From Departing the Hourglass released by the defunct Body Control Records.

Departing The Hourglass

Sci-ing at Your Face

Filipovich is one of a kind. The Belarus-born, Paris-based artist works in a multitude of media - found footage films, painting, silkscreening and performance to name a few. It’s her musical output that has caught the attention of late, though, with Filipovich dropping a run of releases in recent years which began with 2021’s Magnificat on Time Released Sound. Filipovich takes as much of a novel approach to her music-making as she does with her other artistic endeavours - Magnificat was centred around treated samples of Sergei Rachmaninov’s All-Night Vigil, and she’s also combined classical composition with contemporary electronic techniques on her subsequent drops.

For Idealized, Filipovich’s debut on Sheffield’s Central Processing Unit, she maintains the gothic air which characterised her previous releases and applies it to a record of widescreen contemporary techno joints. These tracks represent something of a gear shift for CPU, a label which has long made its name by delivering top-quality electro and machine-funk jams, but such is the quality of Idealized that these superbly-executed techno productions are sure to win over label fans both old and new.

Idealized is very much schooled in the German tradition of minimal/dub techno. Tracks like ‘Physical’, ‘Wave’ and ‘Dance Minor’ all anchor themselves on single, steady drum pulses and delay-drenched single-chord loops. Filipovich generally lets the central idea of these tracks play out across several minutes while introducing increasingly disorientating elements into the rest of the mix - wiccan atmospherics, clashing chords, spiralling delays and so forth. It’s an approach at once respectful of Filipovich’s predecessors - Basic Channel, Deepchord, Ellen Allien and so on - but also full of idiosyncrasies and individuality.

Many of the club cuts here hardwire us into the moody, murky environs of the darkest Berlin Basements. ‘Ultra Red’ rides forward on a crisp drum machine snap, a menacing burble of bassline and an eerie single-note synth whistle in the upper end of the mix; ‘Dance Minor’ shows off a bit of KiNK in the brain-bending modular loop that waxes and wanes at its centre; the second-half run from ‘Wave’ to closer ‘Small Cave’ travels ever-further out into deep space - the kick drums remain insistent, yet the textural elements are delivered with an edge and flair that evidences Filipovich’s ability to think outside the box.

Filipovich’s unusual methods, and the influence of sound art and electroacoustic composition on her music, are drawn out further when Idealized steps away from the dancefloor. ‘Hydra’ comes off like a more gothic version of Pole - its central pulse draws from dub techno but never quite settles into a danceable groove, and this beat is combined with the kind of unnerving keyboard work that would make John Carpenter proud. Although closer ‘Small Cave’ eventually locks into another dark-room techno roller, the opening section of the track delivers a weightless soundscape of bright, tinny chords and a scene-setting field recording.

Idealized, the first drop on Central Processing Unit from Paris-based Belarusian Lina Filipovich, broadens the label’s horizons with a selection of finely crafted minimal/dub techno joints.

RIYL: Andy Stott, Deepchord, Ellen Allien, Moritz von Oswald

Idealized

Lina Filipovich - Idealized

I Have A World

igmine

We are excited to share @malasso's mix from Malta ✧

Will there be a light at the end of this tunnel?

'You're Back In 2020 MIX' is a collection of tracks mirroring peak-time COVID-era moods and tone. It was decided to publish these tracks as unedited, unmixed, and unmastered as an artist's phonographic memoir of this period.

Airtight moods mix with bluish tones, making fabricated recollection indistinguishable from morbid reality. Delving deep into alchemical models, the artist explores concepts of mass paranoia, the perpetual effect of the 'scroll'; a proto-invention of a tangible thought control system, and hinting at a substantial future collapse in modern human perception. All of this is expressed in tonalities that are easy for the initiated, leaving just a psychological trace of the conundrum.

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Malasso
You're Back In 2020 MIX

01. Inside
02. To My Planet (Pluto)
03. Endless Scroll
04. U.F.O.
05. Seaside Hangout
06. The Sea (Movement I)
07. Graffiti
08. NSP (Paranoid Mix)
09. The Sea (Movement II)
10. VAX
11. Bad Apple
12. Life As I Know It

Malasso – You're Back In 2020 MIX

Her-T

I Fold

Introducing our new Hohm Series, short for "Homunculus".

It's a pleasure to kick start the series with Heavenly Bodies - Wine & Flowers. Long circulated in mixes this beautiful ambient piece finds a home, 5 years has past since Heavenly Bodies launched 'Starry Earth' followed by the odd single here and there.

@heavenly_bodies

FREE DOWNLOAD

HOHMFREE001: Heavenly Bodies -  Wine & Flowers

12 minutes of a jam with my gear but with a bit of sprinkle once i realised i played it properly, here's collector

Collector

Buy on Bandcamp

Red Richards - Love at First Sight

Dear soundcloud squad, 

here is a new mixtape for you. Thanks for the kind words i received lately and a massive big up for making trax available! 

Its nice to see where the genre and its community are going at the moment :) 
Lots of people making mixes, remixes (e.g. lipid funk), doing radio shows and some getting their trax released on wax. I hope it continues this way! :) 

Stay safe

Hendrik 


Trax by:

Boxcutter
Titch Thomas
Foply Mono Franz
Brainwaltzera / Guavid
Faceculler
Rhys Celeste
MetaComplex
Steinvord
Global Goon
Richard Devine
Cignol
Fah
XY0815
Tysk Raider
p1nkf1re
aeroniq
Jodey Kendrick
Wisp
Untrkmind
Bromic
boat hemp
Polykrome
J.Wiltshire
Jidomatix
The Tuss
Odan 
Rognvald
Isla Phisher
Human Action Network
caddybay

Braindance III

hello, my name is cylob, and i make electronic music