Dream #1

Marmot blues ━⚙

Villagers whispered that when El Chalambra appeared, time bent sideways—clocks stuttered, rivers reversed, and memories no longer obeyed their owners. His presence was both omen and invitation: to step beyond the known map, to risk dissolving in the kaleidoscope of his gaze, and perhaps never return the same.

El Chalambra

Il lavoro mobilità l’uomo 

Il lavoro mobilita ogni uomo 
Lavorare diventa veramente 
Un dono che possiede ogni
Uomo. Il lavoro mobilita l’uomo 
In ogni suo ruolo. Il lavoro mobilita 
L’uomo lavorare diventa veramente 
Un dono il lavoro mobilita l’uomo 
Che cerca sempre un suo ruolo 
Nel mondo del lavoro. Il lavoro mobilita 
L’ uomo in ogni suo ruolo il lavoro mobilita 
L’uomo, lavorare diventa veramente un dono
Il lavoro mobilita l’uomo in ogni suo ruolo che
Usa in qualsiasi modo il lavoro mobilita l’uomo 
In ogni suo ruolo. Il lavoro mobilita l’uomo che 
Cerca sempre un modo per fare bene il suo lavoro 
Ogni uomo agisce in un modo nuovo. Sono stato 
Mitragliato dai miei sbagli e per diversi anni ho sempre 
Subito danni, il lavoro mobilita l’uomo è avvolte nei miei 
Errori ci casco di nuovo è mi ritrovo nella stessa identica situazione
Come se davanti alla porta del portiere mi chiedessero di battere un
Rigore ma sbaglio sempre la stessa posizione,  il lavoro mobilita l’uomo 
È dentro di me cerco sempre un nuovo uomo che magari sappia amarmi
Di nuovo per quello che sono. Non voglio cambiare di nuovo perché io
Sono un uomo buono che lavora sodo. Il lavoro mobilita l’uomo è voglio
Rimanere lo stesso perché mi conosco troppo spesso adesso tu sei 
Al centro del mio universo, io amo te e  tu ami me. Il lavoro mobilita l’uomo 
È l’uomo nel amore lavora sodo per cercare di mantenere la pace del mondo.

Il lavoro mobilita l’ uomo.

Made in September 2025

Video; https://youtu.be/MJRDib8xVDM

Event Horizon

Please listen with headphones
Electroacoustic music  September 2025

Jardin musicale – Automne

Noise

||| Eternity |||
A darkwave / EBM track exploring the benefits of shadow work, being the process of exploring and integrating the unconscious parts of personality that may be repressed or rejected, often referred to as the "shadow self." This practice aims to increase self-awareness, heal emotional wounds, and promote personal growth by acknowledging and accepting all aspects of oneself, including those that are uncomfortable or hidden.

Open your mind to savage beats, pulsing synth bass and echoes in the abyss, while minimalistic spoken vocals guide you through the shadows.

Watch the video:
www.youtube.com/watch?v=lAGcFIKXQWU&feature=youtu.be
lyrics
Fast falls the eventide
The darkness deepens...
There is no life
No life
Without its hunger
But then you come
And I am filled with wonder
Sometimes
I think
I glimpse eternity...
The darkness deepens
I glimpse eternity
In the silence
Until you come
I glimpse eternity
Until you come
In the silence
Until you come

Echo

Eternity

imsueri

Electric Pollen

Panoramic neoclassical-world experimental instrumental, composed an performed by DD in Paris, France, December 12th and 13th 2019.
Ronroco, picked piano, brass samples, synthesizers, electric guitar 

Inspired by this haiku:
"One push of the door, a single step
And the corridor seems to stretch
As far as the eye can see."

Porm by Takuboku Ishikawa
Photo by Yang Shuo

https://www.naviarrecords.com/2019/12/11/naviarhaiku310-one-push-of-the-door-a-single-step/
@naviar-records

Streaming and download:
https://ffm.to/asfaras

As Far As The Eye Can See (Naviarhaiku310)

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

As Far As The Eye Can See (Naviarhaiku310)

Daniel Diaz