Leikeli47 - 'Money' (D-Funk's Nu Disco 100 Mix)
[Free Download]

It's been a while since I dropped my last freebie, so I thought it was high time for some more free music! This is a rework I've been playing loads. Works great for both hip hop or nu disco dance floors. I made a whole new & pretty sweet bassline/synth. Added a few cheeky little vocal chops & generally switched things up! ENJOY! 

If you don't have Soundcloud or would like the wav version of this track, get it from my Bandcamp here: https://d-funk.bandcamp.com/track/leikeli47-money-d-funks-nu-disco-100-mix-free-download

Website: www.dfunk.co.uk 
Facebook: www.facebook.com/dfunkbreaks 
Instagram: www.instagram.com/dfunkbreaks 
Bandcamp: https://d-funk.bandcamp.com/music
Spotify: open.spotify.com/artist/6ZUH9yUJI74EASFVjviNVg
Youtube: www.youtube.com/user/dfunkgritsngravy 

Check out my labels:
@grits-n-gray
www.facebook.com/gritsngravymusic
@up-start-music
www.facebook.com/weareupstartmusic

Free Download

Leikeli47 - Money (D-Funk's Nu Disco 100 Mix) *Free Download*

Every sequence or track/production i upload are just works in progress and in evolution, none of dem really mixed nor mastered... Djaying/production/Sound illustration - ASUD Member, RefletsduRéel owner/creator (Associations 4 Harm reduction, support & Social Activism relied to drugs consumptions and policies)

Sydney-based, British born DJ, D-Funk has amassed a fair few achievements in his 25-years on the decks. Making his club debut at The Depot in Bristol in 1995, he’s gone on to DJ all over the world, playing notable sets at Space Ibiza and Ministry Of Sound and released on labels including Sunday Best and Bombstrikes. 

Getting his first set of decks at 14, Doug initially fell for the sounds of jungle and techno before a night dancing to house icon Tony De Vit in 1997 turned him towards the slinkier sounds of house music. 

His DJ career began to take off during his time at university in Wolverhampton where he started to pick up gigs at the Canal Club and Mezzanine, playing alongside DJs including Joey Negro, Mr Fingers, Scott Bond and Lisa Lashes, before a move to the South-Coast town of Bournemouth led him to eventually start his own night ‘Break Da House’ in 2004. 

The night took off, attracting big names including The Stanton Warriors and Plump DJs and eventually led to D-Funk’s first release, the ‘Electrotek’ EP after Dub Pistols headlined one night and Barry Ashworth from the band decided to release Doug’s music on his Westway label. The track found its way onto a TV ad in Portugal, as well as becoming a mainstay on Kiss FM’s breakbeat chart and gave Doug the confidence to pursue a career as a producer as well as a DJ, eventually leading to releases on Adapted Records and Ghetto Funk among countless other labels over the next 15 years. 

Moving to Sydney Australia in 2009, Doug started his label Upstart Music, releasing his own productions alongside tracks from the likes of Crackerz & Jam, Niko & Lyall and Rogue Robot and later started the funk label Grits N Gravy alongside friend and funk producer Philly Blunt, with the label winning the ‘Best Label’ award at Perth Dance Music Awards in 2010. 

Since living in Sydney, Doug has held down residencies at The World Bar and The Standard/Middlebar for the best part of a decade, as well as regular slots at Sash, Ivy, Goros, Hugos and many others. He’s played events for high profile companies such as Blackberry, Telstra, Jagermeister,  Sydney Cricket Ground & Saatchi & Saatchi. But there was still demand for him back on the side of the world and he regularly returned to Europe to play at Space Ibiza (including a set at the penultimate night of Carl Cox’s Revolution party) as well as touring in the UK, Europe, Asia and Canada. 

Now 25 years into his career, Doug is about to mark the 10th anniversary of his label Grits ‘N’ Gravy, with a compilation due this year mixed by himself and Philly Blunt, and has been busy producing house, hip hop and nu-disco with his current production partner Mr Doris.

Website: http://www.dfunk.com.au
Facebook: https://www.facebook.com/dfunkbreaks
Insta: https://www.instagram/dfunkbreaks
Bandcamp: https://d-funk.bandcamp.com/music
Spotify: open.spotify.com/artist/6ZUH9yUJI74EASFVjviNVg

Check out www.ilovetreequency.com
Tribal grooves. 
Dropping shanti good vibes bass. 
Funky wobbles with a throwback twist...

Email for more info and/or booking.


ArchAngel Gabriel. one love energy. Reciprocity.    

Ground78 é um projeto diferenciado. Buscando sonoridades distintas e intrigantes, traz para pista a todo momento a interação total entre a musica e a dança.
Com um método de mixagem eficaz e extremamente técnico entre o ProgDark e o Psyprog, uma historia acaba sendo contada em seus sets, fixando e levando o publico a uma atmosfera desconhecida para a maioria dos ouvintes.
DJ com uma vasta experiência,  já se apresentou em grandes festas e festivais como Adhana, Mundo de OZ, Progressive, SoulVision, Universo Paralello, Groove Storm, AHO, Resistência Main Floor, Natureza Mística, Mandallah, Gaia Conecction, Atlantida, Free Day Trip, Out Open Air, Mukunda entre outras!

Twenty five years ago I bought my turntables with my high school graduation money, and still got’em. Best therapists money could buy. Bass-Head or whatever that kills it. DnB, minimal dubby dubstep, glitch mid-tempo bass, bass funk, tech house, acid, electro, garage, and two step of course. I can trap yah, scratch and beat juggle too. Crunk is cool! Right now remix tracks into new. Blues with a ragga jungle ridden, hip hop acapella on DnB, heavy bass breaks with techno, flipping the stylus upside down and blowing your mind as I get it to play flipped and fucked with. I love to work while I play. Not perfect sometimes intentionally, but not always. It’s ok, I know how to operate all the controllers and CDJs too, and I enjoy mastering and sound design. I am novice with full start to finish production as I am learning to read script music because it’s badass when people record them playing the different instruments as building a track. Thats work. Ciao!

P.S. I need to record more vocals…accepting acappella artists. HMU