Mixed friends 8

2025-09-12

NLS-2025-09-12

naviarhaiku611 – half-asleep eyes
September 17, 2025

"half-asleep eyes
open to a dreamlike world
of blossoms"

by: Natsume Seibi

This haiku poem is part of the Naviar haiku music challenge, where artists are invited to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre.

You have seven days from the posting of this haiku to submit your track. For information on how to make a submission, visit the Naviar Haiku Music Challenge page. https://www.naviarrecords.com/haiku-music-challenge/

SONG 120 - NaviarHaiku611 - Half Asleep Eyes

Lí Ban

WIR ZWEI

release date Mar 23rd 2021 / photo by Ina Oertelt

Wisdom Of Sacred Writings | FLASHBACK FRIDAY Album 'WANDERER IN THE COLORFUL FIELDS'

Disquiet Junto Project 0718: Planet Jam It. The Assignment: Record the sound of an advanced alien civilization.

This recording was made in 2126 as part of Krakenkraft Interstellar Inc.'s ARP (Audio Reconnaissance Program), and its significance is only now being fully understood. We are most probably hearing the dream singers of Yith, a mentally time-traveling civilization. Unfortunately, despite intensive AI efforts, the drone's engine noise could not be removed, for which they have apologized repeatedly. Unfortunately, we do not know what happened before and after radio contact was lost... 

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Drone sound credit: andreauomogatto https://freesound.org/people/andreauomogatto/sounds/545315/

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More on the 718th weekly Disquiet Junto project, Planet Jam It — The Assignment: Record the sound of an advanced alien civilization — at https://disquiet.com/0718/.

Discussion https://llllllll.co/t/disquiet-junto-project-0718-planet-jam-it/73184/16

disquiet25

Rare Recording Of The Dream Singers Of Yith [disquiet0718]

2025¨10-05

uncertain prospects

CHERRY BOMB! THE VIDEO: 
https://www.youtube.com/watch?v=XUqD0n1CVkY

DCR - CHERRY BOMB - DCOMPOSED

KRUMMER RAUM

Themes From Forgotten Films Vol 2:Vilniaus Arkikaredra

Joy Lisney - 'Thread of the Infinite'

Performed live at West Road Concert Hall by Cambridge University Chamber Orchestra, directed by Thomas Gould, 13th May 2017.

Joy Lisney - Thread Of The Infinite (Thomas Gould/Cambridge University Chamber Orchestra)

This is a practising routine. I do improvise over changes a lot, but sometimes I like to be able to flow melodically with no harmonic content informing my playing.
I've been improvising on my Sekine custom fretless, trying to find a melodic, lyric way around melodic ideas (Nicholas Slominsky informed some) without sticking to a tonality or tonal centre, being as abstract and hybrid as I could.
Played some slow drums, then add nonsense harmonies on synth pads (particularly blur sounding to keep me away from "playing changes"), and improvised on top of it.

A fast version of the same method follows.
dd april 2018

Keyless Fretless Slow

2018-05-04

departure into the realm of sleep

This started from a idea to use a 'V - I'  sequence that has been used though out the ages..  (reminds me of a staircase).
It starts with that downward zig-zag in the bass at the start, accompanying the 1st theme.  (The 'zig-zag' motif becomes the main cell for exploitation.. The opening melody is also that - though 4x faster than the bass)
 Then the R.H. in the next sequence uses that bass line  inverted as a melody (going upward) -  and the LH takes the melody from the opening, though played in the relative major -   becoming a 2 part invention.  And then  it continues to morph..  
Initially my  intention was for this to work in my progressive studies book, but I didn't keep the guard rails on…  and it ran away with me.

Haunted Staircase 51 ……………………………………………………………fnl 1

Created for:
Disquiet Junto Project 0331: Born Under a Bad Sine
What does it sound like when a robot has the blues?

Can’t quite tell for other cities, but believe me: this is  the kind of music robots like to listen to in my hometown when they get sad and low.
Buenos Aires is a melancholic city, and robots are not spared.

I won’t be surprised if this track becomes a hit among robots, my vacuum cleaner got weird while I was mixing this earlier this morning.
Me too, mind...

Bandoneon performed by Olivier Manoury, the rest by D.D.

Created in Paris, France 
Friday 4th May  2018.
Image by Franck V.


More on this 331st weekly Disquiet Junto project (Disquiet Junto Project 0331: Born Under a Bad Sine / What does it sound like when a robot has the blues?) at:
https://disquiet.com/0331/

More on the Disquiet Junto at:
https://disquiet.com/junto/

When Robots Cry in Buenos Aires

When Robots Cry In Buenos Aires (disquiet0331)

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

Curly Compositions from a German Composer.

Keyless Fretless Slow

Daniel Diaz

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