Ghost Piano - Caravan of Endless Searing Fields - GP Only - Fernando Cañedo

I see you in this haunted dream
I see you when im on my knees
I feel you in the air
never, never be there
be there, be there, be there, be there
i see you when we're STAR HIGH
i see you when we close our eyes
I see you in the darkened night
never, never out of sight
be there, be there, be there, be there
I see you in this haunted dream
I see you when im on my knees
I feel you in the air
never, never be there
be there, be there, be there, be there

Star High

Recorded with MULTITRAK synthesizer via internal sequencer, MFB512 drums synced, SPX90 reverb in 1986

Luftschlösser    LP001

Leisure

Charme His Eyes Against She Doth (from piano pattern no. 2 by marco Lucchi)

Marco Lucchi : piano, organ and tone generator

8 ottobre 2020

*****

Meu pensamento é um rio subterrâneo.
Para que terras vai e donde vem?
Não sei... Na noite em que o meu ser o tem
Emerge dele um ruído subitâneo

De origens no Mistério extraviadas
De eu compreendê-las..., misteriosas fontes
Habitando a distância de ermos montes
Onde os momentos são a Deus chegados...

De vez em quando luze em minha mágoa
Como um farol num mar desconhecido
Um movimento de correr, perdido
Em mim, um pálido soluço de água...
 
E eu relembro de tempos mais antigos
Que a minha consciência da ilusão
Águas divinas percorrendo o chão
De verdores uníssonos e amigos,

E a ideia de uma Pátria anterior
À forma consciente do meu ser
Dói‑me no que desejo, e vem bater
Como uma onda de encontro à minha dor.
 
Escuto‑o... Ao longe, no meu vago tacto
Da minha alma, perdido som incerto,
Como um eterno rio indescoberto,
Mais que a ideia de rio certo e abstracto...
 
E p'ra onde é que ele vai, que se extravia
Do meu ouvi‑lo ? A que cavernas desce?
Em que frios de Assombro é que arrefece?
De que névoas soturnas se anuvia?
 
Não sei... Eu perco‑o... E outra vez regressa
A luz e a cor do mundo claro e actual,
E na interior distância do meu Real
Como se a alma acabasse, o rio cessa...

Fernando Pessoa

piano patterns no 8

Composed and performed by DD
Bamboo flutes, 
Indonesian whistle
Bowed upright basses


For this haiku:

"Devi temple . . .
along with the ants
I enter barefoot"

photo by DD (Koyasan, Japan, Oct 2019)
haiku by Kala Ramesh


@naviar-records

Enter Barefoot (naviarhaiku356)

Sous contrôle ,de con,soumission
les sous et soucis
insouciant,sous tension
sous influence et sous contrôle,si souvent,
si souvent,de votre consommation,
du coup pour les sous nous allons à reculons.
Sous contrôle de con,soumission
soutenu et appuyez par leurs labeurs,
avec une intention de ne pas faire attention a ce que nous mangeons.
dm

merci a Luciole Langevine ,pour sa participation ,crédit ,image et vocalise.
https://soundcloud.com/luciole-langevine

Con soumission  feat Luciole Langevine

Disquiet Junto Project 0466: [ ] Sound Machine. The Assignment: What sort of sound does your city make?

I screwed together a few beats and sounds and added a lot of field recordings. So you will hear Munich (summer) sounds all the time, from birds and beergardens to subways and rainy backyards. The cow at the end is not real Munich, but a bit of a bavarian clichee.

Follow me on Bandcamp: https://krakenkraft.bandcamp.com/

I used own field recordings plus these CC0 recordings:
https://freesound.org/people/sephis/sounds/89965/
https://freesound.org/people/herrbasan/sounds/211662/
https://freesound.org/people/MiLeuthner/sounds/399017/
https://freesound.org/people/Jack_Master/sounds/204920/ the cow!
Thanks to them!

More on this 466th weekly Disquiet Junto project, [ ] Sound Machine (The Assignment: What sort of sound does your city make?), at:

https://disquiet.com/0466/

Project inspired by a December 2, 2020, tweet from George Wallace:

https://twitter.com/MrGeorgeWallace/status/1334274395938832387

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0466-sound-machine/

Munich Slacker [disquiet0466]

Performed by 
Daniel Diaz: upright bass, acoustic piano, treatments
Miguel Ballumbrosio: Cajon

For this haiku:
slanting rain,
gentle breeze,
no need to return home

haiku by Zhang Zhihe
music composed by DD
photo by Jan Kopriva

@naviar-records

No need to return home (naviarhaiku362)

Inspired by this haiku written 344 years ago by the great Matsuo Basho:
things just happen
things just happen until
the end of the year
https://www.naviarrecords.com/2020/12/30/naviarhaiku365-things-just-happen/

My Naviar Haiku

Things just happen

Things Just Happen (Naviarhaiku365)

naviarhaiku 368

Loire Neviarhaiku368

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.