File updated Sep/7th/2021 after some  positive feedback, shorter, more dynamic...
Part of a work in progress (on hold, almost abandoned) I planned to build 5 repetitive pieces using percussion instruments and tempo delays. My plan was to build some hypnotic rhythms in odd time signatures (3/4 5/4 7/4 9/4 11/4) and make it more in the 1970's repetitive music vein and not on a groovy world music percussion track.
I'm not a serious percussion player really so I can't develop a swinging percussion solo, but I thought it was interesting to explore the "mechanical" development of repetitive, copy/paste grooves I can create using multiple percussion instruments and other objects.

I already shared here the first Pulse 3 track, this is the second I recorded, then a few months back I decided to stop, cause I don't think this is really interesting.
Is it?
I consider three options now:
1- Should I use these full tracks as the basis for something else? (adding other melodic instruments and textures above it?)
2- Should I make a 1 minute snippet and use  it as a rhythmic interlude on an album or something?
3-Or should I trash it and just extract some rhythmic loops for my Loop Vault?
Comments, opinions and critics are appreciated.
DD Sep2021

Performed  by DD June 2021 on several acoustic percussion instruments and objects, with further edits and copy/paste for the basic layers.

Pulse 5 (disquiet0505)

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

Curly Compositions from a German Composer.

Electronic music, field recordings and weird electroacoustic sounds.

During the early 1990s I studied Mathematics and Computer Science. The world wide web was still largely text-based and mostly empty. Today things are obviously different, though I still thoroughly enjoy art, design, cinema and music in all its forms. I have traveled all over the world for nearly two decades, visiting just over 140 countries. Japan is my favorite. All of this I attempt to incorporate into my music and art.

Information technologist by trade.  Photographer with a keen interest in the natural world and its inhabitants.  Beginning to learn about recording sound; mostly so that I can learn to better recognise the creatures I hear but don't see when out and about.

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental abstract animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.

Noodle Twister is a sound artist in Northern England. Ambient, experimental and field recording are some of the current focus. 
NEW 'Altered Cage' A thirty minute mix available from Bandcamp below.

RabMusicLab produces instrumental music of various genres from classical to electronic without shying away from excursions into pop or experimental music. The tracks are published for the pleasure, entertainment and inspiration of every listener.

RabMusicLab loves to participate in the Disquiet Junto Projects of https://soundcloud.com/disquiet to fuel his creativity . All tracks that have "disquiet" in the title were created as response to these projects. Further informations can be found in the respective track-information,

All images used are photographs by RabMusicLab, unless otherwise indicated in the track-informations.

Pulse 5 (disquiet0505)

Daniel Diaz