There ain't nothing we can say
To ease this pain
Come on, come on over
Come over to me
Lay down beside me
Come on stay
There will be another day

There is no place for one like you
No time or home to settle down
We turn to whiskey to withdraw
To where our sorrows may be drowned

There ain't no life we haven't lived
No way or path we haven't traced
If there was something left to give
Then I don't know why we've got this far
To find this empty space




Is there still nothing we can say?
To ease our pain
Let's be together for another day
If this is all that's left to gain

credits
released June 6, 2022
Vocals, Piano, Synths, Percussion: Cyrill Lim
Strings: Sandu Pătrașcu, Raluca Matei, Nico Prinz, Tashko Tasheff
Artwork: Christoph Gerber

Another Day

Cyrill Lim - Another Day

The Ghost Dance

Klang-Galerie Bern
Estelle Costanzo Harfe
Gabrielle Brunner Violine
Martina Albisetti Violine
David Schnee Viola
Alex Jellici Violoncello
Riccarda Caflisch Flöte
Mariella Bachmann Klarinette

Recorded live 19. Juni 2022
Grosse Orangerie Elfenau Bern
Aufnahme: Cyrill Lim

Yoshihisa Taïra (1937-2005): Pénombres III für Harfe, Flöte, Klarinette und Streichquartett (1987)

Anton's Summer [Demo]

Too lazy to speak or think 
I froze myself, try to be someone else 
But now, now and then 
I pretend I'm sure who I am 

Just get stuck 
I am glued so tight 

But it's so wrong and it still feels right 
You never know how it's going to turn out 
For a long time mess gets frozen in 
Takes your shape and dissolves in 

So, tell me 
What's their plan 
Where I stand 
Just to sit here 
Waste my hands 
Buckle down 
Suck it in 
Freete the blood 
Peel the skin 
I can feel it 
From within 

Just get stuck 
I am glued so tight 

But it's so wrong and it still feels right 
You never know how it's going to turn out 
For a long time mess gets frozen in 
Takes your shape and dissolves in

credits
from Far Out, released October 17, 2015 
Ana Avramov - vocals, guitar 
Cyrill Lim - guitar 
Vladimir Ječmenica - bass 
Dušan Golmajer - drums

Someone Else

Dame Nellie Melba’s early recording of 'Chant Vénitien’, a song composed by Herman Bemberg, who accompanies her in this recording. It was made for the Gramophone Company in London on 20 October 1904.
NFSA title: 301462
The recording process at that time was quite simple. The musicians stood in front of a horn which was mechanically connected to a needle which cut a spiral groove in a wax blank. From the wax master more copies could be made which could then be used to press numerous discs for sale. Recording through a horn in this direct, mechanical way was limited in both the frequency and dynamic range recorded onto the disc. Melba’s voice had a tonal quality which was well suited to the medium and this was one of the reasons for her immediate recording success.

These were the very early days of the record industry, with cylinders and discs fighting it out for market dominance. Having a star such as Melba recording for them was a great advantage for the Gramophone Company. The recordings that she and Enrico Caruso made in these early days did much to convince the general public that recorded music was the home entertainment medium of the future. The records paved the way for the recording industry to follow.

Dame Nellie Melba - Chant Vénitien (1904)

SHALLOW BREATHER

Written, played, recorded and mixed by JA JA DICKICHT

Check the recording video on Youtube:
https://youtu.be/GrYLx9cgkYE

BRAIN SURGERY

AVEC - Home; LEWITTMusicChallenge

Video: https://www.youtube.com/watch?v=odt2yqoj1Ms

After one year of planning, rehearsing and gathering a bunch of incredibly talented musicians and creatives, I'm so happy to finally present you the live video of "Atlas" - recorded on June 12, 2020 at the beautiful Abbatiale in Bellelay, Switzerland.
I couldn't have done this without these amazing people:
Video: Photography Berger
Drums: Philippe Adam / Numeral music
Guitar: Raphael Nussbaum
Strings: Sebastian Lötscher (vn), Léa Hennet (vn), Nao Rohr (va), Domitille Jordan (vc)
Audio Recording: Cyrill Lim, Omri Abram

Atlas (Live At Abbatiale)- Video Link in description

Video: https://youtu.be/dmrj9CqEY0E

So happy to present you the live video of "Behemoth" – recorded on June 12, 2020 at the beautiful Abbatiale in Bellelay, Switzerland.
I couldn't have done this without these amazing people:
Video: Photography Berger
Drums: Philippe Adam / Numeral music
Guitar: Raphael Nussbaum
Strings: Sebastian Lötscher (vn), Léa Hennet (vn), Nao Rohr (va), Domitille Jordan (vc)
Audio Recording: Cyrill Lim, Omri Abram

Watch the video

Behemoth (Live At Abbatiale)- Video Link in description

If you want to bring it down to a common denominator it would be music. The diverse activities of Swiss sound artist Cyrill Lim range from installations in gallery spaces, art and music performances to compositions in the contemporary and experimental music scene, live recordings of classical music or studio pop productions and songwriting.

The latter – being more of a hobby – gained more center stage after the release of his first album "" (untitled, erdkugel recordings 2015), which is physically only available as vinyl. Since digital distribution systems do not allow an untitled work, the album was published digitally in form of two EPs (side A and side B of the vinyl) with the titles "☼" and "☃" .

New releases followed in 2019, 2020, 2022 and 2023 including collaborations with Serbian singer and author Ana Avramov and a remix for the track Heimat (2022, October House Records), recorded by experimental music duo Hyper Duo.

His latest series of songs always consists of pairs. They have the same colour in their artwork and complement each other but are also connected to the last and next pair of songs.

The latest release, Arise (2023, CLS records), the second of the second pair of songs, was just released on July 15th.

Cyrill's songs are best described as melancholic, soft and gentle sounds and melodies that tell of longing and the desire for solitude, usually garnished with a pinch of hope.

Cyrill Lim - Another Day

Cyrill Lim

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