And btw, is that an air vent or some kind of built-in analog rhythm composer?

love the mixing balance in this , stuff pops really nicely. interesting pacing too reminds me of weather

Et c’est tellement mieux quand il n’y a personne pour me surprendre ravi sur ses chemins.

(eugene f. : le ballon)

communityedit navigation bar our left hands catch their souls

mani_negaroi

Mani Negaroi (cut01 _ from DAT)

heartbreak and faith
1st studio one exploration - main loop main with a Redux take on a new guitar piece I'm working on.  S1 is interesting and agile in a lot of ways with a few sticking points for me, but so far they're minimal - overall the software is really amazing in how it does some of the best of all the other daws - that stuff where you think ableton/sonar/reaper/flstudio/logic/whatever is cool but I wish it did this one thing that ableton/sonar/reaper/flstudio/logic/whatever does particularly well

 didn't realize I posted publicly. will likely be heavily revised

Studio - One - First - One

Through a world of sound
the only filter I have
my discerning ear
(Haiku by Jason Richardson)
https://naviarlab.tumblr.com/post/763864359271301121/naviarhaiku562-through-a-world-of-sound
Komposition1047 BläserTrio

blended and filtered [naviarhaiku562]

HAIKU MUSIC CHALLENGE

Naviarhaiku 563

autumn wind...
I am stringing
a plain-wood bow

Kyorai was a Japanese haiku poet who first trained as a martial artist before he started writing and became one of Basho’s first disciples.

This is one of Kyorai's most famous poem, and one that Natsume Sōseki used as an example of great haiku poetry when teaching at a high school in Kumamoto.

Haiku by Mukai Kyorai

Picture by Ehud Neuhaus

Submission deadline: 23rd October 2024

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

Autumn Wind

Autumn Wind (naviarhaiku563)

Disquiet Junto Project 0668: All Right Then, Keep Your Secrets
The Assignment: Bury a secret sound until it is no longer identifiable.

This project was proposed by Mahlen Morris.

Step 1: Record a 30-second chunk of sound from a single source. This may or may not involve a microphone. This recording shall be referred to as The Sound.

Step 2: Manipulate the Sound extensively. Stretch, break, torture, soothe, remove, heighten The Sound. Reveal subtleties of The Sound you didn’t notice when you recorded it.

Step 3: Layer the results of Step 2 in a way that pleases you. Revel in it.

Step 4: Reveal to no one the original source of The Sound. Ever. In the description when posting your finished track, you can say what you did to The Sound, but do not even hint at the source.

Step 5: Keep and carry that secret. Not all must be revealed.

Tasks Upon Completion:

Label: Include “disquiet0668” (no spaces/quotes) in the name of your track.

Upload: Post your track to a public account (SoundCloud preferred but by no means required). It’s best to focus on one track, but if you post more than one, clarify which is the “main” rendition.

Promise - disquiet0668

https://www.beatport.com/artist/xfa/589219

MMXXIVIXVILBDP

Never Know

The ingespirt agict

I went for more of a solemn, atmospheric lofi sound for this track. Hope you like it! 

Ashes In The Silent City.mp3

طوفان الذكريات ..

Twelve at Night

mind-to-mind communication





Dana Clark

Keene NH

Studio - One - First - One

D4N4

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