Feeling tempted to have a go at a second layer for this, Daniel :-)

This is flute and pedals? Details please!

Yum. Dense and wooly in all the best way. Your bass fretless? Or are the little melodic scale flutters a clue to your pedal chain?

Pure, well-executed excellence! I, also, loved this piece with the addition of Krakenkraft & Etherkraken for disquiet0637 -- "Reflecting Fragility" -- SO much, that I added a third part to it, which I shall send Y'All soon! Thanks!

Microcosm6

From the album "Greenfields"
Available on Bandcamp: https://romerium.bandcamp.com/album/greenfields-ambient-drone-cinematic

Watch The Clouds Pass Overhead

They majestically stood next to each other filling the night sky. Featuring The Synthetic Choir

Full Red Sun,Full Silver Moon

Inspired by the following haiku written by Darren Bourne:
Caterpillar
Opens her new wings
Metamorphosis
You can find Darren’s music on Soundcloud (https://soundcloud.com/half-unusual) and Youtube, and check out his website to find out more about his publications and merchandise: https://www.halfunusual.com.
Thanks to Naviar Records: https://www.naviarrecords.com/2023/08/23/naviarhaiku503-caterpillar/

My Naviar Haiku

The Painful Opening Of The Wings (naviarhaiku503)

Video for track is here...
https://youtu.be/tyJwjwgFSxU

naviarhaiku508 – Deep, dark Summer night

Deep, dark Summer night
A sudden shaft of moonlight
Blesses the temple

John Hinks, aka FlownBlue, is a prolific and talented composer, and a regular participant in the Haiku challenge. Aside from his solo project, John is also involved in multiple projects: ‘Windfall Light‘ (with Jim Tetlow), ‘Abstract Blue‘ (with Kevin Buckland), ‘Light Fragments‘ (with Steve Escott), Szukanie (with Michał Wojciechowski), and Meadowlight (with Emma Reed).

Moonlight blesses the temple (naviarhaiku508)

My submission to the Naviar Haiku 
challenge #516.

Dappled Seahorses Dance

Dappled Seahorses Dance -naviarhaiku516

An edited sample from a Project with the working album title of 'Old Stones'. This will be the first non Dronescape album I've done for the label, We Are All Ghosts, for a very long time.  https://weareallghosts.bandcamp.com/album/old-stones-waag-rel157

Cousin Silas - Sunset On Tomnaverie (Edit)

Created with Cubase and VSTs by Native Instruments and Dawesome. Guitar Loops, additional effects and Make Noise Strega recorded with iPad/AUM.

Sample by https://freetousesounds.bandcamp.com (Ambient Hydrophone Sample Pack)

Inspired by Naviar Haiku 526:
https://www.naviarrecords.com/naviarhaiku526-turning-around/

Photo by zenbytes (Vosges Mountains, France, 2012)

turning around my shadow - Naviarhaiku 526

Everyone Means Well

Hi, today I had a great recording session in duet with the great Bobby Rangell, from Denver, Colorado, my "to-go" flute player. It was an ambient  bass & flute gig.
The volume of certain pedals is a bit out of control, I kept tweaking that, but this is the only test recording I did, straight to stereo .I started earlier to set up all my pedals and practice a little bit, and recorded this impro as a test.
Here for you to treat, mistreat, chop, pitch, mutilate, whatever.

Nothing great happened, but it's a nice texture and sound...
E minor.


Cheers DD


Recorded Thursday 7th March 2024 around 10AM in Paris, France.

for

https://llllllll.co/t/disquiet-junto-project-0636-left-1-of-3/

Live Bass Soundscape - disquiet0636

wondering o . consider it as a love

multi-instrumentalist & composer.
music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

Live Bass Soundscape - disquiet0636

Daniel Diaz

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