“An adrenaline shock to the UK new music scene…” – Kate Molleson, BBC Radio 3

“The Queen of Clarinet Mulitphonics” – Sara Mohr-Pietsch, BBC Radio 3

“…multiphonic virtuosity” – The Guardian

“…brilliant…” – The Times

“…performed by the excellent Heather Roche…brought vividly to life by Roche’s controlled but expressive performance… 5 stars” –  BBC Music Magazine

“…a figurehead for contemporary music performance practice” – Neil Luck, BBC Radio 3

“…undoubtedly one of the great instrumentalists of her generation.” – Graham McKenzie, Artistic Director of the Huddersfield Contemporary Music Festival

“What makes all of this so fully absorbing is how Roche has completely internalized extended techniques for clarinet into her playing, with nothing sounding forced or contrived.” – Point of Departure

Born in Canada, clarinetist Heather Roche trained in England, lived in Germany for 7 years and now lives in London.

She has played with Apartment House (London) since 2016. With them, she has recorded 28 albums for the Another Timbre label, and the ensemble is currently Ensemble-in-Residence at Wigmore Hall. She started working with the band Modern Nature in 2022, joining them first for their King's Place show in December of that month. 

In 2015 she formed a duo with the German accordionist Eva Zöllner, with whom she has performed at the Venice Biennale, MIXTUR festival (Barcelona), the Darmstadt Summer Courses, Gaudeamus (Holland), and the Bludenzer Tage (Austria). They also toured extensively in Mexico (2019), Sweden (2021) and Colombia (2022). They have commissioned dozens of new pieces for their duo, including works by Annika Socolofsky, Elnaz Seyedi, Pierre Alexandre Tremblay, Christopher Fox, and Johan Svensson. Their latest call for composers (supported by NeuStart Kultur) attracted 100 applications from around the world, from which they chose four – which will be premiered in January 2023 in Germany. www.zoellner-roche.com

She was a member of Mimitabu (Gothenburg) from 2018-2020, and she was a founding member of hand werk, a 6-person chamber music ensemble based in Cologne, and worked with the group from 2010-2017.

She has performed with ensembles and orchestras including Musikfabrik (Cologne), the WDR Orchestra (Cologne), mimitabu (Gothenburg), the London Symphony Orchestra (London), the London Sinfonietta (London), ensemble Garage (Cologne), ensemble interface (Berlin), the Riot Ensemble (London), the Alisios Camerata (Zagreb), manufaktur für aktuelle musik (Frankfurt), and ensemble proton (Bern).

She has performed at most of the major European festivals, including musikFest (Berlin), BachFest (Leipzig), Musica Nova (Helsinki), Acht Brücken (Cologne), the International Computer Music Conference (Huddersfield, Ljubljana), the Dias de Música Electroacústica (Seia, Portugal) the Bludenzer Tage (Bludenz, Austria), and the Agora Festival (Ircam, Paris). She has also performed solo programmes at the Zagreb Music Biennale, the Huddersfield Contemporary Music Festival, the New York Electroacoustic Symposium, at CIRMMT (Montreal), Sound Festival (Aberdeen), Unerhörte Musik (Berlin), Eavesdropping (London), Rainy Days (Luxembourg) and with the Birmingham Electroacoustic Sound Theatre (BEAST).

She has premiered many solo works for her instrument, including pieces by Maija Hynninen, Simon Emmerson, Martin Iddon, Lisa Robertson, Christopher Fox, Dai Fujikura, Martin Rane Bauck, Chikako Morishita, Michelle Lou, etc. In 2020, Scott McLaughlin wrote his clarinet concerto, Natura Naturans, for her, and it was premiered at Tectonics (Glasgow) with the BBCSSO under Ilan Volkov. Her CD of Martin Iddon’s clarinet music, Sapindales, recently sold out on the Another Timbre label. She also has solo CDs out on the HCR/NMC and Métier labels. 

Since 2016 she has acted as the Reviews Editor for TEMPO, a quarterly journal for contemporary music published by Cambridge University Press. She also writes regularly for the Clarinet and Saxophone Society Magazine, and has written feature pieces for MusicWorks Magazine (Canada).

Her website is host to one of the most widely read new music blogs on the Internet. In 2019 it had 90,000 hits from around the world. She successfully crowdfunded in 2014 in order to host her first composition competition. Six young composers were chosen out of 270 applicants to write new pieces, which were premiered in 2016.

She gives workshops in clarinet technique and composition all over Europe, for example in London, Munich and Copenhagen. She has a yearly workshop for fourth-year undergraduate students at the Guildhall School of Music and Drama, in which they write a new piece for clarinet and electronics. She has also participated in residencies with young composers at Stanford University, Harvard University, Peabody Conservatory and the University of Leeds, etc.

In 2014 she was awarded a DIVA (Danish International Visiting Artists Fellowship), and lived in Copenhagen for two months.

Heather completed her Masters of Music (Orchestral Training) in 2006 at the Guildhall School of Music and Drama in London, studying under Joy Farrall and Laurent Ben Slimane, in addition to conducting with Sian Edwards. Following her degree she completed residencies with the International Ensemble Modern Academy, at IMPULS in Graz and with ensemble recherche in Freiburg, the Darmstadt Summer Courses 2008 and 2010 and the International Ensemble Modern Academy in Innsbruck, Austria. She performed in masterclasses with Michael Collins, Ernesto Molinari and Shizuyo Oka, to name a few. She completed her BMus in 2005 at the University of Victoria, Canada, studying under Patricia Kostek.

The music of Curtis Rumrill explores the intersection of literary form and modern chamber music. His works with writer, naturalist and visual artist Zachary Webber tell darkly comic stories of animals in desperate or violent predicaments.

In May 2019 Kamratōn, Quince Contemporary Vocal Ensemble and Shana Simmons Dance will premiere his new opera, Her Holiness, The Winter Dog. His music has been commissioned, premiered and performed by, among others, Ensemble Dal Niente, Quince Contemporary Vocal Ensemble, NAT 28, Kamratōn, Alia Musica, Tony Arnold, Thomas Rosenkranz, Aiyun Huang, Jordan Dodson, Kenneth Meyer, the Syracuse University Contemporary Music Ensemble, Lisa Cella and Juna Winston.

He has been performed in the United States and internationally, including Vienna, Austria; Basel and Baden, Switzerland; Maccagno, Italy; Panama City, Panama; Bogota, Colombia; Mexico City, Mexico; Boston, MA; Bloomington, IN; Cleveland, OH; Bowling Green, OH; Pittsburgh, PA; and Syracuse, NY.

In 2013 Rumrill co-founded MusicArte Panama, a new music festival in Panama City, Panama. He is also Board Chair of Alia Musica, a Pittsburgh based New Music ensemble and presenting organization.

Aside from his work in New Music, Rumrill is a committed activist for social justice. This work, a constant over the last decade and a half, has taken many forms: housing, racial justice, activist legal defense, anti-sweatshop and labor organizing.

Rumrill holds a BMus in composition from Syracuse University and a MM in composition from Bowling Green State University. He is currently a Doctoral Fellow at UC Berkeley.

Ensemble Lemniscate is a group of international soloists deeply engaged with the music of our time. Since it's foundation in 2012, the Basel based Ensemble has kept it's ears and eyes close to the present and has been developing a strong dialogue with the young new music scene. 

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 Ensemble Lemniscate ist eine internationale Gruppe hoch talentierter Solisten, die sich aktiv für die Musik unserer Zeit engagiert. Seit seiner Gründung im Jahr 2012 richtete das in Basel beheimatete Ensemble seinen Fokus auf die Gegenwart und förderte einen intensiven künstlerischen Austausch mit der jungen Neue Musik Szene.

Conductor: Daniel Moreira
Flutes: Micaela Grau Durán
Clarinets: Azra Ramie
Piano: Gilles Grimaître
Violin: Andreas Kunz
Cello: Ellen Fallowfield

Artistic Director: Ricardo Eizirik

Regarded as “one of the most prominent ensembles in the United States practicing truly experimental music” (I Care If You Listen), TAK delivers energetic performances "that combine crystalline clarity with the disorienting turbulence of a sonic vortex.” (WIRE Magazine). The ambitious ensemble “impresses with the organicity of their sound, their dynamism and virtuosity” (New Sounds, WQXR). Dedicated to the commissioning of new works and direct collaboration with artists working in a variety of disciplines, TAK promotes ambitious programming at the highest level. 
 The quintet has released four albums to critical acclaim, including Oor (2019), which launched their in-house media label TAK editions. This label creates broadly accessible platforms for audience engagement with a host of new music media with a focus on original TAK content. The ensemble's Youtube videos have been viewed 15,000 times, and the TAK Editions Podcast has received over 5,000 listens from across the globe.

'Love, Crystal and Stone' by Ashkan Behzadi out on TAK editions 5/10/22

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TAK’s operations occur on Lenape lands—Lenapehoking; we acknowledge the Lenpae as the original people of this land and their continuing relationship with their territory.

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