5. Clu [xxx Mix]

Glossolalia

Upcoming rapper (skidtiminbukser)

https://archive.org/details/aifix-tape-95

shoutoutz to jatsko,lanner chronicle,dj food,toffo & μ-ziq

stay safe out there

Airfix FLACs Link

KURDISH BERLINER

Feel explores the complexities of understanding our feelings. I hope Feel takes you on a journey through your own emotions and challenges you to look within.

Love Matlas x

Feel

U-R-A-Ho (remix)

From Boli Group "N.P.D.S" LP/DL 
Posh Isolation 208 
Out May 4th, 2018

"Via negativa, not a collection of skills but an eradication of (mental) blocks
Meme sonate, winter sun fails but 'spirits bright'
Matiné meditation
A picture of fresh moringa leaves
The sound of NSA listening in on your most intimate moments.
Early 21st Century Music”

Boli Group is a new ensemble spearheaded by Copenhagen based composer and producer Asger Hartvig. Responsible for some of the most fearless and intriguing works to come from the city in recent years, Hartvig is as imposing as he is mysterious, and his debut release for Posh Isolation makes no concessions.

Hartvig is perhaps best known for his work with the group Synd Og Skam. And though less known, Brynje 1&2 is just as exceptional. Taking both technology and classicism as allegories, each group charts routes in and out of pop music, somehow arriving at an observer's distance to the distinct stylistic choices in the process. The label Visage has published the best of this, and the logic has certainly been carried into 'Boli Group LP,' the latest offering from Hartvig and his distinguished ensemble of Nina Cristante, Holger Hartvig, Thea Thorborg, and Cæcilie Trier.

There is a nearly unendurable fragility to 'Boli Group LP.' It's as if Hartvig has let the complexities of his themes stand in mourning; his narrator taking a moment to themselves behind sunglasses, exhausted for the rose-tinted lens of the prepared script. The album is willingly dramatic, though it never plateaus into melancholia. Hartvig pirouettes at the edge with the sorrowful string arrangements and the pristine timbre of the piano, the immediacy of the acoustics always binding the listener tightly to the risk. Pastoral and meditative, the electronics don't tamper with the delicate fabric being woven. They always register as supportive and understated. The synthetic hum, occasionally yielding a doleful melody as it does, manages to imbue a naiveté to this contemporary and subtly idiosyncratic chamber music.

Though the track titles lead us on, in time the examination the album provokes is that of the tension in transparency. The album's secret, barely kept through the minimalism, is its distinct folk noir quality in holding it.

"boli group creating new chamber folklore embracing the playing of instruments, not the played, but that which is playing for the sake of future focus and edit into the very minerals of instrument, intuition, emotion, fragility underlying, the warning, always pulsating acts of drama, wet leaves, asphalt, pan to right, agriculture and electricity poles a container ship, lonely in horizon hoping for a clear thought, but everything existing as conspiracy the sound of a search, uncertain and always asking, for certainty is false, showing sceneries changing permanently and forever narrating, like a panorama of grey clouds, keeping humidity levels high, heating up before the release of water and lightning investigation for folk instruments. What are their songs and where will they go, over time, woven together like a piece of fabric created to stand against the lethal winds”

A1. Overture 04:36
A2. How To Play 03:12
A3. Monsanto Folk Song 02:46
A4. Toxica 03:15
A5. Moringa 03:15
A6. Garden Picture 02:28

B1. Tension In Three Stages (Drama) 06:28
B2. Tension In Three Stages (Country) 03:18
B3. Tension In Three Stages (Nautic) 05:39
B4. Summit 01:35

Posh Isolation 208

04 05 2018

Boli Group - Toxica

TRACKLISTING / INTERVIEW:
self-titledmag.com/2018/09/21/geographic-north-label-of-the-month-feature/

FURTHER READING:
getcentered.io/2018/09/21/alva-noto-ryuichi-sakamoto-vrioon-review/

Label of the Month: Geographic North

releases November 20, 2020
mastering and lacquer cut :: Mike Grinser (Dubplates + Mastering, Berlin)
mixing assistance on "An Indefinite Lattice" :: Nathan Taylor

all proceeds to NHLC (Honolulu, HI) :: nativehawaiianlegalcorp.org

"Indefinite Lattices, the new 12-inch record by Glyn Maier, is rock music of a very different order. During visits to two mineral-rich sites, Maier collected field recordings of these environments which were then re-synthesized into four extended compositions. At Ringing Rocks in Pennsylvania, a field of boulders make bell-like tones when struck, as well as low-frequency tones that are unhearable by humans. (Scientists have yet to discern why the rocks ring, but believe it may have to do with the freeze-thaw cycle that produced them.) The other site visited by Maier—the fairly remote Kaʻena Point on the coast of O’ahu, Hawaii—was believed to be the departure point for souls leaving this world.

The unstable rhythmic patterns from these spaces, as well as Maier’s tappings, scrapes, and footsteps throughout the two sites, are paired with lullabilic progressions and ghostly effects. Instead of the artist’s personal expressions, the tracks on Indefinite Lattices are envisioned as lithic formations in their own right, as things grown rather than produced. They seem to have peaceful but complex lives of their own. Guided by notions of deep ecology—and an anti-colonialism that recognizes the bloody histories of these two sites—Maier refashions the instrumental utility of electronic music so that the agency of environments is emphasized.

Like watching rocks fall down a cliffside and splashing into a stream, or the humbling calm of a thunderstorm, one is left wondering whether this record is the result of human intention or a combination of natural forces. Treading the line between traditional and experimental approaches to ambient music, Maier edits the contingency of his gear’s electrical signals and the recorded environments into tightly conceived compositions. Indefinite Lattices is documentation of moments in the geological process, but also illustrates the geologic nature of art itself.

---

Glyn Maier is a sound & field recordist and conservationist living in the Unorganized Territory of South Oxford, Maine. He previously released music under the alias Lack. "

U-R-A-Ho (remix)

Cu Cap