So this is the first in my series of 'Tracks from the smelly cellar' where I'll be giving away a load of edits/bootlegs/mash up/tracks I'd put together for my DJ sets & haven't seen the light of day yet.

This is a edit I put together of Tori Amos's 'Professional Window'. I actually edited a great nu disco bootleg that was made Social Disco Club & added extra beats, vocals, edits & bass. I wouldn't normally give away an edit of an edit but i think this one is different enough from both the original & their bootleg to warrant it. It's also had great reactions when I've played it out so thought I'd share the love!

If you like this or download it I'd love it if you gave it a heart or left a comment! 

Thanks… Doug D-Funk

If you don't have Soundcloud/Spotify or you'd prefer a wav file you can get this from my Bandcamp: 
https://d-funk.bandcamp.com/track/d-funk-vs-tori-amos-been-a-long-widow-free-download

Website: www.dfunk.co.uk 
Facebook: www.facebook.com/dfunkbreaks 
Instagram: www.instagram.com/dfunkbreaks 
Bandcamp: https://d-funk.bandcamp.com/music
Spotify: open.spotify.com/artist/6ZUH9yUJI74EASFVjviNVg
Youtube: www.youtube.com/user/dfunkgritsngravy 

Check out my labels:
@grits-n-gray
www.facebook.com/gritsngravymusic
@up-start-music
www.facebook.com/weareupstartmusic

Free Download

D-Funk vs Tori Amos - 'Been A Long Widow' ***FREE DOWNLOAD***

Great music is a passion. 
https://www.mixcloud.com/vikbenno/
https://hearthis.at/vik-benno-np/
https://www.facebook.com/vik.benno
https://www.instagram.com/vikbenno/
https://www.tiktok.com/@dj.vik.benno

Djing since 1986. Starting in a small town called Steinhöring/ deeply Bavaria with real 80s and Alternative, new wave & early HipHop. 
From 1991 in Munich first gigs in small bars with Soul/Funk/ Acidjazz and good Grooves.
Starting playing for private parties & Company Events.
1995 I met the founders of later famous „Milchbar“, and we started doing Danceparties in several Locations.
1996 the club Milchbar opened the doors at the legendary KPO. 
My first really big booking as a residence DJ since beginning 2003. 
A lot of wild nights & the magic of the late 90s & 2000s was my most influential time. So my sets a still infused with this music, in all Gengres.
2010 stopped playing in Clubs, but still on the road for your pleasure & maybe you meet me at a cool Bar in Munich still playing pure & emotional Music. 
Everything goes, as long it is good music 🕺🏻💃🏼🕺🏻💃🏼

Bookings... djruski@outlook.com

Deep House....Soulful House....Nu Disco....Progressive House...G House....Indie House...Tech House

music gives a soul to the universe, wings to the mind, flight to the imagination, and life to everything .💯🎶💃💥🚀🙏🙌👍

Sydney-based, British born DJ, D-Funk has amassed a fair few achievements in his 25-years on the decks. Making his club debut at The Depot in Bristol in 1995, he’s gone on to DJ all over the world, playing notable sets at Space Ibiza and Ministry Of Sound and released on labels including Sunday Best and Bombstrikes. 

Getting his first set of decks at 14, Doug initially fell for the sounds of jungle and techno before a night dancing to house icon Tony De Vit in 1997 turned him towards the slinkier sounds of house music. 

His DJ career began to take off during his time at university in Wolverhampton where he started to pick up gigs at the Canal Club and Mezzanine, playing alongside DJs including Joey Negro, Mr Fingers, Scott Bond and Lisa Lashes, before a move to the South-Coast town of Bournemouth led him to eventually start his own night ‘Break Da House’ in 2004. 

The night took off, attracting big names including The Stanton Warriors and Plump DJs and eventually led to D-Funk’s first release, the ‘Electrotek’ EP after Dub Pistols headlined one night and Barry Ashworth from the band decided to release Doug’s music on his Westway label. The track found its way onto a TV ad in Portugal, as well as becoming a mainstay on Kiss FM’s breakbeat chart and gave Doug the confidence to pursue a career as a producer as well as a DJ, eventually leading to releases on Adapted Records and Ghetto Funk among countless other labels over the next 15 years. 

Moving to Sydney Australia in 2009, Doug started his label Upstart Music, releasing his own productions alongside tracks from the likes of Crackerz & Jam, Niko & Lyall and Rogue Robot and later started the funk label Grits N Gravy alongside friend and funk producer Philly Blunt, with the label winning the ‘Best Label’ award at Perth Dance Music Awards in 2010. 

Since living in Sydney, Doug has held down residencies at The World Bar and The Standard/Middlebar for the best part of a decade, as well as regular slots at Sash, Ivy, Goros, Hugos and many others. He’s played events for high profile companies such as Blackberry, Telstra, Jagermeister,  Sydney Cricket Ground & Saatchi & Saatchi. But there was still demand for him back on the side of the world and he regularly returned to Europe to play at Space Ibiza (including a set at the penultimate night of Carl Cox’s Revolution party) as well as touring in the UK, Europe, Asia and Canada. 

Now 25 years into his career, Doug is about to mark the 10th anniversary of his label Grits ‘N’ Gravy, with a compilation due this year mixed by himself and Philly Blunt, and has been busy producing house, hip hop and nu-disco with his current production partner Mr Doris.

Website: http://www.dfunk.com.au
Facebook: https://www.facebook.com/dfunkbreaks
Insta: https://www.instagram/dfunkbreaks
Bandcamp: https://d-funk.bandcamp.com/music
Spotify: open.spotify.com/artist/6ZUH9yUJI74EASFVjviNVg

Ich bin DJ MUGI TOM, mit bürgerlichem Namen Thomas Zacher – geboren in München und aufgewachsen in Niederbayern. Schon früh hat mich elektronische Musik in ihren Bann gezogen. Mit 13 Jahren nahm mich meine Mutter spontan in eine Diskothek mit – und von diesem Moment an wusste ich, dass ich hinter die Decks gehöre.

Mit 16 kaufte ich mir meine ersten Turntables und Platten im legendären Neutronic Records in München. 1995 stand ich dann zum ersten Mal auf der Bühne – in der Music Hall Passau. Seitdem bin ich Teil der Szene und hatte das Glück, bei Events wie dem legendären Watergate Passau, im Alcatraz Landau an der Isar oder als Resident DJ im Kreuzkeller Club Pocking aufzulegen.

Neben meiner damaligen Liebe zu Techno und Trance wurde ich stark durch den Einfluss der Afro Cosmic Szene geprägt, was mich zu meinem ganz eigenen WorldElectroBeat-Stil geführt hat – eine Verschmelzung aus treibenden Grooves, globalen Klängen und kosmischer Energie. Ich durfte mit einigen der größten Namen der Bewegung spielen – darunter DJ Fabrizio Fattori, DJ Stefan Egger, DJ Corrado und DJ Yano. Diese Einflüsse prägen meinen Sound bis heute: rhythmisch, meditativ und voller Emotion.

Meine Musik soll Menschen bewegen – körperlich und emotional. Ich möchte mein Publikum mitnehmen auf eine Reise, bei der sich Alltag, Raum und Zeit auflösen. Für mich ist Musik eine verbindende Kraft, ein Moment von Freiheit und Tiefe zugleich.
.....

I’m DJ MUGI TOM, born in Munich and raised in Lower Bavaria. My passion for electronic music started early — when I was 13, my mother took me to a nightclub for the first time, and from that night on I knew I belonged behind the decks.

At 16, I bought my first turntables and records at the legendary Neutronic Records in Munich. In 1995, I made my debut performance at the Music Hall Passau. Since then, I’ve been an active part of the scene, playing at events like the legendary Watergate Passau, at the Alcatraz Landau an der Isar, and as Resident DJ at Kreuzkeller Club Pocking.

In my early days, I was deeply inspired by Techno and Trance, but over time, the influence of the Afro Cosmic scene led me to develop my own unique WorldElectroBeat style — a fusion of driving grooves, global rhythms, and cosmic energy. I’ve had the honor of sharing the decks with some of the genre’s greats, including DJ Fabrizio Fattori, DJ Stefan Egger, DJ Corrado, and DJ Yano. These experiences continue to shape my sound — rhythmic, meditative, and full of emotion.

My goal is to move people — physically and emotionally. I want my audience to go on a journey where time, space, and everyday life fade away. For me, music is a connecting force — a moment of freedom, energy, and depth.