This is a reworking of a older folk song of mine as rock and roll.  I think it works better like this.

Lyrics:

Verse 1:
Looked mighty fine, couldn't help but see
How bout that? she's looking back at me
Ignorant, lonely, I was all of that stuff
She smiled at me, that was enough
We gave it time, we had some fun
Decided she should be my only one
Screwed up my nerve, decided to ask her
Knew that we'd be happy         ever after

Chorus:
I couldn't have been more mistaken
I was travelling a road I never should have taken
it's my own damn fault that my heart is breaking
I'm Never going to do it again

Verse 2:
Fake it 'till you make it, they said to me
Never pass up an opportunity
The point of the process is how much you can make
It's a zero sum game a little give a lot of take
Get a lot of money then make a little more
After all it's only a way of keepin' score
Gonna find  my happiness in wealth and fame
Going figure out the rules of the game

Chorus:
I couldn't have been more mistaken
I was travelling a road I never should have taken
I see what I did and my confidence is shaken
I'm Never going to do it again

Bridge:
Mistakes are made
Life's like that
but mostly we recover 
we find our way back
But you never know
if one day or another
we'll screw up so bad 
we never recover

Verse 4:
Uncovered this stuff, burned real good
Used it to power anything we could
It looked to be something that could satisfy
A hunger for power that would - never run  dry
All we had to do was drill and dig
Power would be cheap, profits would be big
We'll never have to worry about expenses
Cuz there'd never be any consequences

Chorus:
We couldn't have been more mistaken
We're travelling a road We never should have taken
it's our own damn fault that our world is breaking
We're Never going to do it again


Couldn't Have Been

your friendly neighborhood outcast

for any inquiries pleas email me at peterdoudkine116@gmail.com

Wav 48/24 STEREO HIFI homemade records           without edit.      (Classical guitar works). 

Pieces from the classical and romantic period by composers such as F. Sor, J. K. Mertz, L. Legnani, J. Arcas, N. Coste, etc... .

The tracks are also available to listen to in your browser on my personal website.

NO POST-PRODUCTION WORK HAS BEEN DONE ON  THE SOUND IN ALL THE TRACKS.
THE TRACKS ARE NOT MASTERED. 

I don't pay anyone for promoting my tracks.

I play a 2016 Heidi Pulfer guitar. 

Iacopo Maria Regazzo 

www.iacopomariaregazzo.it

The Monster In Me – Unleashing the Power of Metalcore

Welcome to the official SoundCloud page of The Monster In Me, a Metalcore project that brings raw emotion, crushing riffs, and high-energy breakdowns. Inspired by bands like Make Them Suffer, Arch Enemy, Spiritbox, and Jinjer, we combine aggressive vocals, powerful guitar riffs, and melodic female cleans to create a sound that hits hard and never lets up.

What you'll find here:

Original Metalcore Tracks – Heavy, emotionally charged music with intense breakdowns and powerful female cleans.
Instrumentals – Catchy and powerful riffs for fans of both Metalcore and melodic death metal.
Produced by Jacob Lizotte – All tracks and instrumentals are produced by the talented Jacob Lizotte.
Whether you're a die-hard Metalcore fan or a guitarist, The Monster In Me will keep you moving and headbanging.

Stay connected: Follow us for the latest tracks, updates, and new releases.

Trying to bring the world together through music 🤍 127 🖤
For any questions hit me up @ huntermalcom1@outlook.com

twatchrist  death soulja 
new ig @brokeniphoneactivist , twatchrist on all plats

Wladimir Martínez (born on August 22, 1990, in Valparaíso, Chile) is an independent musician, composer, singer-songwriter, and poet. He holds a degree in Music from the University of Valparaíso and has developed a deeply personal body of work that blends emotional soundscapes with a stylistic exploration that moves between rock, classical music, ambient electronica, and sonic experimentation.

Influenced by a wide range of artists who have shaped his creative journey from different perspectives, some of the most significant in terms of composition and musicality include The Beatles, Led Zeppelin, Steven Wilson, and David Bowie, whose melodies, structures, harmonic approaches, musical production, and conceptual aesthetics have been fundamental. On the sonic and experimental side, key influences include Brian Eno, Robert Fripp, and Ryuichi Sakamoto, all of whom are recognized for their work in crafting atmospheres and textures. His poetic and expressive dimension finds essential references in Nick Drake, Gustavo Cerati, Luis Alberto Spinetta, and the Chilean band La Ley, whose lyrics and sensibility have deeply influenced the way he connects words and sound.

He is currently also exploring the visual language through photography and digital drawing, as a natural extension of his creative universe. This multidisciplinary approach—exploring sounds, words, and images—reinforces his vision of art as something driven by emotion and perception.

Martínez has independently released his work through digital platforms such as Spotify, Apple Music, YouTube, Tidal, TikTok, and Instagram, building a diverse and coherent discography that stands apart from commercial trends. His work speaks to those who see art as a vehicle for deep expression rather than a product. He continues to expand his catalog with new releases, maintaining an active poetic and visual output that complements his artistic identity and pushes the boundaries of his creativity.



Been writing for 30years had one of my songs played on a popular radio station back in my days. I have written many songs in my time. You can hear more on the link reverbnation

🔥 Hard Rock | Shred | Distorted Guitars

I’m dishaRM — guitarist with raw distortion, heavy riffs, and emotional shred leads. My sound mixes hard rock energy with emo-inspired melodies, built on looping and pure distortion.

🎸 Expect:

Powerful riffs & shredding solos

Pink mask stage vibe

Instrumentals full of raw energy


👉 Follow for heavy, honest guitar music.

I write songs.  I'm not a performer any more than I need to be to have my songs heard once in a while. I hope that better musicians than I encounter my songs and decide to play them.  I just write songs to have them exist in the world. If the world likes them then the world can do with them what it will.  All these recordings are demos.  I've tried to make them as musically interesting as I can but they are all awaiting the skilled hand of someone who knows how to make songs shine.

Couldn't Have Been

Daniel Weinstein