Felicitaciones. Ésta obra es maravillosa y misteriosa, se nota en ella el gusto del compositor por la guitarra. El interprete es excelente, felicitaciones para Julián Restrepo y para Tambora Records por la grabación y el sonido. De nuevo Felicitaciones.

excelente obra, felicitaciones al intérprete y al compositor!!

Recorded March 17, 2022, in Kyiv city, Ukraine

Bayun the Cat - A Point Of Silence 1

Premiered by the vocal ensemble Cantando Admont in Bruseum, Graz, 8th April 2022.

“Innermost Games” is a name of the vocal cycle in progress to be composed in next years.
The whole cycle will be based on a sonic representation of human emotions. I consider each vocalist as an instrument for “musicalisation” of emotions as well as “emotionalisation” of music. There are no verbal elements in the vocal parts, because each emotion can say something without any words.
This is the first part of the cycle named “Giggling Shimmer”. The main point of it is the diversity of many colours of laugh, giggle, chuckle, snicker, gurgling, guffaw etc. We know, laughter can not represent only positive things, and you always must read it between the lines. “Giggling shimmer” is the work of mine, which musically represents us laughter, and each listener can still make his own choice about what sense of laugh he prefers to hear right now.

INNERMOST GAMES for 5 singers - I. Giggling Shimmer

Ritual I pour guitare
(Daniel Alvarado Bonilla)
Septembre - Décembre 2011

Enregistrement: Mars 2012 Bogotá - Colombie
Tambora Records
Ingénieur du son: Juan Sebastián Bastos


L’ambiance magique et poétique d’un rituel est une idée qui certainement peut être évoquée à travers la musique et également, peut donner beaucoup de pistes au moment de concevoir la structure et le caractère d’une composition. Formellement dans ma pièce on peut identifier deux sections de caractère différent : une partie mystérieuse et libre et une section beaucoup plus rythmique (voir hallucinatoire). Bien qu’il y a un contraste entre les deux, elles partagent le même matériau mélodique et harmonique. Ce matériau, qui est construit par des cellules rythmiques, des effets de percussion dans la guitare, et des gestes mélodiques « incantatoires », se transforme et évolue tout au longue de la pièce. D’ailleurs, un autre élément important dans la construction (qui est étroitement lié aux musiques folkloriques et à l’idée de rituel) c’est l’utilisation de la répétition et des bourdons.

« Ritual » est dédié à mon cher ami Julián Restrepo.

El ambiente mágico y poético de un ritual es una idea que ciertamente puede ser evocada a través de la música y que igualmente, puede dar muchas pautas en el momento de concebir la estructura y el carácter de una composición. Formalmente en mi pieza se pueden identificar dos secciones de carácter diferente. Un preludio misterioso y libre, y una sección mucho más rítmica e incluso alucinatoria.  Si bien hay un contraste en cuánto al carácter, las dos secciones comparten prácticamente el mismo material melódico y armónico. Éste material, que está compuesto por células rítmicas y gestos melódicos “mágicos”, se transforma y evoluciona a lo largo de la pieza. Otro elemento importante de la pieza, que está estrechamente ligado a la idea de “ritual” y a ciertas músicas folclóricas, es la utilización de la repetición y de las notas resonantes o bordones. 
En cuanto a la escritura para el instrumento, quise encontrar la forma de combinar acordes “clusters” y cuartos de tono en la guitarra mediante la utilización de armónicos artificiales y naturales y de “bendings” (una técnica que es más común encontrar en la guitarra del jazz o del rock).     

“Ritual” fue compuesta entre Septiembre y Diciembre del 2011 y está dedicada a mi amigo Julián Restrepo

Ritual I

These bitches want my swag

The Butterfly Effect 3 will be out soon!

Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ Ƹ̵̡Ӝ̵̨̄Ʒ

WANT MY SWAG

Entry for the 163rd edition of KVR's One Synth Challenge - everything made using instances of Cardinal.

(Came second - thanks everyone!)

Finding My Voice - OSC 163 (2nd)

Catching deer on field at all night recording. Eating, rubbing horns in tree....that was almost all night  happening.
Location : Slovenia primal forest

Longer recording available here:
 https://earth.fm/recordings/red-deer-on-the-field/?fbclid=IwAR1BJVMQonsDeTefUmqLjIQz5zXgKHng7qXlRFq8hGe74RDVSIFumX6VAac

deer at night rubbing its horns on open field- primal forest Slovenia

This is a study of a method of generating chords from a single sine wave. Each note of a random melody gets divided into 8 new tones, comprising the first 8 undertones of that note. Plus a bunch of other modulation and stuff to make it sound good (at least to my ears). This is a recording of one "performance" of the patch, and is not edited or post-processed in any way. Made in VCVRack; not my first patch, but my first decent patch starting from scratch.

Annotated video (of a different performance): https://youtu.be/pDN_Zy8sg4w

You can get this patch at https://patchstorage.com/stations-of-the-tide/ if you want to try it yourself, or make it into something else. Click the Run button on Clockd to get it started.

The title comes from Michael Swanwick's novel of the same name.

There's a sample from an earlier version of this patch at https://soundcloud.com/mysterybear/2023-01-01-vcv-rack-study

Stations of the Tide

two contact microphones on thin icemake special sounds

Winter Ice sounds with stereo contact microphones

Chant étonnant du Coucou gris enregistré le 14 mai 2022 à Arcon à l'arboretum des Grands Murcins près de roanne, à l'occasion du rassemblement Sonatura. 
Ce coucou alterne son traditionnel chant à deux notes avec parfois 3 notes ou 2 notes dont les hauteurs varient.
Enregistré avec un couple de Sennheiser MKH 8040 en ORTF et Zoom F6. 
Aucune coupure ni montage pour toute cette séquence. 
Enregistrement Olivier Pichard

Amazing song of the Grey Cuckoo recorded on 14 May 2022 in Arcon at the Grands Murcins arboretum near Roanne, during the Sonatura meeting. 
This cuckoo alternates its traditional two-note song with sometimes 3 notes or 2 notes whose pitches vary.
Recorded with a pair of Sennheiser MKH 8040 in ORTF and Zoom F6. 
Recorded by Olivier Pichard

Photo : cc by sa Vogelartinfo

Coucou gris à 3 notes arboretum des Grands Murcins à Arcon(42)

"sear", premiered by Alarm Will Sound and Alan Pierson at Richardson Auditorium on March 21, 2023.

I spend a lot of time in the kitchen (or at the grill) cooking. It’s something I love to do for myself and others, whether I’m preparing meals for the week or hosting a gathering. In 2018, I read Samin Nosrat’s Salt Fat Acid Heat from cover to cover. At the time, I was more passionate about eating than I was about cooking, but I was willing to learn. 

In the section of the book on Heat, the author talks about an event called the Maillard reaction, a chemical reaction in which heat causes browning of proteins and sugars within ingredients. There are many ways to achieve the Maillard reaction, one of them being the searing method. Simply put, you prepare an extreme heat source (like a 700 degree skillet), you put a raw ingredient on the skillet (like a steak), and then the surface becomes deeply browned (and incredibly flavorful). A few drawbacks of this method include smoking up your kitchen, setting off the fire alarm, sweating profusely, but it’s worth it for the flavor (…sometimes…this is why I like the grill, even in the dead of winter).

sear is a piece based on extreme contrasts, with the idea of blistering heat in mind.

sear

Born in Bogotá, Colombia in 1985, Daniel Alvarado Bonilla begins his musical journey studying the electric and classical guitar. After obtaining his classical guitar degree at the Universidad de los Andes of Bogotá, he enters in 2009, the composition class of Edith Lejet in the École Normale de Musique de Paris. He has also studied with Martín Matalon in the Conservatoire d’Aubervilliers/la Courneuve and has continued his studies with professors Robert Pascal and Philippe Hurel at the Conservatoire National Supérieur de Musique et Dance de Lyon. From 2014 to 2016 he pursued his master in composition at the Conservatoire National de Musique et de Danse de Paris with professor Stefano Gervasoni. In 2017 - 2018, he attended the Cursus program at IRCAM. 

His work has been performed by prestigious soloists and ensembles such as Orchestre de Caen, l'Orchestre des Lauréats du Conservatoire de Paris, Ensemble Alkymia, Ensemble l'Itinéraire, Xenon Saxophone Quartet and the soloists from the Ensemble Intercontemporain.

Ritual I

Daniel Alvarado Bonilla

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