crazy tunes. what's this one after wanzer's?

Omg sexy hot what’s the tune please. 💚

passing it clockwise is good luck,
anyone can join the joy of joint, just choose a time and post !
"This mix was recorded in July 2021 at an indoor club in Omotesando, when lockdown was briefly loosen and was allowed to party at night little bit (maybe for about 2 weeks). It’s an excerpt of that all nighter set I have played, everyone wearing mask so was not able to see their faces but seemingly people were having a good time."

Kinkeshi doll made by Katchan

Passing it clockwise (0:30 - Powder)

an excerpt from the middle of a four hour opening set. enjoy.

photo by willem mevis

Richard Akingbehin @ Draaimolen x Sustain Release, Tilburg - May '24

My set (with crowd noise) from the Grove Saturday Night 1-3am, after Djrum, before Identified Patient. 

Out to all the sexy witches of the forest, thank you to everytone there + entire crew @sustain-release-nyc :)

<3 Mastered by the best @wordcolour

CCL @ Sustain-Release Year Ten

Kiosk and The Lot Radio proudly team up for a three-day broadcast from the Moon Ra stage at Horst Festival, highlighting the vibrant music scenes of New York and Brussels at one of Europe’s renowned festivals.

https://www.instagram.com/objekttt

www.kioskradio.com
www.thelotradio.com
www.horstartsandmusic.com

Objekt | Kiosk Radio x The Lot Radio at Horst Festival 2025

The latest Off-Kilter audio submission is a dive into Or:la’s expansive vision of sound - a downtempo mix of slung drums, abstract electronics and heady vocals. As an artist, Or:la navigates effortlessly through many channels of electronic expression. Here, she revisits music from her influential past with a mix that is deep, meandering and rich with texture - nailing the brief with pin-point precision - and transporting us into a dream like state.

In her own words:
 "I kept to the ‘off-kilter' brief for this one and wanted to put together a mix you can just zone out to, with less of the twists and energy shifts I usually go for in my DJ sets. A lot of the tracks mean something personal to me like the Holger Czukay one at the very end, which I first heard at uni around 2012 while watching Morvern Callar in a film studies class - the whole soundtrack really stuck with me and ended up playing a big part in me drifting away from visual arts and getting into music."

//

Throughout Or:la's journey as an artist, the Derry-born producer and DJ has carved out her own niche and consistently strived to escape categorisation gaining her a BBC Radio 1 Residency, an Essential mix, and DJ Mag's ‘Best DJ’ award. From running DIY parties in abandoned shops whilst studying in Liverpool, to securing some of the best club residencies around the world, Or:la's story is organic and authentic.

Staying true to her explorative propensity, Or:la 's debut album arrived via Fabric Originals in 2024 and is a testament to her ability to fluidly traverse tempos and energies. Or:la takes a similarly chameleonic approach to her DJ sets - although there's an impalpable emphasis on melody, rhythm and texture, you never really know what you might get other than a preference to follow mood over genre. Orlagh Dooley's DIY mentality extends far beyond the DJ booth - as the boss of former Deep Sea Frequency and her current label, Céad, she nurtures a community of diverse artists who share her passion for less categorizable dance music including NIKS, Primrose, Blu Terra and FAFF. The label's releases emphasize quality and creativity across a wide sonic spectrum. Since her debut EP 'UK Lonely' on Hotflush Recordings in 2017, Dooley has collaborated on a broad range of remixes, from David Holmes/Killing Eve's "Unloved" to dance floor-focused labels like Spray and Woozy. Or:la continues to run her queer-focused event series ‘La Potion', which celebrates and shines a spotlight on queer creatives. Now based back in the UK, Orlagh Dooley remains integral to the clubbing scene as a promoter and community builder, pouring her heart and soul into the place where she found her musical voice.

@orla_cd

OK037 - Or:la

A rare club mix from the ever-evolving artist, with 90 minutes of shadowy, atmospheric pressure.

Music's therapeutic value is often linked to relaxation—gongs, singing bowls and the like. Dense passages of foggy droning and eerie static aren't traditionally considered restorative, but Laurel Halo makes a pretty good case for it.

The Detroit-born, Los Angeles-based musician's abstract, often improvised productions are heavy on sound design and emotional climax. Driven by atmosphere rather than rhythm, they push listeners to grapple with their innermost insecurities, fears and dreams. "I'm lucky my music has helped people through crises," Halo once told Discwoman. It's easy to see why.

Since her 2010 debut King Felix, Halo has built a stunningly diverse catalogue of classically-informed records. A multi-instrumentalist—piano, violin, guitar, keys—her sharpest instrument is arrangement. Inspired by the surrealism of Italo Calvino and Apichatpong Weerasethakul, her releases, from Atlas to Behind The Green Door, unfold with slow-burning narrative and dense emotional weight. Her soundworlds are layered and labyrinthine—an architectonic space where self-reflection happens almost by force.

Even in the club, the sought-after composer excels in immersion. Her sets extend the expressionist palette of her records, trading traditional rhythm for tension, space and surprise. It’s no wonder she takes a genre-agnostic approach to the dance floor—her deep roots in freeform radio began at WCBN-FM in Michigan, followed by Berlin Community Radio, Rinse FM, and now a regular show on NTS.

RA.992 stitches foggy ambient loops, propulsive techno, mutant percussion and heady left turns with care. Tracks from DJ Rush, Octave One and Eddie Fowlkes nod to her Midwestern heritage, balanced out by deeper, psychedelic fare from the likes of Polygonia and Cousin. It's the mark of an artist revealing both deep curiosity and a precise hand as a selector. Rare, indeed.

@laurelhalo

Find the full interview at ra.co/podcast/992

RA.992 Laurel Halo

Amelia Holt at The Swirl, Horst Arts & Music 2025

deep techno bliss 

https://www.instagram.com/ronlikehell
https://www.instagram.com/les_antenes 

https://www.soundcloud.com/ronlikehell
https://soundcloud.com/antenes


the space between spaces with ron like hell and Antenes @ The Lot Radio 07-08-2025

Rising from the shadows, we present you this deep, reduced and misty EP by @Sydkasd . Causing some rucus in the last years and delighting ears all over the world, we are happy to welcome him  on Friendly Connections. Quite diverse remixes were contributed by @theaehthea, @paul-valentin and @Emorine.
Get los in sound!

Mastered @ Perla Audio, Germany

Artwork by Ben Post 
https://www.instagram.com/en.ost/

Sydka - Lust

In the words of Scott Zacharias, who closed the Outer Space Room at No Way Back, May 25, 2025, Day 2 of Return to the Source at Tangent, Detroit:

“NWB, being more than just the sum of its parts, always reflects my current life state(or lack of) and this year was no different. My friend Zach reminded me of this ultra-special cut by Arthur Russell: “In the Light of the Miracle.” It’s one of those holy grails and this mix (by Danny Krivit & Tony Smith) only existed as unreleased Talking’ Loud promo until a Soul Jazz comp finally issued it properly in 2005. I used to run it occasionally some 20 years ago, but hearing it again left me shook and set the stage for my entire set. And the rest of my life. My partner Ellen and I learned we were pregnant that same weekend.

Completely overwhelmed, I felt like I just wanted to share music for folks like I do in my own living room. Not really as a mix, but an intimate family affair. In the wee hours of the morning when I finally decided to share Russell’s opus, Ellen joined me on stage. We embraced and cried as we saw all our friends dancing in a now sunlit room. 

“I love you and that's all, living in the light.” — Arthur Russell”


IT.podcast.s14e07: Scott Zacharias at No Way Back 2025

Techno Ruined My Life: The Hostile Ambient Takeover Mix (Excerpt)

For booking inquiries please contact:
Michelle Erfer @ The Bunker NY (for North America)
michelle@thebunkerny.com

Alex Giacometti @ Biota Agency (for R.O.W.)
alex@biota.agency

Photo Credit: Seze Devres Photography NYC

Techno Ruined My Life: The Hostile Ambient Takeover Mix (Excerpt)

Carlos Souffront

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