Major Lazer - Get Free (D-Funk's Funk That Mix) ***FREE DOWNLOAD***

A few months ago Major Lazer released the remix parts of their awesome track 'Get Free' for a remix comp. As I always seem to do I missed the deadline date but was pretty happy with my mix as it's been going off every time I've played it out. So now I'm sharing it for free to everyone! 

Website: www.dfunk.co.uk 
Facebook: www.facebook.com/dfunkbreaks 
Instagram: www.instagram.com/dfunkbreaks 
Bandcamp: d-funk.bandcamp.com/music
Spotify: open.spotify.com/artist/6ZUH9yUJI74EASFVjviNVg
Youtube: www.youtube.com/user/dfunkgritsngravy

Check out my labels:
@grits-n-gray
www.facebook.com/gritsngravymusic
@up-start-music
www.facebook.com/weareupstartmusic

Free Download

Major Lazer - Get Free (D-Funk's Funk That Mix) ***FREE DOWNLOAD***

System is a system-voice anthem. It’s Stephanie Happening and the collective speaking back to erasure, naming wounds, naming people, and turning those names into shelter. Every refrain is a vow; every beat is a bridge: “Wrote our names in hurt, now we kiss them” becomes both ritual and resistance. This song demands witness, holding scars as archives, tenderness as armour and multiplicity as a radical, living truth.

System

PULSE
by Brent Schön AI

💓⚡🌐

PULSE is a declaration.

This album claims that rhythm is the primary language of life—older than words, older than thought, older than belief. Before meaning, there was movement. Before identity, there was timing. PULSE asserts that everything living, thinking, and creating operates on rhythm, and when rhythm is restored, coherence follows.

🫀 CLAIM ONE:
Every human carries an internal metronome.
Your heart. Your breath. Your nervous system.
When these fall out of sync, confusion and fatigue arise.
When they realign, clarity and power return.

PULSE is designed to re-synchronize the listener with their natural rhythm.

🎶 Sonically, the album is built on intentional pulse structures—steady beats, flowing bass currents, and oscillating synth patterns that mirror biological cycles. The rhythms are not aggressive; they are directive. They guide the body gently back into timing. Basslines act as grounding signals. Percussion functions as orientation. Melodic movement restores flow.

⚙️ CLAIM TWO:
Repetition is not boredom—it is stabilization.
Consistency is not limitation—it is strength.

This album uses repetition deliberately to rebuild momentum where it has been lost.

🌀 The record unfolds in phases:

Phase 1: Grounding — establish the beat, locate the body

Phase 2: Activation — increase motion, restore energy flow

Phase 3: Integration — expand rhythm into spacious coherence

There is no final peak, because life does not end at a climax.
It continues.

📌 INSTRUCTIONS FOR USE:

▶️ Instruction 1:
Listen with your body first.
Do not analyze. Do not judge.
Let the rhythm reach your chest, your breath, your feet.

▶️ Instruction 2:
If sitting, place both feet on the ground.
If moving, walk or sway naturally.
Allow micro-movement. Rhythm follows motion.

▶️ Instruction 3:
Breathe out slightly longer than you breathe in.
This aligns pulse with calm activation.

▶️ Instruction 4:
Return to this album when energy feels scattered, stalled, or overstimulated.
Consistency strengthens effect.

🎛️ CLAIM THREE:
Technology is not the enemy of embodiment.
When guided by human intention, it becomes an amplifier of coherence.

Brent Schön AI uses digital precision to maintain rhythmic integrity, while human intuition governs pacing and emotional truth. This is machine-assisted alignment, not machine control.

🌍 CLAIM FOUR:
Different lives, different tempos—one shared pulse.
Unity does not require sameness.
It requires synchronization.

PULSE does not dominate the listener.
It locks in with them.

🌸 There is intimacy here. Rhythm is closeness. When two systems align, friction disappears. The album invites confidence through embodiment—not performance, not spectacle.

🔁 FINAL CLAIM:
Momentum is not created by force.
It is sustained by rhythm.

🎧 PULSE is not meant to be played once.
It is meant to be returned to.
Like a heartbeat. Like breath.

💓 Music as alignment
⚡ Music as motion
🌐 Music as life in rhythm

This is PULSE.
Stay in time.
Move forward.

🔗 Activate & explore:
👉 www.schon.one

👉 www.everygoddess.click

Feel it.
Follow it.
Continue.

Sacred Vibe

This originally came out on Booty Pirates but now I'm giving it away for FREE! It's one of my most played tracks in my DJ sets & always rocks the party! 

Website: www.dfunk.co.uk 
Facebook: www.facebook.com/dfunkbreaks 
Instagram: www.instagram.com/dfunkbreaks 
Twitter: www.twitter.com/dfunkbreaks 
Youtube: www.youtube.com/user/dfunkgritsngravy 
Spotify: open.spotify.com/artist/6ZUH9yUJI74EASFVjviNVg

D-Funk... 'Blow Your Funky Beats' ***FREE DOWNLOAD***

My gentle rearrangement of one of Chromeo's best tunes, mostly to get rid of the annoying talking bit

Chromeo - Hot Mess (Even Funkier's Hot Edit) Free Download!



<a href='https://theartistunion.com/tracks/04fc3c'>Download for free on The Artist Union</a>

Maroon 5 - Memories (Lucaj's Tropical House Remix)

download : https://hypeddit.com/track/fj1l8w

American Boy (Korben Dallas Remix) - Estelle ft. Kanye West [BUY = FREE DOWNLOAD]

https://jaybirch.gumroad.com - https://www.instagram.com/jaybirchswe/

Michael & Janet Jackson - Scream (Jay Birch aka SoulSwede My Prerogative Remix)

Bill Withers - Lovely Day (Mitch B. Bootleg)

Dispo en téléchargement : https://hypeddit.com/track/nr53b5

Secret Pack

Q-TIP - FUNK IT OUT (DJ CRIZLA RMX)

Sydney-based, British born DJ, D-Funk has amassed a fair few achievements in his 25-years on the decks. Making his club debut at The Depot in Bristol in 1995, he’s gone on to DJ all over the world, playing notable sets at Space Ibiza and Ministry Of Sound and released on labels including Sunday Best and Bombstrikes. 

Getting his first set of decks at 14, Doug initially fell for the sounds of jungle and techno before a night dancing to house icon Tony De Vit in 1997 turned him towards the slinkier sounds of house music. 

His DJ career began to take off during his time at university in Wolverhampton where he started to pick up gigs at the Canal Club and Mezzanine, playing alongside DJs including Joey Negro, Mr Fingers, Scott Bond and Lisa Lashes, before a move to the South-Coast town of Bournemouth led him to eventually start his own night ‘Break Da House’ in 2004. 

The night took off, attracting big names including The Stanton Warriors and Plump DJs and eventually led to D-Funk’s first release, the ‘Electrotek’ EP after Dub Pistols headlined one night and Barry Ashworth from the band decided to release Doug’s music on his Westway label. The track found its way onto a TV ad in Portugal, as well as becoming a mainstay on Kiss FM’s breakbeat chart and gave Doug the confidence to pursue a career as a producer as well as a DJ, eventually leading to releases on Adapted Records and Ghetto Funk among countless other labels over the next 15 years. 

Moving to Sydney Australia in 2009, Doug started his label Upstart Music, releasing his own productions alongside tracks from the likes of Crackerz & Jam, Niko & Lyall and Rogue Robot and later started the funk label Grits N Gravy alongside friend and funk producer Philly Blunt, with the label winning the ‘Best Label’ award at Perth Dance Music Awards in 2010. 

Since living in Sydney, Doug has held down residencies at The World Bar and The Standard/Middlebar for the best part of a decade, as well as regular slots at Sash, Ivy, Goros, Hugos and many others. He’s played events for high profile companies such as Blackberry, Telstra, Jagermeister,  Sydney Cricket Ground & Saatchi & Saatchi. But there was still demand for him back on the side of the world and he regularly returned to Europe to play at Space Ibiza (including a set at the penultimate night of Carl Cox’s Revolution party) as well as touring in the UK, Europe, Asia and Canada. 

Now 25 years into his career, Doug is about to mark the 10th anniversary of his label Grits ‘N’ Gravy, with a compilation due this year mixed by himself and Philly Blunt, and has been busy producing house, hip hop and nu-disco with his current production partner Mr Doris.

Website: http://www.dfunk.com.au
Facebook: https://www.facebook.com/dfunkbreaks
Insta: https://www.instagram/dfunkbreaks
Bandcamp: https://d-funk.bandcamp.com/music
Spotify: open.spotify.com/artist/6ZUH9yUJI74EASFVjviNVg