As of 2025, The Bloody Beetroots remains a pioneering force in the world of electronic music, bridging the gap between electro, punk rock, and dance genres. 
Founded in late 2005 by Sir Bob Cornelius Rifo, an Italian musician and producer, the project has undergone various transformations over the years but has never wavered in its ability to captivate audiences globally.
From his breakout hit "Warp 1.9" with Steve Aoki to his critically acclaimed albums like “Romborama," “Hide," and “The Great Electronic Swindle,” The Bloody Beetroots have carved out a unique niche. 
The act gained international fame for its unique blend of electronic beats and live instruments, as well as his iconic TBB mask, which has become a symbol of his bold artistic vision.
His collaborations read like a who's-who of the music industry, spanning from Paul McCartney to Tommy Lee and Jet. 
He’s also shared the stage with big names like Snoop Dogg, Metallica, The Prodigy and Kanye West, exhibiting his genre-defying flexibility.
In recent years, The Bloody Beetroots has delved into new sonic territories while still remaining true to his roots. 
The addition of various multimedia elements into his shows has elevated his performances into full-fledged immersive experiences, earning Bob a dedicated following both in the festival circuit and in more intimate venues.
Still riding the wave of success, Sir Bob Cornelius Rifo continues to be a multi-faceted artist—DJing, producing, and even engaging in activism, particularly in environmental causes. 
Rifo shows no signs of slowing down; he's still in the race, perpetually hungry for content, knowledge, and the next opportunity to electrify audiences.
Through numerous albums, EPs, and global tours, The Bloody Beetroots remain an indomitable force in the music world, continually evolving while leaving an indelible mark on both fans and the industry at large.

High Seas Boat Tour 2021 tickets are now up for purchase at http://goldroom.la

Management: josh.legg@oromgmt.com

Bookings:
Alex Douma - alex.douma@caa.com 
Marlene Tsuchii ~ mtsuchii@caa.com

French Horn Rebellion’s latest album, "Graduation Compilation" is out now. Get it here: https://youtoocanwoo.lnk.to/graduationcompilation

Known for its “delightfully bizarre” (Vice) spin on indie-dance, French Horn Rebellion (FHR) is a music project that combines dance-punk, French touch, and electro with classic songwriting sensibilities.  It was co-founded by Robert and his brother David Perlick-Molinari in 2007.  Both currently work at David’s production studio in Williamsburg Brooklyn, YouTooCanWoo, and curate a new indie disco and house record label, @toucansounds

In 2007, Robert was a young classical horn player in the Chicago area making beats on his laptop, and throwing house parties.  Finding more joy in electronic/dance music than in the classics, he with the help of his brother David (who had recently produced MGMT’s Time to Pretend EP) created FHR and the duo released their first single together, ‘Up All Night.’

Soon after, Robert booked a 30-show national tour (mostly using Myspace) from Brooklyn to El Paso, playing every DIY electro party along the way.  From the friends they made that year, FHR was invited to play SXSW, sparking interest from the dance scenes of London and Paris to Seoul and Tokyo.  As a poster child of Brooklyn eclecticism, they received steady radio play on BBC’s Radio 1 and event performances with Les Inrocks and Kitsuné Maison.  In two years, the brothers went from playing the punk-venue basement at Lit Lounge in Manhattan, to the basement of the Louvre in Paris for the show of famed fashion legend Jean Charles de Castelbajac.

Over the last 10 years FHR has performed as a DJ as well as a live band across 5 continents, while collaborating on stage and in the studio with some of the most influential music artists of our time including official remixes for Beyoncé, Two Door Cinema Club, Sia, OMD and tours with Of Montreal, Cut Copy, Yelle, Hot Chip, SebastiAn as well as original studio collaborations with St. Lucia, Autograf, Jody Watley, The Knocks and many more. 

They have received praise from some of the world's leading media outlets including The New York Times, Billboard and The Huffington Post.  LA Weekly said, “We wish America had a million bands like this,” while in the UK,The Guardian regarded FHR's music as “killer dance-pop.”

A thriving media organization at the forefront of digital innovation, NPR creates and distributes award-winning news, information, and music programming to a network of 975 independent stations. Through them, NPR programming reaches 26 million listeners every week.

Music summoner. 

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