MIX/MASTER: Woods Studio

NOTE: This tune came to me three days after the news of Burt Bacharach's passing. I dedicate the song to the great man's memory. 

LYRIC
Why watch the clock 
Count hours by the minute
I may be wrong but for right now
We have to live in the present
Let’s let the sky show us how

It has the signposts giving us guidance
And even if at times they hide  
We know they’re there inside or out

Good morning, good night
And that’s not to slight
A good afternoon
Twenty four hours of
Shining upon our love 
Are the sun and moon

Sometimes the times are some of the best
And sometimes they’re best forgotten
Who knows what this the day has got in store
  
Good evening, good day 
And may I just say
We work hard at fun
Climb in and out of bed
While always overhead
The moon and sun

Awake, asleep and so in love
Our besties hang above
Reality it seems  
Is a galaxy of dreams

All day and night
As gravity pulls us
Toward the core of [our] existence
What’s the use trying to fight it
That wouldn’t make any sense at all

Good morrow my dear
At last it’s here
Not a minute too soon
And not a minute late
For us to celebrate
With the sun and moon

Good morning, good night
la di da da
Hang loose, sleep tight
la di da da
Just stay in sight
Day and night, endlessly  
For me you’ll always be the sun…and moon

The Sun And Moon

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

„Not just a track, but a sonic space that instigates, challenges, and connects directly with the body.”
— Beat for Beat-Blog (Brazil) on „Love?“

….what is the d’Dorf vibe….?……

Exploratory project from the hometown of Kraftwerk :

Search! Keep searching! Trust the process.

Featured by curators like Hybrid Trap (6 spotify playlists), Jelle Ravesloot/Spotify Treasures + by Maxima Dance FM-Radio, and Beat for Beat-Blog & others.

#vibesofddorf

instagram.com/jan.bredehoeft

https://open.spotify.com/intl-de/album/1REGtVH4Ze3gBCkogdrdZR

1st album by Charlie and the Fox is out now https://open.spotify.com/album/78ewrWZjS41XvHT9mFWd6O?si=qkG2b5LbSK6mo6qDzuZskw Quick note , if someone plays a track of mine I Always return the favour , and if they have no tracks I always say thank you ! But sometimes SC will show me all the listeners , but other times they only show me the last 2 hours and I have no idea of who listened to what , it is so annoying , and I apologise if I miss anyone out , it's not deliberate , I value every single one of my listeners ! Self confessed Music Addict ! I write and play/vocalise everything myself whether it be real or synthetic . Recently teamed up with Charlotte Thornton , and together we are Charlie and the Fox , it's the best thing I have ever done musically . Char has an outstanding voice , writes amazing lyrics and comes up with melodies I would never have dreamed of , it's a partnership that works so well , and long may it continue ! We thank you for listening , liking and commenting . Cheers , Mike and Char .

Deutscher Singer-Songwriter über fünfzig Jahre alt. Seit fast vierzig Jahren schreibe und singe ich Lieder. Mein Hauptinstrument ist die akustische Gitarre, aber ich mag auch Perkussionsinstrumente (Cajon, Maracas, Gurio). Ich liebe es, melancholische und poetische Balladen zu komponieren. Aber manchmal schreibe ich auch (schwarze) humorvolle Songs, Jazzstyle und -Rocksongs. Meine Hauptsprache ist Deutsch. Aber in Zukunft will ich mehr Songs auf Englisch und vereinzelt auch Französisch schreiben.
In meinen Kompositionen bin ich inspiriert von Leonard Cohen, John Lennon, Jacques Brel, Van Morrison und Bob Dylan. Auf meinen Platten spiele und singe ich alles alleine. Meine Vision für die Zukunft ist es, Musiker aus verschiedenen Kulturen zu finden, die gerne ihre Tracks mit mir teilen wollen.
Mein persönliches Mantra ist ein Satz, der von Paul Mccartney auf dem Beatles-Album "Abbey Road auf dem Track "In the end" vor fast Fünfzig Jahren geschrieben wurde:

Die Liebe, die Du bekommst ist gleich der Liebe, die Du gibst.

German singer-songwriter over fifty years old. For almost forty years I have been writing and singing songs. My main instrument is the acoustic guitar, but I also like percussion instruments (Cajon, Maracas, Gurio). I love composing melancholic and poetic ballads. But sometimes I also write (black) humorous songs, jazz style and rock songs. My main language is German. But in the future I want to write more songs in English and occasionally also in French.
In my compositions I am inspired by Leonard Cohen, John Lennon, Jacques Brel, Van Morrison and Bob Dylan. On my records I play and sing all by myself. My vision for the future is to find musicians from different cultures who would like to share their tracks with me.
My personal mantra is a sentence written by Paul Mccartney on the Beatles album "Abbey Road on the track "In the end" almost fifty years ago:

The love you take is equal to the love you make.

Hi, My name is Johnny Mc Farlane, I am an Indie songwriter from Ireland. I write, play, produce and distribute my own music. I try to write songs that will mean something to whoever may be listening. I try to express feeling and emotions through my music, I try to hit the heart and soul of whoever may be listening and to pass on my feelings through my lyrics and my music. A lot of the songs I write come from Personal experiences, some are pure imagination, but all try to carry a message of Hope, Fait, understanding and a spiritual message of love. I am just one voice in the wilderness but together we are stronger. Thank you so much for listening to my music. It’s a real honour.

NOTICE: I DO NOT PAY FOR PROMOTION. EVER.

SPOTLIGHT:  With Sexagenarian Volume VI now complete, the final volume of songs from my 60s, which will be Volume VII, gets underway with "Get On With Your Life." Check out the other five (5!) volumes of Sexagenarian as well. What happens after my upcoming 70th birthday? TBD!

BIO: I started writing songs in high school (1969-1973!) and I've pretty much never stopped. These are mostly solo recording projects (my brother, Fog City Fogey, contributes sometimes).  I don't do much self-promotion, not a fan of Repost Exchange etc, so all of you who find this page and like a song or two - you are truly appreciated!

Pop Punk/Rock
One man's crusade to bring back dickies and sweatbands (by the elbow or not at all)

There is so much talent and variety here, and most of the people are pretty cool too. I love being part of this community. Listening to your music and being heard in return is enough.

Still reading? OK I'm gonna muse a bit. It's hard to fully convey how much this forum has meant to me. There are people I've never met that feel very much like old friends -- and in a very real way they are.
If I follow someone I make every effort to listen to and support their efforts. It's certainly not a transactional relationship but I do tend to limit my follows to people who engage in mutual listening and engagement. If you listen and leave a comment I always try to listen to *your* music when responding! If you follow at random without any feedback I hope you get something out of that too... ; )

From the live houses of the Jing to busking in tunnels (Granted, the 33.3% donation rate was based on the fact that he had removed his stifling white collar shirt and was dancing bare chested) in Singapore, Psychedelic Revolution (aka Psyche Rev) is a one man project that likes most things such as alt r&b and alt rock. Made it as a semi finalist in 'Song of the Year' competition in 2022 with his song 'Cassius.' Finalist in 2023 with 'We'll Go Down.' Finalist in 2024 with 'Sigh' and also taking semi finalist positions with 'Heartbeats & Inner Turmoil' and 'You Had Me'. Finalist in 2025 with 'Cold Cold Storm' and semi finalist with 'So Typical.' Tastes like Kung Pao Chicken. Looks like a cross between Brag Pitt and Heath Leather. Smells like team spirit. Feels like baby powder. Oh the music. Yeah, it sounds good. 


Don't respond to DM's on here so if you would like to get touched pls contact  via some other avenue. He does have a sun fetish though.

Daily Musing:

The schedule is like this cos’ one song takes a huge amount of time to produce. Then the next will be easier as a sort of break. So if I equal any one of these reference tracks I’m doing well. I might get someone to help me with the mastering,. Mastering is pretty cheap. Since 25’s Vesper Lynd took 15 hours of prod work I want to pace myself. 
Jan: rnb. Ballad-‘The love we make’ as inspiration       Prod Difficulty 10:10
Feb: stomp n holler folk ‘ Sleep Deprivation’ by Chance Pena as inspiration          2/10
March: Serious pop. Srsly. Like indie pop. ‘ Using ‘The Lake Heard Everything’ as inspiration. OK that song might be AI. First time a human is trying to be more like AI instead of the other way around. So this might be our sad song of the year.   5/10
April: shelved retro soul tune
May: Abi’s birthday. I want to do a ‘build up’ rock song. With a lot of suspense.       6/10
June: How to train your dragon theme          10/10
July: daft punk electronic danceable tune.    7/10
August: Trap electronic hybrid. Royalty by Ezgod as inspiration. This is probably the hardest to do as the production is immense on that song. 10/10
Sep:: dark rnb        8/10    using any of 1984’s tracks as inspiration. He’s a very solid producer here on Soundcloud.But I will do a full length cover for once.

The Sun And Moon

CW Mullins