MIX/MASTER - WOODS STUDIO
https://soundcloud.com/woods_studio

(SCROLL DOWN FOR DELETED VERSES I WROTE IN SOME KIND OF FIT!)

You’ve got me where you want me		
What more can I say
You’ve got me where you want me
I wouldn’t have it any other way

It wasn’t as if I was some busy bee then
Pollen falling out of my hair   
Well I had my share		
Guess I had my share             
But did someone care?                           
Who was there to care?     
My heart grew weary
I told myself “dearie”
A true love is mighty rare


You pulled me out of hiding
You know that you did
You pulled me out of hiding
I admit I wasn’t well hid

I don’t claim that anyone called me reclusive
But no one really came round to check
Was it self neglect
Yeah it was self neglect
What did I expect?
What did I expect?
I couldn’t gain traction
Afraid to take action
You lifted me off the deck

You know what you did
You know what you did
Who you trying to kid
You know what you did

You told me ‘sit and listen’
The lecture was stern
You told me ‘sit and listen’
I know I've lots more to learn 
And then it’s your turn

You know what you did!
Got what you wanted
You know what you did
Who you trying to kid?
You know what you did

DELETED VERSES


You woke me from a slumber
I opened one eye lid
You woke me from a slumber
And then you know what you did

You worked me like field oxen
For my room and board
You worked me like field oxen
We both know whose ox got gored

You paint a pretty picture
Designed to entrance
You paint a pretty picture 
But come on - don’t call this romance 

you tossed me a banana 
said you might need a snack
you tossed me a banana 
an hour later - you wanted it back

you light me like a candle
As evening descends 
you light me like a candle 
Yeah a flame at both ends 
I recognize the message that sends

you rolled me like a barrel 
down a steep hill
you rolled…
i crushed poor jack and jill

You pinned me in the corner
Knocked me back on my heels
You pinned me in the corner
How do I deal with all of the feels?

You played me like a golf course
You know what you’ve done
You played me like golf course
Hope you’re happy with that hole-in-one

You led me to the stable
After a ride I won’t soon forget
You led me to the stable
I was still panting and wet

I struggled with my conscience 
with all my might
I struggled with my conscience 
You know who won that fight

You talked me out of talking
said it’s just between us
You talked me…
But I think they've all seen us

you ruined me for the others
if any might care
you ruined me…
You know they can’t compare

Sexagenarian III

You Know What You Did

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

I’m a song-writer who enjoys creating music of any genre.

My son recently introduced me to A.I. and taught me how to do covers of my previously released non-A.I. music. Since I've never considered myself a performer (except playing with worship bands at church or solo-piano at a rehab center) using A.I. is right up my alley.

Since I've  exhausted using my previously released music for A.I. covers, I now compose music in a DAW, rip to a wave file, and make an A.I. cover of this wave file. I then write lyrics to the A.I. music. It takes around 100 A.I. iterations to complete the lyrics and get a style I'm happy with.  

Brief Bio: Lived more than a quarter of my life overseas (Egypt, Saudi Arabia, Turkiye, Italy, Japan, South Korea, and Taiwan). Each country gave me an appreciation for different types of music plus probably why I get bored easily in sticking with one genre or another.

I'm a sound engineer at Woods Studio that mixes and masters songs.  Check out my web page: https://woodsstudionorway.com, I only charge $25 US Dollars per song.  For only mastering, I charge $15 per song 
if you are interested. Email me to:
woods.studio.mail@gmail.com

At Woods Studio, we specialize in creating high-quality mixes and masters for your music. We work closely with you to understand your unique style and vision, and tailor our mixes to bring out the best in your tracks. With years of experience and a passion for music, we are dedicated to delivering exceptional results that exceed your expectations. Our team of experienced engineers use only the latest technology and techniques to ensure that your music sounds its best. From EQ and compression to reverb and delay, we have the skills and expertise to craft a mix that perfectly captures the essence of your music. Whether you're a solo artist or a band, we can help take your music to the next level. Contact us today to learn more.

I have attended an audio school and worked several years at a concert hall named Olavshallen https://www.olavshallen.no/arrangere/store-sal I followed Khaliq Glover’s courses and webinars. I've been into sound engineering since 1991 and mixed over 1000's of songs. I have previously mixed for One Time Records and have released a vinyl with Koalra. I also have mixed "Where Do I Go" with Chris TR that was airtimed on the BBC radio

I use Universal Audio, fabfilter, soundtoys, autotune, melodyne, ozone and Plugin Alliance plugins and have a Uad apollo interface .

 I also use outboard gear like the RME Fireface, Universal Audio 2-1176 stereo compressor , An Avalon channelstrip, a space echo RE-201, a Drawmer 1968 mkii, and a Lexicon Pcm92. Also a dual ssl eq 

If you have the session files I would be happy to mix your song. Let me know if you’re interested.

E-mail: woods.studio.mail@gmail.com
Web page: https://woodsstudionorway.com
Youtube page: https://www.youtube.com/@stereosonic5182
Instagram: https://www.instagram.com/woods_studio_mixing/
Facebook page: www.facebook.com/Woods.Studio.Norway/
Donate: https://www.paypal.me/woodsstudio

1st album by Charlie and the Fox is out now https://open.spotify.com/album/78ewrWZjS41XvHT9mFWd6O?si=qkG2b5LbSK6mo6qDzuZskw Quick note , if someone plays a track of mine I Always return the favour , and if they have no tracks I always say thank you ! But sometimes SC will show me all the listeners , but other times they only show me the last 2 hours and I have no idea of who listened to what , it is so annoying , and I apologise if I miss anyone out , it's not deliberate , I value every single one of my listeners ! Self confessed Music Addict ! I write and play/vocalise everything myself whether it be real or synthetic . Recently teamed up with Charlotte Thornton , and together we are Charlie and the Fox , it's the best thing I have ever done musically . Char has an outstanding voice , writes amazing lyrics and comes up with melodies I would never have dreamed of , it's a partnership that works so well , and long may it continue ! We thank you for listening , liking and commenting . Cheers , Mike and Char .

started recording my improv songs on a tascam 4 track cassette recorder in 99'. I still write and record in my home on branch street as a passionate hobby ; ) thanks for listening <3

NOTICE: I DO NOT PAY FOR PROMOTION. EVER.

SPOTLIGHT: Sexagenarian Volume VI is now complete after the addition of its twelfth tarck, "where once...". Check out the other five (5!) volumes of Sexagenarian as well. 

BIO: I started writing songs in high school (1969-1973!) and I've pretty much never stopped. These are mostly solo recording projects (my brother, Fog City Fogey, contributes sometimes).  I don't do much self-promotion, not a fan of Repost Exchange etc, so all of you who find this page and like a song or two - you are truly appreciated!

From the live houses of the Jing to busking in tunnels (Granted, the 33.3% donation rate was based on the fact that he had removed his stifling white collar shirt and was dancing bare chested) in Singapore, Psychedelic Revolution (aka Psyche Rev) is a one man project that likes most things such as alt r&b and alt rock. Made it as a semi finalist in 'Song of the Year' competition in 2022 with his song 'Cassius.' Finalist in 2023 with 'We'll Go Down.' Finalist in 2024 with 'Sigh' and also taking semi finalist positions with 'Heartbeats & Inner Turmoil' and 'You Had Me'. Finalist in 2025 with 'Cold Cold Storm' and semi finalist with 'So Typical.' Tastes like Kung Pao Chicken. Looks like a cross between Brag Pitt and Heath Leather. Smells like team spirit. Feels like baby powder. Oh the music. Yeah, it sounds good. 


Don't respond to DM's on here so if you would like to get touched pls contact  via some other avenue. He does have a sun fetish though.

Daily Musing:

Nov: Funk
Dec: a cover. Demo version. But I will do a full length cover for once.
 I've been thinking that I want to do a 'How to Train Your Dragon' theme. I've really only seen the third one and the live action version (the recent) but they moved me. Multiple times. I was with my friends and I took off my 3D glasses. Started wiping my eyes. Look to the right and everyone else is just fine.
Which reminds me of when I was in the band in uni and my Indian friend/guitarist started teasing me about crying in Titanic. 
"I was 6! Motherfucker you cried in Lagaan!"
Then he started chasing me around. Cos' that's what guys do when they like each other. 
 Which I guess also says something about how the filmmakers handled No Time to Die. 
So maybe like medieval rnb. Worked for Seal.
The only low for this year has been working with the label. They are called Raw Doggy Records. I contacted them saying I know you guys do electronic but I don't. They did like my music. Were gonna release stuff. Then they heard the mix for 'Heartbeats' and wanted me to remix some songs. I said, "that costs money." Then, I changed my mind and still got that mixer to mix the old songs. 3 of em' and then the label said, "to be honest, we prefer the older mixes." They were taking 2 weeks to reply to my emails aaand not so much as a "sorry we made you pay all that money for...nothing." So I said, "to be honest, I prefer the new mixes" which is a polite way of saying "go fuck yourself." And, that was that. They seemed to have gotten the msg. If you check out the artists on their roster all I can say is, "it's not my cuppa tea" I prefer electronic music like Daft Punk/Kavinsky/Infected Mushroom etc. The good news is that I wasn't particularly down about it.
Regarding Bharat, he's really the first person who believed in me as a singer so I owe him that much (or quite a lot). It meant and still means a lot to me because i consider him the best guitarist I've heard. I've heard Fripp, Slash, Petrucci, Laiho, and attended a Hendrix tribute with Eric Johnson, Satriani, Vai etc. He only practised 4 hours a day after school by ear. I could do that for the rest of my life and get to 1/5 as good as him.  It began in Florence and there was this kid from Jersey called Alex who was a somewhat decent singer and a good pianist. He was better than me at the time at singing.  I give Bharat an A- as a band leader cos' he was very patient with Rauf, our friend and bassist who barely practised. With me, he was encouraging. So, I think they thought they could fit Alex and me in the band together. I had no problem with that. Now Alex had an interesting take on songwriting which was to bring pop into whatever genre. So if it was rock he liked Spin Doctors. Now, don't get me wrong, I like 'MMMbop' by Hanson every now and then but in a band, playing that type of stuff? No. Bharat and I were on the same page. He liked his metal, hard rock. So, Alex would sing whenever I sung. Or make noises cos' he was the better singer. Zero band etiquette but...I can see where he's coming from. Bharat did nothing about that which is where the A- comes in. So, I got fed up with Alex acting like a child and walked out of rehearsal. My goal was to find the nearest American for inspiration. This was when I was in NY. I ran into a marine near a bar after 30 secs. I said, "Look we're in a band and we wanna play hard rock but there's this kid that keeps singing whenever I sing..."
*inspirational moment right here*
"ah fuck it. what am I saying? I'm gonna go back in there and kick his ass...musically."
"Sounds good man."
"Thanks for serving the country!"
So that was what happened and I walked in there danced and sung. Alex got all red in the face. And, that was the last time we had band practise together. I actually wasn't that confident back then and it was the first time singing for a band. Now, I would say to Bharat,
"hey, can you tell your friend to stfu when I'm singing?"

As far as my middle school 'friends' go, well I'm really a huge fan of that guy one who went through his ex's phone, cried on a date, and then hacked her when she broke up with him. The quote was, "what did I do wrong?" A better question would be "what did I do right?"
And the answer to that question is...nothing. 
"Critics are saying Em's new stuff is as good as his old stuff."
A) music critics are more like lyrical critics. 
B) I'd be satisfied with "music critics are saying ...and I agree."
This quote just shows a lack of ...identity.
"We've been fans of Em since Infinity."
Now, this is like saying I've been a fan of Prince since Purple Rain or a fan of GNR since Appetite. Anyone with half a decent brain would go, "motherfucker you weren't born in the 80's."
And then there was the talking in 3rd person. The ' so and so 2.0.' 
A definite upgrade in the hacking department and a downgrade in the EQ department. 
I'm also really a huge fan of the guy who kicked his ex.
I'm also a huge fan of the guy who got his head shoved down the toilet and claimed 'PTSD.' 
Soldiers who've served in Iraq and Afghanistan: Really? Would he like to go on tour with us?
I think he'd die of super PTSD before the plane takes flight so I can answer for him.
So this guy spends the better half of his 20's accusing his friends of "shoving a lollipop up his ass."
After telling him twice, "I didn't do it" he finally believes it when he the people that did do it tell him. Now, ya see toilet humour is more of Gazza's thing and not mine. In Gazzas' defence, no one shoved a lollipop up his ass. They put it on his ass cheeks. 
So if we slippery slope the guy who's been there since Infinite and the guy who got a lollipop 'shoved up his ass' . Maybe when he reaches 40 he'll tell the truth. By the way, 'alleviate' is an SAT word. Good job. Try using a word that the average mortal uses like 'lessen' instead of trying to impress other people with that thing you call a brain.
 I'm dying to hear a conversation between you two.
"I was here since the dinosaurs." Oh this is the guy who gets offended if you make fun of his ears. I haven't really said the worst thing he's done cos' that would make his ex 'flip out.' Not sure she knows. Well, his lil bro discovered it on his computer and I saw.

"Well you guys decapitated me in grade 8."


Well wasn't it Gazza? btw he dislikes it when you call him this. He dislikes a lot of things really and he really only does things he 'feels like'.  One of my fave things he's shared on wechat before was when he shared "I'm not racist but guys like this give black people a bad name." Which was a fancy way of saying I'm not racist but I actually am. Which is also really rich considering he used to say the N word a lot when he was young. Then, there was the hilariously self aware post him moaning about people who moan on the basketball court. Truly a man's man is Gazza.  See Gazza here sulks and pouts more than any other guy I know. Entire chapters could be dedicated to him sulking. That one time he got poor grades. Those weeks he got his high school gf pregnant. He makes Nicholas Anelka (Le Sulk) look like Roy Keane. 
After thinking for a bit about why he would make fun of my ex for not having any boobs it's cos Gazza here had moobs back in the day and needed to bring someone else down to make his fat self feel better about himself. Don't worry Gazza, when the moobs return when you're older I'll be laughing. 
006: I can't believe you dislike him more than me. 
For your ex James?
No, for me.


I heard some people wanted to donate some money and pay for my monthly mixing. And, I was very happy about it. I recently came into some money like how Starlight got insurance. The first thing that came into my mind was how I didn't have to take shit from my bosses anymore. You know, they say "不是说人是说事" (I'm critisizing what you did. Not you as a person) And, it's these same people that proceed to critisize you as a person after that. So, I no longer have to take that shit and I couldn't be happier. So, it's an A+ of a year. I'm still temping every Tuesday. Thankfully, the new school seems to be accomodating. What happened at the last school was...an obvious case of "management is restructuring"
Since Starlight might still be feeling semi embarassed about her insurance I got plenty of 'embarassing' moments with her. She was like the first girl I liked who I talked to. So, it was actually outside Gazza's place where I said,
"Happy bday Starlight, here's a cake. Bye." I said it quickly. Understandable yes, but much quicker than how I usually say things. Followed by 2 years later,
"I'm sorry for what i did to you."
"It's OK."
There you have it. My only 2 lines with her. I do have probably over 10k worth of lines with her...on MSN Messenger. Yes, it was a proper 00's romance. 
The song...if you like it it's for you. I don't want to put pressure on anyone by saying it's for anyone.

Welcome to Gaz Brownie music projects.
Gaz Brownie music projects is a collection of collaborative work from more recent projects to the bands I have played in over the years.
Been singing since the age of 15 in bands and various music projects.
I play guitar on my solo stuff but really only as a vehicle to write songs and finds cords for vocal melodies, and also a little keyboards. 
To date I have recorded and wrote/ co wrote over 200 songs in a professional studio environment, working with established producers . Played endless live gigs with numerous bands and projects.
I have had music published, appeared on TV/radio, Music videos, released albums, Eps and singles, on several different labels. 
Style preference is a indie pop/rock vibe focusing on interesting lyrics, vocal melodies and catchy chorus lines.

Current ongoing projects are :

My solo work 
Conscience Of Kings (with Noobly)
This Sound Society (with Mike Fox &  other invited artists) 

Collaborations with:
The Eclectic Collective
The  Gatsbys 
Jeff Roberts 
Under This Sun 

Own Bands on the cloud:
Airplay 
This Elegant Chaos 

Conscience of Kings project is also available on all major streaming services with previously unreleased songs that are not available on soundcloud.
Hoping soon to release an album with This Sound Society to go on the major streaming services also.
Thank you for reading this brief introduction and supporting my music.
I will listen to anyone else’s music especially if they put a shift in on mine. Open to collaboration projects please don't be shy, just ask.
Thanking you now if you listened, liked, reposted and especially commented. 
Always appreciate the support that’s been shown.
 I have  made  great friends on this platform & discovered many amazing talented musicians. For that I'm am grateful and long may it continue
Remember this is a music community and supporting other artists is vital because if we don’t what’s the point.

Links to Spotify & YouTube videos
Finally it’s out the video to BELLA 👇👇👇👇👇👇
by Conscience Of Kings 
The story of who put BELLA IN THE WYCH ELM  👇
https://youtu.be/RtWuEIsi1Ss?si=q9_hT8ZLBRKz94-d

OUT NOW The new EP Generation Talk !!!!
Conscience Of Kings 
It takes Conscience of Kings back to their up-tempo indie rock/pop homeland with a collection of songs about love relationships, emotional issues and everything in between. The catchy melodies and rousing earwormy choruses are inevitable.
Just click link below 👇 

https://open.spotify.com/album/3fNUdqBsus6P84VyUjhpIg?si=oNSgWvXiRuuJpE-ub6DFDA

OUT NOW !!!!8 track mini album CONSCIENCE OF KINGS ~ The Serenity Of Fractured Beauty ❤️💔🖤
A chilled vibe of all human experiences and emotions 🔥
Streaming on all major services.

https://open.spotify.com/album/44IaMzSi9lKkBIQg9fQNHx?si=d3-_nvggR6y1qpQbw0mY9g




4 Track EP ~Conscience Of Kings . Don’t Come For Me  Unless I Send For You  featuring Nat Daniels 
https://open.spotify.com/album/0rAxRMpDwcR53nBwRUpsaV?si=GHeDw9TjSmqYBENBRBS83w

FULL DEBUT ALBUM OUT NOW ! 🔥CONSCIENCE  OF KINGS 
https://open.spotify.com/album/2Ei1Yv0MVoQ9HOZ5rPZPQq?si=KkZzBHqPRF6cS3TRisQKDw

Our music can be found by visiting our main page here (https://soundcloud.com/mountain-songs)

You Know What You Did

CW Mullins