You'll want to avoid these cliches in your DJ bio if you don't want people to tune out, which usually happens after revealing you've been interested in techno since five minutes after birth.

Since his early childhood in Frankfurt, LPs and singles have been his favorite toys. His family's interest in music has played an important role in the growth of his love for music. In 1985, his family decided to move to Istanbul, where Tarkan continued playing his vinyls and recording tapes after coming home from school.

His professional music career started after he finished university and became a resident at Power FM. Right after showing up in the music scene as a radio DJ, he started to perform at the biggest clubs in Istanbul. Running fast in his music career,

Tech house is a subgenre of house music that mixes elements of techno with house music. The term tech house developed as a shorthand record store name for a category of electronic dance music that combined musical aspects of techno, such as "rugged basslines" and "steely beats," with the harmonies and grooves of progressive house.[1][2] The music originally had a clean and minimal production style that was associated with techno from Detroit and the UK.[2] In the mid to late 1990s a scene developed in England around club nights such as The Drop run by Mr.C & Plink Plonk, Heart & Soul, and Wiggle run by Terry Francis and Nathan Coles.[1] Other DJs and artists associated with the sound at that time included Charles Webster, Bushwacka!, Dave Angel, Herbert, Funk D'Void, Ian O'Brien, Derrick Carter, and Stacey Pullen.[1][2] By the late 90's London nightclub The End, owned by the former Shamen rapper Richard West (Mr C) and Layo Paskin, was considered the home of tech house in the UK

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