+++ OUT MIDDLE APRIL +++
PREORDER 12" SILVER VINYL + DIGITAL: https://bit.ly/3ugCZLL
-
A1   CVXZDVC                                      02:43
A2   WAKING UP ON 76                              04:36
A3   4FFF 3                                       05:37
B1   QBB FALREUP                                  03:29
B2   SQ1 (AF MIX)                                 05:34
B3   RNS2DB0                                      03:40

—
©+Ⓟ Analogical Force 2021. Copyright Control
Written, produced and mixed by Bewwip in Philadelphia, US
Mastering by Carlos Koschitzky at Koschitzky Studio, Gijón
Design by Acid Hazel, Berlin
Distributed by Clone, Rotterdam 
www.clone.nl
www.analogicalforce.com

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[AF037] BEWWIP 'EIGENGRAU EP' [2021]

Икона запрещённая официальной церковью но почитаемая старообрядцами которые бежали от гонений в леса. Подальше от властей и церкви.

Святой воин Христофор псеглавец из Паганкиных палат.

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FUJI||||||||||TA, MMM, LP
Hallow Ground
Vinyl / digital, catalogue nr. HG2403
Ltd. purple vinyl / digital
Release date 18. April 2024

FUJI||||||||||TA returns to Hallow Ground with his second full-length for the Swiss label after it had released his international breakthrough album »iki« in early 2020. Active since 2006, the Japanese composer and sound artist has become prolific since the release of »iki,« releasing a slew of records while also touring the world. His new album »MMM« is Yosuke Fujita’s most complex so far. Changing the set-up of his pipe organ by switching to an electric air pump allowed him to activate new sonic and compositional potentials of the instrument, while he also expanded upon his experiments with his own voice. »MMM« is a masterpiece of conceptual and formal rigour—a testament to how multi-layered and versatile the music of FUJI||||||||||TA can be. 

Previous releases had already showcased Fujita's interest in working with the rhythmic potentials of the organ he built himself in 2009. Replacing its hand-operated air pump with an electric one allowed him to work with it more freely and simultaneously record its sounds. This marked the starting point for the opener »M-1,« for which he recorded the pipes by waving a gun microphone close to it, thus creating shifting rhythmic patterns. The piece engages in a perpetual play of repetition and difference, balancing sonic intensity with compositional dramaturgy. For »M-2,« the artist uses his voice and works with a singing technique he has developed over more than a decade: constantly exhaling and inhaling, he puts a strain on his internal organs in order to create what he calls a »third voice.« The resulting piece is built on a throbbing rhythmic foundation topped by wordless melodies.

»M-3« closes the album as a synthesis of these two pieces, but is far more than the mere sum of its parts. The subtle tonal shifts of the organ take on a more subdued role this time, and Fujita’s scat growling and singing reappears in processed form. »M-3« combines the rhythms and melodies of the previous pieces to let something entirely new emerge out of them, much like the album is based on perpetual changes and recombinatory strategies. In fact, Fujita explains, the acronymic title can be read in many ways: this album is minimalistic, but freely mixes and mingles different materials in magical and even metaphorical ways while also paying its dues to his wife and daughter—M. and M. Just like its title can mean a lot of different things, »MMM« itself is ever-evolving, traversing different moods and opening itself up to a plethora of interpretations at each of its many turns.

FUJI||||||||||TA  -  M-3

Диджей горбун - Длинные курганы кривичей

Fumfiltagain

"Heart of a Sunfish" - Ursula Sereghy 

After seeing Ursula's (@ursulasereghy) live performance at Garage Noord in 2023, we we're mesmerized by her ability to weave together sound, textures and voice. The performance left a lasting impression, making it super exciting to welcome her to curate the full hour of this month show.

in Passing tides 08 ~ Ursula Sereghy ~ (14.11.24) (Retreat Radio)

the alternative path to home i took once and i never took again

Unused Ritual email music no.2

Teaser of a new project celebrating the sound of early 90's electronics. With big respect to the styles of Bochum Welt, early AFX, and the uncanny retrospective ear of RX-101.

Worn Parallel

hello, my name is cylob, and i make electronic music