zone d'ombra

"Sequence" by Ilaria Boffa

Folded back on the floor, the body 
where beams filter among
toes, lap, hips, the lips.
Torn to shreds they want it, open
a cleft in the concrete.

And it’s incomplete in its standing
a demi-something. For cut up
they want it, writhe in pain.
The agony of deprivation outruns
virtue and shame.

Do you see the escape?
My legs, pale
the spine scratching on the white.
I may only expose the wrists
how abiding the touch.

Eventually sort them in sequence.
Each ligament and nerve.
Leave nothing, nothing of us.
Trees encroach on the hills
fling the window open.

(homage to Francesca Woodman photographer 1958-1981)

Ilaria Boffa on soundcloud: https://soundcloud.com/ilaria_boffa

"Sequence" by Ilaria Boffa (An interpretation by Enceladus ReX)

Archebiosis

The elements that make up this song were almost all captured live with a Zoom recorder randomly from the streets, events, concerts ... There is a shovel digging gravel, a coffee maker, a cough in a concert hall, an electric heating, a firework in the basque country, and so on!

Everything was assembled & modified on my trusty MPC before a twilight synthesizer melody (Korg Monologue) was added. All this deals with the coming insurrection ...

Les éléments qui composent ce morceau ont presque tous été capté en live avec un enregistreur Zoom aux hasards de la vie, des rues, des événements, des concerts... On y trouve un coup de pelle dans des graviers, une cafetière, un toussotement dans une salle de spectacle, un feu d'artifice au pays basque, un chauffage électrique, et j'en passe !

Le tout a été assemblé & modifié sur ma fidèle MPC avant qu'une crépusculaire mélodie de synthétiseur (Korg Monologue) ne s'y ajoute. Tout cela traite de l'insurrection qui vient...

Class War 2020

Granular

Head Above Water Buried In Sand

Composed, arranged, performed, and produced by:
Carlos Vivanco
https://www.youtube.com/watch?v=oZX565A8DlU

Aves Nocturnas

Kakapo

DOUBLE lV

slow version: https://soundcloud.com/crapcircles/nachtprogrammering

Aansluitend Nachtprogramma

Picture from "The gold rush",  Charlie Chaplin (1925)

https://www.youtube.com/watch?v=XefGvxVKrZk

Novembre 2°2°.

A dance with the rolls

Performed by 
Daniel Diaz: upright bass, acoustic piano, treatments
Miguel Ballumbrosio: Cajon

For this haiku:
slanting rain,
gentle breeze,
no need to return home

haiku by Zhang Zhihe
music composed by DD
photo by Jan Kopriva

@naviar-records

No need to return home (naviarhaiku362)

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.