c'è in giro da tempo una nuova 'musica assoluta', astratta, che sta fra la cosiddetta 'ambient music' e la 'drone music', nei pressi dei cosiddetti 'soundscape' o, meglio ancora, degli 'innerscape' .. a volte ha tratti più 'cameristici', o addirittura per strumento solista, a volte è più 'sinfonica' .. a volte usa solo sonorità 'sintetiche', a volte invece anche strumenti 'tradizionali' .. ha antecedenti illustri, sia nella cosiddetta musica 'classica', diciamo storica, sia nella 'popular music' e nel jazz .. a quella soprattutto io guardo

https://www.facebook.com/notes/marco-lucchi/musica-assoluta/10155811583217624/

"musica assoluta" (dicembre 2019)

One push of the door, a single step
And the corridor seems to stretch
As far as the eye can see.

All submissions to Haiku 310:

https://www.naviarrecords.com/2019/12/11/naviarhaiku310-one-push-of-the-door-a-single-step/

To participate:

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)

- Publish your song on Soundcloud and message me privately with the track's URL (if you don't have Soundcloud or can't message me, visit www.naviarrecords.com/about/naviar-haiku for more options)

- Include the assignment number in the title of your track, for example “Title of your track (naviarhaiku145)”

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. Please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

haiku #310: One push of the door, a single step

Marco Lucchi : synth, elec violin, tape and treatments

morphing "Birds in warped time II" by Somei Satoh

pic by Kiyomi Kato

26 novembre 2012

Wunsch

Re-worked Soundpiece from recordings taken in Florence that became part of La morte mi troverà vivo which investigates how noise can be a catalyst for communicating with the supernatural.
https://nomatesensemble.bandcamp.com/album/la-morte-mi-trover-vivo

Florence Nightscape

Mail

excerpt from different sound sources: matthias boss

short news

Miniature N°13 « Archaebole » for Piano
Recorded on Sunday 1, December 2019 - Piano Steinway
Franck Douvin © Piano recordings 2019
Thanks for listening. I hope you'll like it!

Miniature N°13 « Archaebole »

This track was created for the Naviar Haiku group.
310 week haiku
naviarlab.tumblr.com/

2019-12-12

One push of the door, a single step ( Naviarhaiku 310 )

12Dec19

My naviarhaiku310 submission
https://www.naviarrecords.com/2019/12/11/naviarhaiku310-one-push-of-the-door-a-single-step/
:D

As far as the eye can see [naviarhaiku310]

Panoramic neoclassical-world experimental instrumental, composed an performed by DD in Paris, France, December 12th and 13th 2019.
Ronroco, picked piano, brass samples, synthesizers, electric guitar 

Inspired by this haiku:
"One push of the door, a single step
And the corridor seems to stretch
As far as the eye can see."

Porm by Takuboku Ishikawa
Photo by Yang Shuo

https://www.naviarrecords.com/2019/12/11/naviarhaiku310-one-push-of-the-door-a-single-step/
@naviar-records

Streaming and download:
https://ffm.to/asfaras

As Far As The Eye Can See (Naviarhaiku310)

One push of the door, a single step
And the corridor seems to stretch
As far as the eye can see.
---
My contribution to edition 310 of the weekly Naviar Haiku challenge, driven by the amazing Naviar Records.
More organelle and effects processed on dictaphone then recorded onto a 4-track, with field recordings on top.

Hope you like it!
---
Naviar Haiku challenge #310: https://www.naviarrecords.com/2019/12/11/naviarhaiku310-one-push-of-the-door-a-single-step/
Poem: Takuboku Ishikawa
Picture: Mukund Nair https://unsplash.com/@m_k_nd

Corridor (naviarhaiku310)

One push of the door, a single step
And the corridor seems to stretch
As far as the eye can see.

Takuboku Ishikawa is best remembered for his emphatic and introspective tanka: his poems were accepted by the one of the most important tanka journals of the early 20th century, “Myojo”, when he was only 16.
Takuboku Ishikawa’s two major collections of tanka, “Ichiaku no Suna” (“A Handful of Sand”) and “Kanashiki Gangu” (“Sad Toys”), came out in 1910 and 1912. “Sad Toys” was published posthumously in June 1912, two months after he died of tubercolosis at the age of 26.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 18th December 2019

haiku by Takuboku Ishikawa https://www.poetryfoundation.org/poets/takuboku-ishikawa

picture by Mukund Nair https://unsplash.com/@m_k_nd

Door Ajar [naviarhaiku310 - One Push of The Door, a Single Step]

Naviar records haiku music challenge # 310

Featured in https://soundcloud.com/resonance-extra/naviar-broadcast-95-one-push

One push of the door, a single step
And the corridor seems to stretch
As far as the eye can see.

Halls of Akasha (naviarhaiku310)

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

As Far As The Eye Can See (Naviarhaiku310)

Daniel Diaz