From the upcoming 4th Elancia album. During the novel this album follows, the group splits in two. This is the field map theme for Karina and her group. They set forth onto a frontier ravaged by civil war while dealing with their own emotional turmoils. Over their heads hangs a hard time limit...
Verse and her group's field map theme here; https://soundcloud.com/leila-wilson-woofle/frontier?in=leila-wilson-woofle/sets/elancia-chronicles-4/

Frontier [Karina]

Capel and friends visit a place where all the secrets of the galaxy and existence itself are locked away and obscured. 

Sister Songs:
https://soundcloud.com/leila-wilson-woofle/run-away-22?in=leila-wilson-woofle/sets/hs_g1
https://leilawilson.bandcamp.com/track/wounds-galcian-ruins
https://soundcloud.com/leila-wilson-woofle/sacred-woods

Scars [Night]

Watch on Youtube: https://www.youtube.com/watch?v=5esvY07Ix3s

"Hydrocity Zone Act II" feat. Howi Dietz and Emmanuel Echem
Masayuki Nagao
Arr: Tyler J. Mire
Performed by the Multiplayer Big Band

-Score Link: https://bit.ly/2TQqCJT 

Mixed/Edited By: Tyler J. Mire
Mastered by: Mike Haynes

My first console was a Sega Genesis. I loved Sonic as a kid and I have fond memories playing through the early titles in the series. I especially loved the music; I would actually listen on headphones plugged into the Genesis. Flash forward to 2012: I was in my last semester of music school, and I joined a jazz ensemble called the Zebras. The ensemble picked a new theme each semester, and that spring, the theme was video game music arranged in a jazz style. (This was years before jazz covers of VGM got big on YouTube). I had a blast being in that band, and I contributed two arrangements to their repertoire. One of them was an earlier version of this track: Hydrocity Zone Act II, arranged for a smaller ensemble. In this track, I’ve expanded the arrangement to fit a full band. 

Throughout the arrangement you're going to hear the incredible rhythm section of Greg, Brian, Austin and Shawn. The first three are old UNT classmates of mine who work out in LA - whereas Shawn was in the Navy Commodores with me and is a top tier jazz guitarist who can play anything. I'd be remiss to forget the incredible ensemble playing spearheaded by Nashville lead trumpet ace, Steve Patrick. I’d also like to give a special nod to the Jerry Hey style "a capella" horn section soli in the middle. The soloists Howi Dietz and Emmanuel Echem bring some serious fire and soul to the piece. You don't wanna miss it!

Reeds:
Andrew Fransisco (lead)
Howi Dietz
Aaron Hedenstrom
Brett McDonald
Kelsey Mire

Trumpets:
Steve Patrick (lead)
Micah Bell
Tyler Mire
Andrew Golden
David Smith

Trombones:
Barry Green (lead)
Luke Brimhall
Oscar Utterstrom
Matt Jefferson

Rhythm:
Shawn Purcell - Guitar
Austin Byrd - Organ and Synth
Brian Ward - Electric Bass
Greg Sadler - Drums

Hydrocity Act II

i need some help
i think that this might do
but it might not
what have i got into

might not get the chance
chance to back down anymore
as a last resort
place my trust here faintly

it's very sharp
as sharp as i am scared
i used to think
i never would have dared

but i feel outright
backed into the corner now
as my grip holds tight
i fear you might make me

a dagger shone faintly

The Synthesizer Factory

A hypnotic, funk-infused jazz instrumental. Saxophones and brass weave melodic lines over a deep-pocket drum and bass groove. The bassline pulses with trance-like momentum, while the horns riff and improvise around a central melodic hook—fluid, expressive, and abundant. 

Time in Eternity

Mixed DISAPPEAR by FLOOR BABA with Bonfire by Childish Gambino

Disappear: https://soundcloud.com/floorbaba/disappear

Berd Video: https://www.youtube.com/watch?v=Bjt7mDVCLtk

Bonfire Acapella: https://www.youtube.com/watch?v=jBzInZzR1BY

Childish Gambino x Floor Baba - Floor Bonfire

Buy X-17 here - it's only the price of a couple cups of coffee. :)
https://ffm.to/amp-003.oyd

---
twitter: @amphobius

X-17

Hybrid

Forest Area

Composed in 1999. Rearranged in 2009.

Impulse Tracker format (.IT) Get the file from here: https://www.dropbox.com/s/wppduvst8r84kg5/futurekitchen.it?dl=0

Future Kitchen

Not sure what is this, really. I've had this riff stuck in my head since Christmas, with this blatant Beatles sound, and it's supposed to go over a heavy Fat Boy Slim-type beat. Anyway, here it is, as-is.

BeatLessPhatBoi

Electronic producer d.notive has been at the forefront innovative sound design for well over a decade. Entranced by the lush and dynamic soundscapes of the 1980's, his aesthetic borrows heavily from the cinematic imagery of Neo-noir, classic alternative music, and of course synthpop.

Leveraging a rich, illustrious backdrop of classic synthesizers, his work includes countless pop songs and dance tracks, video game soundtracks, cartoon fan music, and film scores, drawing comparisons to artists like Depeche Mode, New Order, and Duran Duran.

His critically acclaimed album Sentinel has enjoyed consistent rotation thanks to synthwave outlets like NewRetroWave, with the first single "Red Light Syndrome" debuting at the #7 spot on their weekly charts. He has also been a regular collaborator with FiXT records, appearing alongside artists Cassetter, Fury Weekend, and Scandroid. Additionally, he maintains a close relationship with Funky Way Records (the official label of Funky Panda,) and Laserdiscs Records as a noted contributor to the original soundtrack for UK-based independent film "The Summoner." 

His signature vocal style even earned him a leading role in a short animation by Hazbin Hotel and Helluva Boss animator Vivienne "Vivziepop" Medrano.

"...d.notive’s music is all bound by an energy that is completely entrancing..."