Das Kind im Schatten  -(Final Rev. Ed.)-

Faint yet clear (naviarhaiku606)

original track composed by
Marco Lucchi : acoustic guitar and programming

with
Garrett Fisher : oboe
Geoff Warren : flute
Roberto Corsini : electric guitar

(live recording, Carpi 2010)

*

reimagined by 
Antonio de Braga : drums and electronics

featuring
Henrik Meierkord : cello

Bandcamp

Marco Lucchi & Ensemble - Notturni [finale] reimagined by Antonio de Braga (feat. Henrik Meierkord)

More on the 712th weekly Disquiet Junto project, Zebra Code — The Assignment: What rhythm do you hear in a bar code? — at https://disquiet.com/0712/

abc iodized request - disquiet712

This track was created for the Naviar Haiku group.
608

2025-08-28

young grasses  (Naviarhaiku 608)

nocturne

Electric bass
Real drums
Drum program.
Organ
Synthesisers


Slow mysterious groove, going in any direction between abstract, bass and drums slow jam, trip hop, etc.


@naviar-records

naviarhaiku 608:
for this haiku:

young grasses -
not yet bent
in any direction

poem: by Kaga no Chiyo
artwork: my photo of a work by Mathias Cherqui

in any direction (naviarhaiku608)

young grasses -
not yet bent
in any direction

Kaga no Chiyo-jo (1703–1775) was a haiku poet discovered by Kagami Shiko at a very young age. She became a Buddhist nun at 52 and wrote around 1,900 haiku in her lifetime. A highlight of her poetry career was presenting haiku to a Korean delegation in 1763, one of the first cultural exchanges of this kind.

Haiku by Kaga no Chiyo

Picture by Kateryna Viderska

as soggy neutrons - naviarhaiku608

Inspired by Naviar Haiku 608:
https://www.naviarrecords.com/naviarhaiku608-young-grasses/

Thanks to Marco Alessi from Naviar Records for the weekly challenge!

Photo by zenbytes (Germany, 2017)

young grasses - Naviarhaiku608

Four silhouettes move in unison through hollow corridors where silence clings to rust and memory. Shadows float along empty highways, thoughts blur in the gloom, and the pulse of forgotten iron beats faintly beneath the surface. Ghostly dances unfold in the mist, rain dissolves into fragments of memory, and lanterns glow with fading dreams. In the stillness that follows, silence takes on its final form: four lions carved from the breath of eternity.

The Shape of Silence

The Right One

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

in any direction (naviarhaiku608)

Daniel Diaz

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