Lovely dark tones. Which tremolo pedal are you using? 

This sounds totally like you three were in the same room performing. Excellent work.

@sityphoxx: you're very kind, it was a pleasure to me really, glad this happened.

Just beautiful! Such an emotional sound, the instruments compliment each other perfectly. Well done to all of you! :-D

More on this 369th weekly Disquiet Junto project (Final Solo / The Assignment: Record the final third of a trio, adding to a pre-existing track, based itself on a prior pre-existing track) at:

https://disquiet.com/0369/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0369-final-solo/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is adapted (edited, color altered, text added) from a photo by Anna J and is used via Flickr thanks to a Creative Commons license:

https://flic.kr/p/gcojn

https://creativecommons.org/licenses/by-nc-sa/2.0/

Disquiet Junto Project 0369: Final Solo

Crow

ぽてまほです！
GadgetSonic2025に参加させていただきます！2曲目になります！

聴く人全員に幸せな気持ちになって欲しいという想いで制作しました。

聴いてくださりありがとうございます……！！！
これからもぼちぼちのんびり続けていきますので、よろしくお願いします。
ーーーーー
それは…… 勇敢な大罪人に贈られる。
胸を張って。顔を上げて。
さあ、一緒に歌おう。
また、「生きてて良かった」って笑い合えるようにさ！

──オトギバナシは本当におしまい。
でも、ふたつの星影はまだまだ続く。

[GS2025]Star Seeker

FIND MY WAY _

you never told me 10.1.25

After the Goldrush (Neil Young cover).wav

Blue feather fall to the floor,
Earth crust no more,
A rumble in the air,
North West I stare.

Texture of the earth,
Black craters they give birth,
A cross in the ground,
A devious sound.

Walking towards the sun,
My feet start to run,
Run across the earth,
For all that it's worth.

Time on my hands,
Soles in the sands,
What is that sound?
My heart begins to pound.

Run Across The Earth

Suicide


I'd like to say I feel your pain
But only you have your perspective
I'm sorry society cannot ease
This suffering mind too hectic
Oh mental stigma
Be gone from here
Help these souls understand
We're here
If you end it all
Are you at peace?
All we know is your life will cease

You are a beautiful unique one
One who will never be made again
An accident of opportunity
So brilliant
Stay with our community
If you end it all
Are you at peace?
For all we know is your life will cease

You are loved
You can find your zen
Don't mind the priests
Words of fake noble men
If by your hand
Or in a plane
As far as we know
The end is the same

Don't feel guilty
Our minds can moisten
A calmer selves
That seems too poisoned
Remember your child
Remember being young
Just hug yourself
Let's carry on

Suicide (Poem and Notes 🧸)

Azimuth
Valhjim

Shimmering bells turn slowly in the firmament, their tones panning left and right like twin orbits of sound. Distant church bells toll as an electric guitar opens the path to a quieter realm, where smooth woodwinds and soft string textures linger in serene skies.

A violin motif plays above it all and descends in near-chromatic motion, its path echoed by faint afterglow textures before the guitar and saxophone engage in gentle dialogue.

Three solitary metallic notes usher the passage to light: a bright, bell-like riff answered by two choirs singing slightly out of phase, their descent giving way to a sustained duet by a waving choir in blue textures. Above them, a female voice drifts in quiet harmony, while the violin returns to trace its final motif — seeking, at last, its true azimuth among the stars.

**********************
Valhjim: guitar, synthesizers, samplers.

Azimuth

https://distrokid.com/hyperfollow/nozzlin/pocky--rocky-the-haunted-shrine-nozzlin-fan-remix
My take on the wonderful music from the first stage of the great and fun game "Pocky & Rocky" for the Super Nintendo Entertainment System.
Original track produced by Hiroyuki Iwatsuki: https://www.youtube.com/watch?v=N-jO-WVA0O0&pp=ygUecG9ja3kgYW5kIHJvY2t5IGhhdW50ZWQgc2hyaW5l

Pocky & Rocky - The Haunted Shrine [NOZZLIN REMIX] (free download)

Composed 2009; this atmospheric classical solo piano piece arranged by Suno.com (AI), proceeds at a slow tempo, weaving soft harmonies and countermelodies in the left hand, Added depth via gentle chords and subtle arpeggios, The through-composed structure lets melodic and harmonic themes evolve, maintaining a clean, immersive, natural Grand Piano soundstage with expressive dynamic ebb and flow.

Piano Prelude no. 10

I loved the track by Tunnelwater https://soundcloud.com/user-524526704/disquiet0368?in=disquiet/sets/disquiet-junto-project-0368 using Ryan Scott Mattingly's track

it evoked someone trapped alone in a decrepit listening station on the edge of the desert during a brutal sandstorm, listening to the fading signal of a guitar on the radio as the storm whipped around outside. I dropped the track into Ableton Live, added some limiting, and then added guitar with reverb, plus EQ to isolate mids (I used an Epiphany Joe Pass model, a wonderfully spooky sounding guitar). The melody line is heavily improvised but inspired by the ghost chords that seem to emerge from the shadows of the underlying tracks.

More on this 369th weekly Disquiet Junto project (Final Solo / The Assignment: Record the final third of a trio, adding to a pre-existing track, based itself on a prior pre-existing track) at:

https://disquiet.com/0369/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0369-final-solo/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is adapted (edited, color altered, text added) from a photo by Anna J and is used via Flickr thanks to a Creative Commons license:

https://flic.kr/p/gcojn

https://creativecommons.org/licenses/by-nc-sa/2.0/

disquiet0369 final solo

This is my sub for Disquiet Junto Project 0369: Final Solo
"When Lunch Tickles Your Cortex (disquiet0369)"
The Assignment: Record the final third of a trio, adding to a pre-existing track, based itself on a prior pre-existing track. This week’s Disquiet Junto project is the third in a sequence that explores and encourages asynchronous collaboration.
I took UntilledSound "Disquiet0368 - Clean And Dirty" (pre-existing track)
https://soundcloud.com/untilledsound/disquiet0368-clean-and-dirty
UntilledSound added drums to circlingcrows "disquiet junto #367 Trio Initiate" (prior pre-existing track)
https://soundcloud.com/circlingcrows/367-trio-initiate

More on this 369th weekly Disquiet Junto project (Final Solo / The Assignment: Record the final third of a trio, adding to a pre-existing track, based itself on a prior pre-existing track) at:
https://disquiet.com/0369/
More on the Disquiet Junto at:
https://disquiet.com/junto/

When Lunch Tickles Your Cortex (disquiet0369)

@daniel-diaz: electric guitar
@sityphoxx: duduk
@user-859240368 (aka joyneski): all the rest


For disquiet junto project 0369 Final Solo
https://llllllll.co/t/disquiet-junto-project-0369-final-solo

First layer:
https://soundcloud.com/user-859240368/disquiet0367
Second layer:
https://soundcloud.com/sityphoxx/engage-duo-disquiet0368?in=disquiet/sets/disquiet-junto-project-0368
Third layer:
https://soundcloud.com/daniel-diaz/juntos-en-palmyra-disquiet0369

Another track for this collaboration challenge:
https://soundcloud.com/daniel-diaz/juntos-en-laredo-disquiet0369


Friday 25th January 2019

Juntos en Palmyra (disquiet0369)

I used Disquietude (by gentil & encym) as my "final" piece. I was really moved by it, and hope that I was able to add some finality to it's fragile beauty. I used a kind of reverse string patch in Arturia Pigments and thought the tones sat nicely. It was a pleasure to work with, so many thanks to the original artists.

More on this 369th weekly Disquiet Junto project (Final Solo / The Assignment: Record the final third of a trio, adding to a pre-existing track, based itself on a prior pre-existing track) at:

https://disquiet.com/0369/ 1

More on the Disquiet Junto at:

https://disquiet.com/junto/ 1

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0369-final-solo/ 2

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

#disquiet0369 Restive

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

Juntos en Palmyra (disquiet0369)

Daniel Diaz

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