Written 1984 by Terry Reeves
Performed by: Vocals - Terry Reeves, Guitar Terry Reeves, Bass - Brian Reeves
Recorded: Wallington Croydon London


For me George Best was the greatest player that ever lived, but suffered from being better at what he did than everybody else. 
At one time in my life I think I was within an inch of becoming an alcoholic and yes at the time it solved all my problems. I was rescued by a beautiful women but unfortunately George was not.
He was one of my greatest heroes and I spent a large amount of my early years trying to emulate some of his football skills. I was given the opportunity to meet him on two occasions and he was a really nice genuine man and I was really upset when he died.
My brother Brian and me completed this recording in one afternoon and he came up with the fantastic bass line, it was always our intention to develop it and take it further.

This is my tribute to George Best

LYRICS

Yes I drank the bottle dry
Please don't ask the question why
Just except this drunken man
Drinking for another plan

Couldn't take things in my stride
Second place it hurt my pride
Told to take some time to think
Think I'll have another drink

CHORUS

Yes he's the greatest he really has it all
The king of any man who ever kicked a ball
He makes the head lines every time he shows his face
I wonder if they know our hero up in space
If not it's just a disgrace

He's here
Georgie   
No fear

Tried to force me to retire
From the bottle I admire
Knew I'd lose out in the end
Destroying me or my best friend

Belong to no one else but me
I'm not public property
I know I have myself to blame
Life is not my favourite game

CHORUS

It's not as sad as you might think
Not looking for a missing link
And I don't need an open door 
Cause all I have to do is poor

Georgie Georgie come back Georgie
Georgie Georgie come back Georgie

Best Of Both Worlds

The first song I learned to play on the melodica as a kid.

Καλήν εσπέραν άρχοντες, αν είναι ορισμός σας, Χριστού την Θείαν γέννησιν, να πω στ' αρχοντικό σας.
Χριστός γεννάται σήμερον, εν Βηθλεέμ τη πόλη, οι ουρανοί αγάλλονται, χαίρει η φύσις όλη.
Εν τω σπηλαίω τίκτεται, εν φάτνη των αλόγων, ο βασιλεύς των ουρανών, και ποιητής των όλων.

Good morning, good people, and if you so desire, can tell you of Jesus’ Holy birth.
Christ is born this day in Bethlehem and the heavens and whole earth rejoice.
In a manger in a stable is born the King of the universe and Creator of the world.
And the multitude of the Heavenly Host is praising God and singing “Glory to God in the highest…”

video >>> https://youtu.be/IcV2rmpNaHQ

© All rights reserved

Greek Christmas Carols - Κάλαντα Χριστουγέννων

Lorsque j'ai proposé ce concept à mon Ami Suédois «Seagull» https://soundcloud.com/farout-music-studio pour une éventuelle collaboration, celui-ci avec sa grande gentillesse, a immédiatement accepté de partager cette petite aventure musicale, en y apportant quelques éléments de guitare acoustique …. Et pour donner, à cette bande audio "French_Fantasy", des harmonies très subtiles.
Je l'en remercie chaleureusement ….
Avec la voix de Clara Sorace …. qui est pour nous deux, et en grande partie, un lien de notre complicité.
https://clarasorace.com/

************************************************************************************************************

When I suggested this concept to my Swedish friend "Seagull" https://soundcloud.com/farout-music-studio  for a possible collaboration, he was so kind as to agree immediately to share in this little musical adventure, adding a few acoustic guitar elements .... And to give this ‘French_Fantasy’ audio track some very subtle harmonies. 
My warmest thanks to him ....
With the voice of Clara Sorace .... which is for both of us, and to a large extent a link in our complicity.
https://clarasorace.com/

Hold Me Now .... With Seagull and Clara Sorace

2024 Remix and Remaster version to bring it up to the standard of the later album tracks for full album release in 2025.
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By Castle Walls - © P Goodrich 2019

"When Summer sun shines on your face
By Castle Walls I feel your grace
When bees alight on golden thrones
By Castle Walls 'twixt sea and stone"
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The Gertrude Jekyll garden, near to Lindisfarne Castle is the focus of this track. Now owned by the National Trust, originally it was a walled garden that was first constructed by troops manning the castle, presumably as far back as the 1500s or 1600s, to grow food.

In 1902, the Country Life magazine founder and owner Edward Hudson took out a lease from the Crown on Lindisfarne Castle and commissioned his friend, the architect Edwin Lutyens, to transform the Castle into a holiday home in which Hudson could entertain during his summer visits.

In 1911, Hudson decided to restore the old walled garden to use as a place to enjoy. Lutyens brought in his regular collaborator, Gertrude Jekyll to undertake the design work

This track is now part of "The Pilgrims Way Project" exploring the history and natural world of Lindisfarne.

Project Playlist

soundcloud.com/mrbouzouki/sets/the-pilgrims-way-project

Project Website

www.pilgrims-way.co.uk

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Instrumentation

By Castle Walls instrumental feature strings, cello, alto flute, alto F low whistle, english horn, piano, harp, alto glockenspiel, bass guitar, harpsichord and a mixed choir backing. It also features my initial poem voice-over and 'bees ensemble' :-)

The buzzing bees sound FX is classed as Public Domain and is used to add colour to the track from www.freesound.org

creativecommons.org/publicdomain/zero/1.0/

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Background

In my head I had the idea of trying to capture the feeling of guests of Hudson, (or modern day visitors) walking around the garden on a late Summer afternoon, possibly stopping to listen to the bees, busy at work, collecting honey.

The poem came out of that thought which then inspired the musical direction of the piece.

I imagined the first part, idyllic, tranquil, moving to section where you just focus in on the bees and everyday life slips away for a while. This is followed by a grander 'promenade ending', where I imagined Hudson's guests strolling around in the late afternoon sun.

By Castle Walls - 2024 Remix and Remaster

Cast of Characters:

David Marconi — @david-marconi-917184705 — electric guitar, bass, foundation synth plus midi percussion and assorted traditional voices, production, mix, and composition
Elpiverse — @elpiverse — Elpi -- vocal composition, arrangement, and production
Ron Lewis — @ron-lewis-779503933 — synth 
TexMex Shaman --  @texmex-shaman –Stephen– sitar and mastering
Mistermark – @user-432503709 – Mark – talking drum
Llanpsych-- @llanpsych -- Tez – electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- synth flute
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 5-string fretless bass
AliasZen (Elpi's husband) — artwork (created with the help of AI)


This song began with David, who wrote it on the guitar, synth, and bass over a programmed beat he created. He and Josh met more than two months ago and decided to do a collaboration, based on mutual enjoyment of and respect for each other's music. Dave had this song pretty much fleshed out, although it was still a skeleton when he offered it to Josh, who, of course, got the rest of the Eclectic Collective involved. 
  Dave asked us all to compose our own parts for the song, so we all got to work right away doing that. We all realized that the first order of business would be to get a real beat on this, so Ken accomplished that task with some dynamic, Eastern inspired drums and percussion, which he plays throughout the song. JJ then stepped in and added his best eastern flute magic. Stephen was next with the perfect-vibe sitar you hear in the first two sections. 
  Josh came next to add his five-string fretless bass to the mix, augmenting David's high, staccato bass with his deep, low tone bass. Then, for the third section, where David's Gilmore-esque guitar solo resides, Josh drops out, allowing for Dave's awesome bass playing in that section. However, Josh does come in again towards the end, in the final section, too. Also, in that section, Tez dropped an augmented, harmonic, electric fire, complementary guitar part. Then, David's frequent collaborator and friend Ron added some well blended, ethereal synth to the first section, too.
  Once we had the instrumental parts pretty much laid down, we began to discuss getting a woman to sing on this, as David was inspired by The Great Gig in the Sky, by Pink Floyd, and we all agreed. Who we found to do it actually blew all of our minds. JJ, being familiar with her music, contacted Elpi first, and we were all lucky enough that she agreed to do it. Having heard Mediterranean music all her life in Greece, she tapped into what her husband said were her "ancient Greek roots," for her spectacular vocal performance. She finds all the modal notes and places them perfectly throughout her sections. 
  But before we were done, Mark came through with some really striking talking drum parts in the first two sections, too. Once we had everything in the can, David took over, both with some masterful editing and production, and with the balanced, dynamic mix. The mix was a formidable task, but he did it with considerable skill, also taking everyone's opinions into account, which is a talent in and of itself. When he was done with the mix, he turned it over to Stephen for the mastering, which the latter did to everyone's satisfaction, as always.
  This is the first song the Eclectic Collective has done with David, Elpi, and Ron, and we all hope it's the first of many, as we welcome them into the EC family. They all have some wonderful music on their pages, too, so do yourself a favor and check out all of them, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.  

TheSiege

PARIS DREAM

19 - 11 - 2024 - Composição

The Government

From the frozen ruins of forgotten realms to the endless skies of alien worlds, OrchraX invites you into a saga where fantasy and science fiction collide. Inspired by the grandeur of Skyrim and the vastness of Halo, this album blends orchestral power with ambient mysticism, creating a soundtrack for a roleplay game that exists only in imagination.

Opening with “The First Legend”, a spoken-word prologue delivered with the weight of ancient prophecy, the journey unfolds across cinematic soundscapes: battles fought beneath shattered moons, ruins echoing with the voices of the past, and destinies written among the stars.

This is more than music — it is a tale told in sound, crafted for dreamers, gamers, and seekers of other worlds. Step beyond the stars, and let the legend begin.

Echoes of the Ancients

Dit is een architectuur voor transformatie. Dertien sonische landschappen, ontworpen om je te begeleiden door de poort van de eclipse naar een nieuw hoofdstuk.

'Here I Am' is een reis in 13 delen. Van de delicate noten van piano en viool tot de diepe, meditatieve lagen van ambient soundscapes. Elke track is zorgvuldig verweven met specifieke binaural beats en solfeggio frequenties, niet als effect, maar als fundament.

Dit album is gemaakt als een ritueel. Een soundtrack om bewust los te laten, diep te voelen en helder te kiezen wie je vanaf nu wilt zijn. Luister het van begin tot eind als een complete sessie, of kies de track die resoneert met wat je op dit moment nodig hebt.

De titel is de bestemming van elke track: een dieper besef van het hier en nu. 
*Here I Am*. 
Volledig aanwezig. Klaar voor wat komt.

Jockkie - Here I Am - 09. Awaken the Dawn

Bienvenue sur ma page musicale ....
Merci à tous ceux qui prennent le temps d'écouter, et de partager ces moments musicaux ici ....

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Welcome to my musical page .... 
Thank you to all those who take the time to listen, and sharing these musical moments here ....

Hold Me Now .... With Seagull and Clara Sorace

DAN - DT