Composed and performed by DD (june/july/september 2022)
Upright piano, synthesizers, upright bass, orchestral (strings) samples, acoustic drums

Photo by Karim MANJRA


This particular track is a pure experiment, I was recording my acoustic piano, using some mechanical rubber mutes for a different project, and did this take just for me as a test.
I didn't know what to do with it, and abandoned.
Then, I overdubbed many different instruments over the past few months, an upright bass+acoustic drums rhythm section, an unexpected old-schools synth. Later I added an orchestral section.

There's a lot of work on this track but still I don't know where it's going nor what was i attempting when I started it. An experiment, a true one.

For this challenge:
https://llllllll.co/t/disquiet-junto-project-0569-think-thank/

An Undertow Of Resilience (disquiet0569)

Disquiet Junto projects and other sonic experimentations. This account is no longer active as I have reached my upload limit, so I instead post on Sinnysounds2. For additional compositions, check out my main account, https://soundcloud.com/sinnyseven.

Tristan Louth-Robins is a South Australian artist working principally in the medium of sound art and field recording. Ideas of sound and its signification are key elements in Louth-Robins' practice, traversing the space between the visual and aural his work is realised through the mediums of recordings, installation, visual art and performance. He is interested in sound and its associative implications - including its relationship to objects, technology, urban space, memory and the natural world. 


Since 2005, Louth-Robins has presented work in Australia and internationally as a solo artist, whilst also collaborating with artists, writers, researchers, musicians and performers. 

Working across a vast array of activities encompassing composition, sound design, installation art, field recording and workshops, his work has been featured in events such as the Adelaide Festival of Arts (2006), The National Regional Arts Festival (2012), Mildura-Wentworth Arts Festival (2013), Fairfax Festival (2013) and Adelaide Fringe Festival (2014); and selected works exhibited at galleries including The Australian Experimental Art Foundation (2009), SASA Gallery (2012, 2015), Light Square Gallery (2012) and FELT Space (2015). His audio works have been broadcast on radio including Radio National, Classic FM, The BBC (UK), Acoustic Frontiers (USA) and RBB (Germany).

This is a genre called Talking Rock. I love '70s West Coast American music. It's the music that inspires me. I also like Ennio Morricone's style. Then I mix it all up. I play electric, classical, acoustic, and 12-chord guitar. I also play bass.
YouTube Channel: https://www.youtube.com/channel/UCeCBZ4l-tqzB1iYK4sdhYzw

Bookings/Label Submissions @ topgrecordings@yahoo.com
Support Top G Records Music - https://topgrecords.bandcamp.com/
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* TOP G RECORDS based in Sheffield,UK
* TOP G OWNER: AZANDA - TRACKS + MIXES (EVERY MONTH)
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* NEW TOP G RECORDS PLAYLIST UPDATES
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*Top G Records is a cutting-edge independent record label based in Sheffield, United Kingdom, specializing in high-energy underground sounds. With a focus on Drum & Bass, Dubstep, Grime, and sometimes Electronic Dance Music styles like House, Bass House, and Tech House. We are dedicated to pushing boundaries and elevating emerging talent. Driven by innovation and a passion for bass-heavy beats, Top G Records is the home for forward-thinking artists and next-level productions that define the future of electronic music.*
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* PEACE AND LOVE! <3 *

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DNB Archives: Volume 1
Independent Drum & Bass, Unfiltered.

Top G Records proudly presents DNB Archives: Volume 1 — a cross-border compilation featuring some of the rawest, realest independent DnB talent from the USA, UK, and Canada.

This is our answer to the mainstream noise.

Born from a love of underground culture and a frustration with the oversaturation of major label playlists, this project brings together a diverse line-up of producers and labels who are building the future of drum and bass outside the algorithm.

We wanted to create something like Now That’s What I Call Music — but for independent DnB only. No filler. No compromises. Just the very best of what the underground has to offer:
🔥 Rollers
🌊 Liquid
🌪️ Tearout
🌌 Deep tech
🌿 Jungle-infused vibes

Each track was handpicked to represent a different flavour of the scene, united by one mission:

To give a proper platform to the artists pushing boundaries from the shadows.

🎧 Why You Won’t Find This on Streaming:
This is a download-only release — exclusive to those who truly support the culture. No Spotify. No middlemen. Just direct-to-fan, just like it used to be.

Whether you're a DJ, a collector, or a day-one DnB head, this is for you.

Volume 1 is just the beginning.
Archive it. Share it. Play it loud.
Independent DnB deserves its spotlight.

Bandcamp Tracklist - 
1.
Somsay - Babylon Kingdom 
2.
Grimmy - It's Gotta Be 
3.
Harley Rhys - Wish Me Luck Feat Keon Hill & Mad Sam 
4.
Faze2Mus1c - Sunrise 
5.
Sunshine - Deep Quarter Feat Big G 
6.
John Browne - Don't Worry About Me 
7.
Echoes Of Insanity - Ride Or Die 
8.
Gman Ranger - Pass feat Crafty 
9.
Protoss - Pink Lady 
10.
Psykomanteum - Flames Of Faith 
11.
XS - Infected 
12.
Grimmy - Sick And Tired 
13.
MNZ - Fight Or Die 
14.
Kali-Mist - Champions League 
15.
Oddball Savage - Good Times And Tan Lines Feat That Guy 
16.
the DustRoom - Midnight Euphoria 
17.
XS - The Fog Lullaby 
18.
Sparki Dee - Heart Of The Lion 
19.
Cronky - Knockout 
20.
Ride Ravers - No Man Badder Than Me 
21.
MNZ - Hammer Claw 
22.
RTD - Huh 
23.
Cumfi R.A.S - Rupture Theory 
24.
ReeZe - Real Nasty 
25.
Man Like Miller - Feel The Riddim 
26.
Dj Foo - Timeline Of Life Feat Cy 
27.
Totallywykd - Transmission Error 
28.
L3VI - Master 
29.
SHLIP - Roll Tec
30.
SJT PROJECT - Praise The Perfect Sun (bonus free download)
Bandcamp Pre Order Link - https://topgrecords.bandcamp.com/album/dnb-archives-volume-1

Welcome tσ th!s εvσlving space … inspired by thε playful sp!rit of hai (meaning “fun” or unμsuΔl, like in haiku) …

I dig around thε edges t0 uneΔrth non-mμ§ic musics — sliding into nσ!§ε, glitch, chΔnce, Δ$MR, and σther soundwσrlds that feel oddly familiar in their oddity …

✨👂 L!§†εn cΔrεfu!l¥ … 👀 εxplσrε dεεpl¥ … 🎵💫

And for the full hΔlF unμ§uaL trεΔ†ment for your eyes Δs well as your εars, check σut the Yσutubε channel… ░▒▓█ ᵒ(≧▽≦)ᵒ ░▒▓█▒░

Thanks f0r joining thε journey! Your support kεeps this all afloat — HUGΣLY Δpprec!Δted 🙏🥰

(o≧▽≦)o ♪ ♪ ░░▒▓█▒░▒▒░▒▓█

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

I teach in US higher education (in a STEM field) & am a hobbyist composer writing in a few different styles. I recommend headphones. All of my music is released under a Creative Commons Attribution/Noncommercial license.

My bandcamp page is getting out of date again, but some older albums there can be downloaded for free or for a name-your-own price donation.

If anyone wants to try performing any of this stuff on real instruments please send a message and I can provide scores. Not sure how playable some of it is for human musicians though.

Unsolicited messages asking me to listen to your latest song will lead to you being blocked unless if I know you well and we've interacted a lot.

Hope you enjoy and thanks for visiting!

Take me as you find me - bobbing along the troughs and crests of the waves and the swells of the Atlantic Ocean.

Neither weapon wand or word

The unique sound of tunes i resonate with are just a moment in forever. 
Vastly impressive, yet volatile ...
Duality is always present

An Undertow Of Resilience (disquiet0569)

Daniel Diaz