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The music of Curtis Rumrill explores the intersection of literary form and modern chamber music. His works with writer, naturalist and visual artist Zachary Webber tell darkly comic stories of animals in desperate or violent predicaments.

In May 2019 Kamratōn, Quince Contemporary Vocal Ensemble and Shana Simmons Dance will premiere his new opera, Her Holiness, The Winter Dog. His music has been commissioned, premiered and performed by, among others, Ensemble Dal Niente, Quince Contemporary Vocal Ensemble, NAT 28, Kamratōn, Alia Musica, Tony Arnold, Thomas Rosenkranz, Aiyun Huang, Jordan Dodson, Kenneth Meyer, the Syracuse University Contemporary Music Ensemble, Lisa Cella and Juna Winston.

He has been performed in the United States and internationally, including Vienna, Austria; Basel and Baden, Switzerland; Maccagno, Italy; Panama City, Panama; Bogota, Colombia; Mexico City, Mexico; Boston, MA; Bloomington, IN; Cleveland, OH; Bowling Green, OH; Pittsburgh, PA; and Syracuse, NY.

In 2013 Rumrill co-founded MusicArte Panama, a new music festival in Panama City, Panama. He is also Board Chair of Alia Musica, a Pittsburgh based New Music ensemble and presenting organization.

Aside from his work in New Music, Rumrill is a committed activist for social justice. This work, a constant over the last decade and a half, has taken many forms: housing, racial justice, activist legal defense, anti-sweatshop and labor organizing.

Rumrill holds a BMus in composition from Syracuse University and a MM in composition from Bowling Green State University. He is currently a Doctoral Fellow at UC Berkeley.

Robert McClure’s music attempts to discover beauty in unconventional places using non-traditional means.  Visual art, poetry, the natural world, neurological and mathematical concepts are all elements that influence McClure’s works. His work has been featured at festivals including the New York City Electronic Music Festival, the Sonorities Festival of Contemporary Music, the Beijing Modern Music Festival, the Toronto International Electroacoustic Symposium, ISCM, SCI, SEAMUS, and ICMC (International Computer Music Conference). 

His works may be found through ADJ·ective New Music LLC, Bachovich Music Publications, Imagine Music Publications, Innovative Percussion, Media Press, Inc., Resolute Music Publications, and Tapspace Publications as well as on the ABLAZE, Albany, and New Focus Record labels.

In addition to his composition activities, Robert is a member of the ADJ·ective New Music Composer Collective and the host/producer of the ADJ·ective New Music podcast, Lexical Tones; a weekly conversation with a guest composer, performer, and/or artist creating new works of contemporary art/music that focuses on aesthetics, technique, process, meaning, perception, and the musical origins of the featured guest. The podcast can be found on iTunes, Stitcher, and Soundcloud.

Robert received his doctorate from the Shepherd School of Music at Rice University where his primary mentors were Shih-Hui Chen, Arthur Gottschalk, and Kurt Stallmann.Robert has previously held positions at the Shanghai Conservatory of Music and Soochow University in Suzhou, China. He currently serves as an Assistant Professor of Composition/Theory at Ohio University.

Angels Share Records 

Founder & Director – Ann Moss 
I am a vocalist, teaching artist, champion of contemporary composition, and ardent fan of music of all ages and genres. I perform and collaborate with a dynamic array of composers, chamber ensembles and orchestras. While I am fortunate to work closely with world-famous composers like Jake Heggie, Kaija Saariaho, John Harbison and Aaron Jay Kernis, I eagerly seek out and perform music by emerging and under-represented voices. My artistic mission is to lift up new and contemporary vocal literature to serve as narrative for the hard to speak about issues of our times. This aspiration is demonstrated in my current recording project LIFELINE: A Year in Quarantine with Hildegard von Bingen, spotlighting how artists empower one another through digital networks to create and collaborate while in isolation. 

Over the last decade I have acquired a deep love for the art and craft of recording, collaborating with remarkable music creators like Leslie Ann Jones, Andreas Meyer, Michael Romanowski, Lolly Lewis, Donn Thompson, Piper Payne and Andy Happel. My two solo albums - Currents (2013, Angels Share) and Love Life (2016, ASR) - were produced by multi-GRAMMY® award winner Leslie Ann Jones at Skywalker Sound. Other recent recordings include Autumn Winds (2020, Ravello) and Chamber Music of Nancy Bachmann (2021, no label) and I can be heard on releases from Naxos, Arsis, Albany, Navona, and Jaded Ibis Productions.

My artistry is informed by the diversity of spaces I have had the opportunity to perform in, and the variety of organizations and ensembles I have been privileged to collaborate with – from grand venues such as Davies Hall with San Francisco Symphony, Caroline Hume Hall with Bay Area Rainbow Symphony, or Benaroya Hall with Seattle-based Music of Remembrance, to intimate recital settings with artists such as guitarist David Tanenbaum, flutist Jessie Nucho, cellist Emil Miland, harpist Meredith Clark and pianist Steven Bailey. Treasured milestones of recent seasons include curating and presenting a multi-year concert tribute to Joni Mitchell; premiering compositions by Ursula Kwong-Brown, Feona Lee Jones, Kev Choice, Griffin Candey, and John Grimmett; creating innovative recital programs like From Bay to Shining Bay - commemorating victims and first responders of the 2013 Boston Marathon Bombing, and Ex Uno Omnes (Out of The One, Many) - spotlighting women, LGBTQIIA+ and BIPOC songwriters; and a residency at Baldwin-Wallace Conservatory in conjunction with Cleveland Opera Theater’s {NOW} New Opera Works Festival. 

Teaching is fundamental to my artistic identity. I maintain a thriving private voice studio, and serve on faculty at UC Berkeley and the Jesuit Theology Institute. I present seminars on vocal composition and interpretation of contemporary song at institutions such as UC Davis, NYU Tisch, MIT, University of Houston Moores, UT San Antonio, San Francisco Conservatory, and Sacramento, Fresno and San Diego State Universities. I am a Reiki practitioner, enthusiastic Yogi, and pursue a lifelong interest in Traditional Chinese Medicine. I grew up in Lincoln, MA, earned degrees from Hampshire College, Longy School of Music and San Francisco Conservatory, and now live and teach in the San Francisco Bay Area

Through cyclical, everyday mundanities like cooking a next meal or answering a phone call from a loved one, we weave webs of positions towards ourselves and others that inevitably collide, creating the structure and flow of our lives. The significance of these ordinary moments often slips past our awareness, though in these moments’ constancy they do more to shape and represent our lives than the scarcer, high-intensity milestones that we look forward to or that stick out in our memory.

My immersive media sound installations and staged music theater works transport participants to dramatized recreations of these small moments. I use combinations of music and field recordings, video and lighting, performance and narrative, as well as site-specificity and audience interactivity to plunder these moments’ emotional depths, expose their intimacies, and elevate their meanings within our lives.

Acclaimed for his “ethereal saxophone playing” (Vital Weekly), Dylan Ward is a musician/improviser/sound artist specializing in contemporary and electroacoustic music. Ward has released recordings on the Neuma, Mother Brain, and XAS record labels that have been described as “meditative, jarring, and cosmic…highly creative” (Take Effect Reviews) and praised for presenting music that is “clear and coherent in its discourse, original in its sounds, and as beautiful and intellectually stimulating as it is playful” (Pan M 360). Ward has performed nationally at the Bang on a Can LOUD Weekend Festival, Eighth Blackbird Creative Lab, Northwestern University New Music Conference (NUNC!), and NYC Electroacoustic Music Festival and appeared in venues including Lincoln Center, Constellation Chicago, Kauffman Center for the Performing Arts, Mesa Arts Center, and Sheen Center for Thought and Culture.

In July 2022, Ward released his debut solo electroacoustic album, Tourmaline, through Neuma Records. The album explores ideas of sonic transmutation and alchemy, featuring music by Alexandra Gardner, Viet Cuong, Seth Andrew Davis, Kenneth Michael Florence, and Emma O’Halloran. From the Cave of Crystals to the cosmogonic Ogdoad, from Paul Klee’s depiction of the Angel of History to the structure of a Michael Jordan documentary, Tourmaline covers a wide range of creative concepts in pursuit of the alchemical magnum opus. 

Ward's creative work has received support from the NC Arts Council, Charlotte Arts & Science Council, City of Charlotte, Infusion Fund, Foundation for the Carolinas, UMKC School of Graduate Studies, Charlotte Street Foundation, Semans Art Fund, Thomas S. Kenan Institute for the Arts, and William R. Kenan, Jr. Charitable Trust. 

https://dylan-ward-saxophone.squarespace.com

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