Sunday 27 January 2019
CTM 2019 – Persistence 
Kunstquartier Bethanien, Berlin

Video available via YouTube: https://www.youtube.com/watch?v=KZLhM4AOS5k

Mat Dryhurst’s work has long been concerned with platform politics and decentralisation, manifest through attempts to seed alternative techno-cultural pathways through public proposals, teaching, and artworks. In this talk he will discuss our duty to the musical archive in the face of ahistorical algorithmic populism, and how now might be an opportunity to reconsider first principles. What do we actually stand for? How do we encode this ideology? Unpacking decentralised economic ideas such as DAO’s, Data Guilds and new Group Equity models, he will make the argument that we might want to consider a cultural hard fork.

CTM 2019: Protocols—Duty, Despair, and Decentralisation by Mat Dryhurst

dub house disco ~ cosmic balearic trips

@thecauselondon ~ @threadsradio ~ @sisu_crew

Back to Ours ~ Joy Collective ~ Swirl 

https://linktr.ee/RosyRoss

she/her

<♫>❤<♪>dب_بb<♪>❤<♫>
@curiosityshoppp
gearshfft@gmail.com

Cerpintxt is an electroacoustic progress report concerned with generating an invented language of a particular strain of softness through phonetic entropy and augmented instrumentation. Working with cut-ups, dialectics, and chaos magick to decimate language and linear constructs of temporality. In an entropic process of lingual erosion into protoconversation, the textural counterparts of her sound include wind instruments, broken turntablism, tape recorders, granular and modular synthesis. She curates the London-based event ‘Boundary Condition’ investigating the parallelization between darkjazz, hauntology, and music concrete as nostalgia-centric sonic practices, previously hosting Esperanza Spalding, Shabaka Hutchings, Machinefabriek, Carlos Casas and more. She is a resident on Radio Alhara, Radio syg.ma and Mutant Radio.

bookings: alaayussry@antisense.co.uk

😐conveying felt things irl > expressing a self

Berlin’s CTM Festival supports an open, networked, mutually-collaborative, global music culture through its yearly 10-day festival as well as countless collaborative and research initiatives, co-commissions, concerts, and other constantly-evolving formats. The 2 decades old festival stands out for its conscious pairing of daring artistic content and adventurous club experiences with an in-depth discourse programme, framing today’s sounds and music cultures within a shifting, hybrid global society.