Emotan's music within the box, outside the box... without limits..no chains attached.
Freedom of creativity, freedom of speech... freedom to live life as a free spirit.
This is not the kind of music you hear every day

emotan.management@gmail.com

“PAWA” consists of seven musicians performing a unique mixture of traditional European medieval music and modern electronic sound.

Musicians use such an unusual set of musical instruments as: traditional Belarusian bagpipe called “DUDA”, modern top-shelf synthesizers, exotic percussions, electric guitar, wooden pipe instruments, violin, cittern and much more.

Band plays mainly Belorussian (historically Magnus Ducatus Lithuaniae and Rzeczpospolita Obojga Narodów) traditional and medieval music but that not all. PAWAs repertoire consists of instrumental compositions and vocal songs from other world regions include: Sweden, Poland, Spain, Italy, Portugal, Germany, France and so on. Some songs are presented in such unique languages as- Old High German (Althochdeutsch), Breton (Brezhoneg), Old Church Slavonic.

The birth date of the band is February 17th of 2012, since that time PAWA played a lot of live gigs from small clubs to huge festivals. Band performance is always a great visual action and musical experience. PAWA is open for any proposals concerning concert organization we also with pleasure participate in charity acts.

Inna Pivars and The Histriones (ex The Tsoys)
Psychedelic Garage & Surrealistic-pop/rock band with female lead vocal.


The band was formed in February 2011 in Moscow Russia.
The bands lead singer Inna Pivars is a cinema and theatre actress and a former co-star of legendary Russian Musical Juno and Avos (Lenkom Theatre).
Inna Pivars and her band recorded two albums: The Haze Of Memories LP (2011) is being released on well-known Russian label Soyuz, and Interstellar Omnibus( 2015)is being released also on the Soyuz label.



Vencedor do remix contest promovido pela Green Valley, Fabrício Peçanha e Underline Records.

✮ Abstract Channel
✮ Underline Records
✮ Shield Records
✮ Burn Up Records
✮ No Topo Music
✮ Undercast Records
✮ Red Paradise Record
✮ Cream Dance Records
✮ Klexos Records
✮ Capiroto Records
✮ Ancap Records

ZeroTwoØ is a melodic techno/ DnB project inspired by the cinematic  bass pressure

Focused on driving basslines, hypnotic grooves, and dark melodic tension, ZeroTwoØ creates club-ready electronic music designed for late-night dance floors, warehouses, and festival sound systems.

I am composer/producer based in Yorkshire.

I have made chiptune, electronica, glitch, DNB, Tech House and electronic folk. I'm currently making drum n bass.

I always like to mix my styles because:-

- I get bored of listening to same type of music
- I need a constant diversity of inspiration
- I listen to alot of different music

The main reason why I compose and produce is because I am a happy person that loves to make original music.

I also have a twitter account if you'd like to follow me on there

https://twitter.com/#!/d_lugg

I have a bandcamp website where my music goes on sale 

http://dlugg.bandcamp.com/

I also have a blog for some production advice and tips for all you music making lovers

http://crazybedroomproducer.tumblr.com/

You can contact me regarding collaborations, remix requests, production advice, artist support, or just for a good old chat by emailing to the address below.

djohnlgg@gmail.com

I will always reply.

Enjoy listening!

WELCOME GEAR JUNKIES: We never have enough, always lust after stuff. My own studio is cobbled together from 2nd hand not so 'chic' (or fashionable or expensive) stuff. It works for me, an I have a lil rule, if its not been used for 12 months it gets to go to a new home....yeah right. We're gear junkies. Anyway, heres my list, nothing expensive, just stuff bought over the years that works for me...a great sound, ease of programming, fits in with my setup, was a right bargain as unfashionable  etc:
In no particular order:
Tascam DAT 2 trk (mastering), Adat 8 trk, Logic, Ableton, Roland Sh1000, Roland String Machine, SR16, Dep 5, Dep 3, Alesis Quadraverb, Yamaha Motif,
Allan n Heath GS3000, Mackie monitors, Zoom FX, TLAudio compressor an EQ, two Alesis 3630 compressors (lovem), old handmade tape delay, Korg Poly800, Kurzweil K2000 samplers X2, Yamaha silly home keyboard ps something, TX21,  Aphex EQ, Ensonique keyboard, Roland string machine, Yamaha TX7, Yamaha Drum Machine, various guitars (yawn) all got humbugger or something. An got a tambourine also....Hi, thanks for listening, thanks for following.
WISH LIST FOR 2017: roland vocoder, Mutronics mutator, anything Moog, a replacement for my beloved SR16 that gave up, some better ears and a whole lot of understanding bout this music thing....mmmm, guess thats all down to me. HPNY
Welcome to another anonymous Sound Cloud site, full of a load of music made by another noone that you probably will never meet. Some tunes here are really thought about and carefully engineered, others just little ideas posted up, sketches. Makes me wonder, why do we make music, us amateurs? We don't earn a living doing this, we do it for pleasure and through need. How many times have I had a tune in my head, an idea, and the luxury of a day off stretching ahead. All I need to do is to go to my studio and turn it into reality. Do I? No, I find a hundred excuses to not visit that space, from needing to empty the dishwasher, cook the tea, iron the garden...its all mostly mundane. And yet, after hours of using up a precious day off when I do finally make myself go and sit down in front of my monitors and indulge in some glorious tune making it is the biggest reward. Am sure I am not alone in this. A couple of years ago I set myself a discipline of getting up early each morning and spending a couple of hours (a bleary coffee fuelled start) in my studio working. The results were really good, clear head, sense of purpose and a self imposed time limit. I really had to be out of pjs by 8.30, the neighbours were starting to twitch nets and point. Honestly the best music I have made was around the start of 2013, faced with eviction and homelessness, struggling to find somewhere to live the house was gradually dismantled, put into storage, ready for a move. I resisted the studio, hung onto it for as long as possible and even two days before we moved with everything literally in boxes I stayed up late, got up early, put every effort into just getting down another tune...and another...and another. Listening back, I think it has been some of my best work. There was something about being on the brink of losing everything, knowing once we moved that I wouldn't have a studio for a while and the obvious emotional response of leaving our home that made it easier to work. I never found excuses to empty the dishwasher, iron the cat, take the lawn shopping etc....
The purpose of this site for me is part diary, a hope that I can get better thru listening here, a space outside my studio,  and part a chance to listen to other peoples stuff. I love it when people comment, please do if you have anything constructive to say, esp re engineering/mixing/producing. I am always learning and welcome any advice and feedback. Like most people on this site I am a home studioist. i.e. a bottomless pit to chuck money down...Wouldnt have it any other way.

Dan Lugg is following