Thank you, Daniel ... for recording such a beautiful accompaniment to our track. It's more haunting and lovely than before.

It's not that bad as you think in my opinion, really like that double bass, doing a nice contribution, so called bad timing doesn't bother me, I like the live feeling and atmosphere, nice piece of music!

thats really great reflecting the piano there

Excellent trio, a piece with so much depth. No abstract feeling here. Brilliant.

read the description, ha. I don't think it's bad at all.  Sometimes when it goes wrong you get happy accidents

I really liked the underlying duet and the great bass line is a perfect add.

Your “ramblingness” still sounds very Nice to these ears

Abstract Counterpoint Improvisation (disquiet0474)
Getting together through music,  in times of isolation...
I recorded here (France)upright bass over the duet by Chris Ledwidge (Ireland): piano and Michael Ash Sharbaugh (USA) synthesizers. 

I improvised over the original track twice, first take was a disaster, second was slightly better but still I couldn’t figure out what the piano was doing so my notes are bad and my timing is also bad.
 I mean, I'm following the sort of pulse but I'm not playing in the right spots, I'm afraid...


So, to save the thing from the trash lid I decided to label my ramblingness as an “abstract impro”, a tag that can excuse or justify many “out of focus” things. I added another thing that I use to bury sloppy things and pretend they are avant-garde brilliant statements: Valhalla Supermassive.
And I did a very creative use of the Delete button


DISQUIET0474 With Michael Ash Sharbaugh And Chris Ledwidge
For this late January 2021 junto:
https://llllllll.co/t/disquiet-junto-project-0474-police-action/

Original track:
https://soundcloud.com/michael-ash-sharbaugh/the-wolfs-baleen-michael-ash-sharbaugh-and-chris-ludwidge-disquiet0473-part-2-of-3

Photo by DD

@michael-ash-sharbaugh
@chrisledwidge

Abstract Counterpoint Improvisation (disquiet0474) with Chris Ledwidge and Michael Ash Sharbaugh

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

Comments

quarkstrangenesscharm

scraps unlimited

K Joule

gentil

M. Ackerman

Petrus Major

Torpid Scorpion

Big Beech

Michael Ash Sharbaugh

Michael Ash Sharbaugh