Lux Solaris: I. The Solar Winds, II. Mercurian Love, III. Acid Magic

all feel, all real, made with human processes
it makes itself 

Music lover...Performer...Sound designer...Computer & guitar player... Dj...
Up, Down, left, right... 
d°!°b Enjoy and Peace...☀️🌍☀️

I DO NOT ACCEPT REPOST COMMUNITY REQUESTS, PLEASE DON’T WASTE MY TIME

Music composer and Soundscape designer.

Heavily influenced by Beaumont Hannant, Autechre, Brian Eno and a wealth of styles ranging from classical music through to DC Hardcore.
I love the organic feel of music and the creation of warmth within patterns.
Trying to create soundtracks to everyday life and images.


Tracks available on my YouTube channel
https://www.youtube.com/channel/UC29fEzmTPEV69UKepjsDHxQ?view_as=subscriber

New EP available on Open Case Recordings https://www.facebook.com/1683424458553112/posts/2506179442944272/

a stormy sea as a girl.

https://open.spotify.com/artist/08qisI2Hj8VLzeEiip5Ba8?si=ne9i2x6qS6Wfbgc5yps-Vg&utm_source=copy-link

https://youtube.com/@sageplantgurl

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

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A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

I'm a British-American Electronic musician by the name of Nathan who currently lives in the Pacific NW. ... Sometimes I take extended Social Media breaks for my sanity. Lol! 😅 ... So if I ever miss responding to a comment or returning a follow, it's only because it's hard catching up when I've been gone a month.

I play vintage synths which I've had for decades(because new ones are expensive. Lol!), but in the last couple of years I've been working much more with DAWs (which is awesome because my fingers don't work as well as they used to), with the occasional flourish from my aging synths.

I'm influenced by all varieties of electronic and electronic-adjacent music from 1960s/70s - 2020s, not to mention a bit of Prog and Metal, and Jazz Fusion. 

My focus tends to be on Trance, Ambient, Synthwave, EDM, Synthpop, EBM, Industrial, Darkwave, Futurepop, and the occasional hint of Jazz Fusion. (Sometimes all in the same track).

That's what happens when you're hooked by the Doctor Who Theme at a young age. ;-)  

I'm not always entirely sure which subgenres many my tracks are closest to, So I try to pick the broadest and most dominant one for the main tag. The first row of tags are the other ones I reckon they're closest to, and the rest are an assortment of other related tags, some closer than others. 

 
See link to follow me on YouTube as well.

Home of sweet experimental slow music, sound and art practice by Nukumori Eugene / Nx -街音の収集 (always welcome demo & collabo for release from Living Room Tapes)　　 

Nukumori Eugene / Nx ﾇｸﾓﾘ ﾕｰｼﾞﾝ / ぬくもりゆーじん is a Hong Kong - Japan Base Sound Artist, Researcher and  Architect. He is joining the sound & art projects around the world beside run his own label  "Living Room Tapes" - the sound & art collective. 

The project often highlights the sounds and arts placed between the nature and city's folklore - deconstructive city street culture and urban suburbia - related to the urban observation research project ~ Research and Practice of Alternative Art Space / Micro-Art Space  

featured projects :  Strange Ordinary Necessities不思議な日用品 / Urban Observational Studies 都市観察学会 / Skmtt /  / HONG KONG SUBURBIA / 3am / Soundscape Saitama 100 / 100音夜行 / Edition 1/f / A TALE OF OUR CITIES / MEIV

Into the further we go. 🎧
James Melle: Electric & Acoustic Guitars, Bass, Synth, Piano/MidiKeyboards & Vocals, Composition, 
All tracks mixed, mastered & recorded at home  with the help of two Dachshunds. 


Long days and Pleasant Nights

https://www.facebook.com/james.melle

Lux Solaris: I. The Solar Winds, II. Mercurian Love, III. Acid Magic

The Outcast Company