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A New One - Lyrics

Taking your time and keeping an eye on things 
watching to be careful of your navigation
By this we learn, grow and move on to get to where we want to go

Making an effort and hoping for the best of the situation
these fruits of the labour is what we have to show

Making an effort and hoping for the best of the situation
these fruits of the labour is what we have to show

Finding your place, safe in the knowledge that everything's fine
there's comfort in the sound when you get caught up in the moment
You got this moment, it's now and everything is all fine
You said it once, 'this is your time so why not own it?'

Getting relaxed and filling up on words from these ideas had
Sometimes luck would have it in a flavour I like
just in time to see off another sad
shot that goes in off the post when I strike
That goes in off the post when I strike
that goes in off the post when I strike

Finding a place, safe in the knowledge that everything's fine
there's comfort in the sound when you get caught up in the moment
You've got this moment, it's now and it's all fine
You said it once, 'you got this time so why not own it?'

'you got this time so why not own it?'




------------------------------------------------------------------------- Artwork - Alan Davis

A New one

a New One

My son recorded this when he was in middle school.  (age 14 )

Sleep Dirt

Mending The Line End Credits Suite (unused alt version) - Bill Brown - Composer

Mending The Line End Credits Suite Alt

Mending The Line End Credits Suite (unused alt version)

Free Download: mgphx.me/SeveranceRMXDL

I've been obsessed with Severance lately and thought to myself: "What if the innies had an ORTBO at a nightclub?"

So I made this. Enjoy the Music Dance Experience 🐐

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Free Download

Severance Theme (Megaphonix Remix)

Serotonin

These days, jazz guitarists are getting really creative, but some of them (without naming names) treat the endeavor as more like writing riddles to be solved where you need to go through some mental contortions to appreciate what they are doing. That isn't to say it is bad-- I'm a big fan of Kurt Rosenwinkel and a few others, but some of the more academically-inclined players seem to have lost their way. Music theory is great, but Miles dropped out of Juilliard. Someone needs to teach these kids some funk. Calvin is the man for the job, and like some of the few remaining legends, he just gets better and better with experience. This Wide Hive release, a sort of companion piece to Turnstyle (credited to the Wide Hive Players), goes well with that new classic. For this set, Calvin is more firmly in charge, and while it isn't as heavy on the Bitches Brew-type darkness as Turnstyle, its value is in its insistent groove. Calvin hits hard. This is some serious funk-jazz, with no show-boating, no pedantic overly-theoretical exercises in wankery, and no corners cut. Interspersed, though, are a couple of down and dirty blues numbers that would have sounded more at home on the Fat Possum label than Blue Note, and Calvin wraps things up with a surprise of the best kind. The final number is an elegant solo guitar piece that reminds me of Joe Diorio's solo work. Don't try to pigeonhole Calvin. Just listen to the master.

Electric Keys

Sample and hold circuits are used in linear systems. In some kinds of analog-to-digital converters, the input is compared to a voltage generated internally from a digital-to-analog converter (DAC). The circuit tries a series of values and stops converting once the voltages are equal, within some defined error margin. If the input value was permitted to change during this comparison process, the resulting conversion would be inaccurate and possibly unrelated to the true input value. Such successive approximation converters will often incorporate internal sample and hold circuitry. In addition, sample and hold circuits are often used when multiple samples need to be measured at the same time. Each value is sampled and held, using a common sample clock.

Sample Hold

Part One discusses the kinetic problems that waltzing couples encountered in the face of ragtime dances and tango, the impact of World War One on social dance practices in fashionable London and the response of the press and the dance pedagogic profession to the post-war dance craze. Improvisational strategies are considered as contributory factors in the waltz's muted persistence throughout the war while throwing light on how certain social choreomusical practices might lead to the transmutation of dances into newly recognised forms. The persuasive role of London-based leaders such as Philip Richardson, Madame Vandyck and Belle Harding in these early years of modern ballroom dancing is brought to fresh attention. Part One concludes with the dance teachers’ inconclusive attempts during 1920–21 to define and recommend a waltz form compatible with both a discrete choreomusical identity and the stylistic dictates of modern ballroom dancing.

Muted Waltz

It has been suggested that more is known about the Moon than the deepest parts of the ocean.[2] Little was known about the extent of life on the deep ocean floor until the discovery of thriving colonies of shrimps and other organisms around hydrothermal vents in the late 1970s. Before the discovery of the undersea vents, it had been accepted that almost all life on earth obtained its energy (one way or another) from the sun. The new discoveries revealed groups of creatures that obtained nutrients and energy directly from thermal sources and chemical reactions associated with changes to mineral deposits. These organisms thrive in completely lightless and anaerobic environments in highly saline water that may reach 300 °F (150 °C), drawing their sustenance from hydrogen sulfide, which is highly toxic to almost all terrestrial life. The revolutionary discovery that life can exist under these extreme conditions changed opinions about the chances of there being life elsewhere in the universe. Scientists now speculate that Europa, one of Jupiter's moons, may be able to support life beneath its icy surface, where there is evidence[3] of a global ocean of liquid water.

Deep Sea

Phase precession is a neurophysiological process in which the firing of action potentials by individual neurons is timed in relation to the phase of neural oscillations in the surrounding cells. In place cells, a type of neuron found in the hippocampal region of the brain, phase precession is believed to play a major role in the neural coding of information. John O'Keefe, who later shared the 2014 Nobel Prize in Physiology or Medicine for his discovery that place cells help form a "map" of the body's position in space, co-discovered phase precession with Michael Recce in 1993.[1][2]

Phase Precession

Even many conservative scholars of the history of religion have a sense that the mystery schools of Egypt contain within their teachings a particular knowledge that came, if not from prehistoric times, from ancient times. The earliest human records legible, the Pyramid Texts of Egypt (c. 3000 B.C.E.), contain many prayers that are quoted from a far more ancient period, and it is apparent that the prayers were used in the texts as magical formulas and spells.

Mystery Schools (revision)

05 Interstellar Overdrive (Pink Floyd COVER)

Free Taster Pack DL Here! - https://hypeddit.com/track/sb3htt

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A sample pack inspired by rolling drum and bass beats, with harsh basses, lots of reverbs and drums.

Contains over 60 samples and an Ableton 10 project file showing how they have been used to create the track (Uses only Ableton native fx)

[FREE DL] Rolling DNB Sample Pack // Sample Pack + Project File

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---

[Verse 1]
Don't fly away
Little bird
You're here
To stay x3

(Uh-ah oh-uh)
(Uh-ah uh-ah uh)

[Verse 2]
Run along little one
I believe in you x2
(Uh-ah oh-uh)
(Uh-ah uh-ah uh) x2

[Bridge]
You can only make it if you try
Or you can lie down and die x2
(Oh-uh uh-ah-ah) x2

[Chorus]
(Ah oh-uh-ah)
(Ah uh-eh - eh)
(Oh-uh - oh-uh oh-uh) x4
Lie down and die x3
No more lies x2

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Adore is electronica artist Mikael Ellingsen. He has been making music since 2007. For his latest album release Momentary Leap he is joined by associate producer and lifelong friend Aleksander Eile.

Producer: Mikael Ellingsen
Co-producer/manager: Aleksander Eile
Writer/vocals: Mikael Ellingsen
Mixing/mastering: Mikael Ellingsen & Aleksander Eile
Art concept: Mikael Ellingsen
Label: Ellingsen & Eile

Momentary Leap

Fragments

Trip

Music by Bill Brown
Website: https://billbrownmusic.com

Follow Bill on:
Instagram: https://www.instagram.com/billbrownmusic
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Windows XP Tour intro

Duke Ellington said there are only two kinds of music, good and bad.  Someday I hope to have my tracks fall to the former category. I figure I have 18 years to play at it. :)

Electric Keys

Dan Kohnfelder

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