Clone Royal Oak
Jazz Cabbage
Waxtefacts

Bookings: strpstv (at) gmail dot com

soundscape composition 
@nathanielalexander

Record Label based in Berlin.
Support from Glenn Astro, Vin Sol, Eclair Fifi, Red Rack'em, Frits Wentink, Inkswel, Falty DL, Delfonic Oye...

Distributed by Prime Direct Distribution
Bandcamp > https://jazzcabbagerecords.bandcamp.com/merch

Le premier envoi, intitulé « Press Start » et accompagné d’une vidéo croisant l’influence de « Peau d’Ane » et de « Phantom of the Paradise », déploie des synthétiseurs gorgés d’harmoniques et pastiche avec humour les années 80 de Visage et Imagination. 

Introduit par d’étranges arpèges de voix humaine, « The Love Disease » conjugue polyrythmes frénétiques et ampleur orchestrale comme autrefois Propaganda et Frankie Goes To Hollywood, annonciateurs de la techno-trance des années 90. Funky-rock (« The Perfect Recipe ») ou électro (« Shoot Shoot » et « One By One » comme un lointain hommage à Cerrone) les riffs et gimmicks sont efficaces. Parmi les collaborateurs venus apporter leur touche originale à cet album, il faut citer le compositeur de jazz Frank Hergott et le groupe Archigram (Crydamoure) qui co-signent respectivement avec Melanie, « Raincheck », et « L’Exactitude » dont les synthétiseurs semblent décoller comme des fusées. Les fans de techno ne sont pas oubliés avec « I May Be A Lion » et ceux de la house garage new-yorkaise seront séduits par « Private Intercom », dont  les harmonies jazzy, la voix blanche et les chœurs vaporeux, évoquent un after rempli de ...





Single « Press Start » Sortie Février 2014 / Sortie Album "Sweet Sixteen" été 2014 
Label: ZVM/Columbia

The Debut Album ‘𝐕𝐀̈𝐒𝐄𝐍’ out now 💚
lafleur.ffm.to/vasen

Bookings

Worldwide:
martje@primarytalent.com

North America:
john@analog-a.com

South America:
diego@analog-a.com

La Fleur is nothing short of a visionary, with her every move an impossibility to ignore.

At almost 20 years since her first footsteps into the music space, the producer, DJ and labelhead meticulously fuses house and techno with infectious melodies to trigger even the deepest emotions. Her sonic palette carefully curates a story – and when lauded by names including Kerri Chandler, Sasha, Pete Tong and Kenny Larkin, its narrative is one of genius.

With her label Power Plant and consequent debut ‘Flowerhead’ becoming immediately lauded in underground communities, La Fleur’s discography has blossomed from strength to strength; including - but not limited to - releases via revered labels including Kompakt and Cocoon, a residency and valued relationship with Watergate Berlin, her remixing Kerri Chandler and Sasha (including a hit 2018 collaboration with the latter on ‘Förbindelse’), a remix by Carl Craig and an abundance of high-profile party and festival appearances. Think Awakenings Festival, Tomorrowland, Life Festival, Creamfields and Warung, an array of Ibiza’s superclubs, Printworks London and Motion Bristol to name merely a few — the Swedish artist shows no sign of slowing down.

Looking to the future with new album ‘Väsen’, she brings listeners on a journey with her intrinsic self — the archaic Swedish word models not only an entity, but also an essence, added to its associated meanings embodying the natural world, strength and noise. It is a truly introspective collection of tracks, embodying La Fleur’s journey-like sound.

La Fleur’s trailblazing ascent shows no signs of deceleration. Her beautiful sonic concoction of house and techno creates the perfect storm for dancefloors young and old — and her curation comes directly from within.

Dale Evans is following