All submissions to Haiku 360:

https://www.naviarrecords.com/2020/12/09/naviarhaiku362-slanting-rain/

To participate:

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)

- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku110)”

To submit your track:

- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.

- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram

- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

haiku #362: slanting rain, / gentle breeze, / no need to return home

slanting rain,
gentle breeze,
no need to return home

haiku by Zhang Zhihe http://www.silkqin.com/09hist/other/zhangzhihe.htm

picture by Dave Hoefler https://unsplash.com/@johnwestrock

For more information visit http://www.naviarrecords.com/about/naviar-haiku

fit hangnails

halF slantinG [naviarhaiku362]

This is an improv with minor editing comprising of three distinct parts. 

This is an edited version; the full track is available from Naviar Records: https://naviarrecords.bandcamp.com/album/7-years-of-naviar-haiku

Very simple set-up: Fender Tele --> various boxes --> Logic.

This week's Naviar Haiku: 

slanting rain,
gentle breeze,
no need to return home

This translates into three distinct parts. The "valleys" in the waveform give away where they start and end.

Part I: Skittering clouds, downpours.
Part II: Like wind brushing past, with uneasiness creeping in towards the end
Part III: Major key mood, closing with Koto-ish textures and an abrupt ending

haiku by Zhang Zhihe http://www.silkqin.com/09hist/other/zhangzhihe.htm

picture by Dave Hoefler https://unsplash.com/@johnwestrock

More about this project can be found here:
https://www.naviarrecords.com/2020/12/09/naviarhaiku362-slanting-rain/

Thanks for listening!

7 years of naviar haiku

Download

Tri-ing (Naviarhaiku362) [Short Version]

This track was created for the Naviar Haiku group.
362 week haiku
naviarlab.tumblr.com/

2020-12-10

slanting rain ( Naviarhaiku 362 )

Performed by 
Daniel Diaz: upright bass, acoustic piano, treatments
Miguel Ballumbrosio: Cajon

For this haiku:
slanting rain,
gentle breeze,
no need to return home

haiku by Zhang Zhihe
music composed by DD
photo by Jan Kopriva

@naviar-records

No need to return home (naviarhaiku362)

This is my musical response to the haiku by Zhang Zhihe:

slanting rain,
gentle breeze,
no need to return home

This piece is dedicated to my friend Fernando who can not travel home this year.

I created the track in October 2018 in Reason Studio. Mixed and mastered for naviarhaiku362 – slanting rain (https://www.naviarrecords.com/2020/12/09/naviarhaiku362-slanting-rain/). 

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 16th December 2020

haiku by Zhang Zhihe http://www.silkqin.com/09hist/other/zhangzhihe.htm

picture by Dave Hoefler https://unsplash.com/@johnwestrock

Can't Go Home (naviarhaiku362)

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.