbul, represented by PG Art gallery in Turkey.

FLUX_Sound Design.WAV

candas sisman