● DJ | Producer | Music Lover
● Labels: Ornaments, Cutz#, Drumpoet, Mule, Rekids, Compost, Cocoon, Pokerflat, Defected, Desolat, Rotary Cocktail, Nervous Rec., Rebirth, Rejected, Deeplabs Detroit

Maurizio Schmitz drives his own bus, dividing his diary effortlessly between work and
play and playing.
Half Italian, half German and his is a dizzying ongoing musical journey that flies economy
and business all at the same time. Maurizio exploits these contrasts, wearing pinstripes
or pyjamas or both - he jams.
We are talking about psychedelic house here. Socks off and sensual. It works on the big
stage, it works in the club and it washes all over an after hour. This sound did not happen
by accident.
In 1990 scrambling around some old Thorens decks in a club his mother worked in
Maurizio was scooping up all the vinyl lost from the night before – the first Schmitz
mixtapes (which actually were not mixed) saw the light of day at this time. Many were to
follow and these valuable suckers live amongst 11,000 pieces of vinyl collected and
stroked over the years.
When German techno was dynamite, changing the rules and ushering in a whole new
world of electronic music Maurizio was not only there – he was smack in the middle of it.
Bonn, Hamburg, Frankfurt, Munich. From the infamous “Labor” club to a 10 years
residency at 'FrequenzBerater' to Frankfurt and “U60311”. Many many more but maybe
two things stand out and tell you more. Spaldingstreet 43 in Hamburg, the original flat
sharing rave. Maurizio presided over 7 years of lovely madness. Today you could create
a major art/music festival just from the people who crashed out on the sofas there. Then
the tour de force. His very own Mauromusica night founded in Bonn 2004 in the beautiful
“Rheingarten”. An octagon shaped glass pavilion. Promoter, resident DJ and mum on the
door. Another 10 years.
No need to name names, somewhere in the above paragraph they all passed through.
Perhaps one name, because here comes the other Maurizio Schmitz.
In a 1994 after hour set in Munich, “Pulvertum” it was called, the raver Maurizio noticed
Sven Vath 2 metres high in a tree mid set. You don’t forget stuff like that.
Their paths were never going to stop crossing.
Event manager, promoter, booker and for some time now the right hand man and
frequent support act for the immortal legendary magician Sven Vath. It is a relationship
that is not stopping any time soon.
So, to summarise, Sicilan passion met German techno and spat out the Dj Maurizio Schmitz.
(2018, Words by Andrew Gillings)

DJ & Artist from Koblenz, Germany
www.facebook.com/djbabor
www.instagram.com/babor_koblenz/

For all of Matthias Tanzmann’s achievements, the future is showing even further excitement and evolutionary growth. He is known as a global leader of the Tech House scene and is synonymous with Moon Harbour, his influential and soon-to-be 25-year-old record label that has already put out over 100 vinyl releases and more than 200 digital tracks. Like Matthias who first broke through as a DJ at the end of the 1990s, it constantly evolves, adapts and leads the scene from the front. 

Both he and Moon Harbour have stayed true to the signature sound that first stood him apart. They never fail to bring new ideas to the dance floor and constantly evolve with the culture. Along the way, there have been countless seminal moments. From his early residency at Leipzig’s cult Distillery Club to his first releases on Steve Bug’s Dessous label and Freude Am Tanzen in 1998 and 1999 via the infamous Moon Harbour showcases at major events including Miami Music Week, Amsterdam Dance Event, Barcelona’s 'Off Sonar' and the leading clubs of Ibiza over the last 20 years. Furthermore he is an integral collaborative member of the super group, Better Lost Than Stupid, alongside Davide Squillace and Martin Buttrich. This ground-breaking trio performs all over the world from London, Ibiza, Miami to Dubai. Together they released the acclaimed full length album Wild Slide and accompanying remix album. 

Whenever he plays, Matthias locks his global audience into his winding and hypnotic grooves for hours on end, always ramping up the pressure and keeping dancers on their toes. He has consistently performed as a resident for almost 15 years at Ibiza's wildest and the most cutting-edge Circoloco party at DC10. He also plays in demand back-to-back sets with partner in crime Davide Squillace and is regarded as one of the favourite players at the infamous ANTS events at Ushuaia Ibiza. In between those regular gigs and picking up several DJ Award nominations, he is on a constant tour of the world's most celebrated clubs and events from Elrow to Solid Grooves to Music On. 

Founded in 2000 and followed by sub-label Cargo Edition in 2006, Moon Harbour Recordings has been a vehicle for much of his music over the years, though it has also been responsible for bringing through plenty of next-generation talents. Matthias Tanzmann has served up three solo albums on his own label - Restless in 2008, Momentum in 2016 and the far-reaching Round And Round album in 2019. Each one shows how he brings colour and narrative to his music through the careful layering of percussion and the teasing out of deft sound designs to make for moments of real dance floor drama. Whether working solo or in collaboration with the likes of Steve Bug, Black Circle or Daniel Stefanik, the key for Matthias is to never stop evolving, asking questions and exploring new ground. Furthermore as a keen contributor to the industry and passing on to the new generation, Matthias shared his vast knowledge with a unique production masterclass in collaboration with Mixmasters in Ibiza in 2023.

As a remixer, Matthias also brings an in-demand signature sound for the likes of Jamie Jones, Dennis Cruz, Moby or Booka Shada. His Remixes 2002-2012 compilation showcased his adeptness and adaptability, and he has further cemented his legacy as a definitive DJ with seminal mix CDs for revered series like Cavo Paradiso Mykonos in 2010, Circoloco in 2008 and 2011, fabric London in 2012, and several times for Moon Harbour.

What started as an obsessive hobby back in Leipzig became a globe-trotting profession. Importantly, though, Matthias Tanzmann has always retained the sense of fun and inquisition that motivated him back then. That shows in the tracks he continues to skillfully craft, whether deep and moody for cozy backrooms, or more raw and jacked up for the main room. From his sets to his productions via the music he A&Rs for Moon Harbour, Matthias Tanzmann blends a deep understanding of dance music dynamics with a burning desire to keep things moving forward.

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