So huge, and so intimate concurrently. This reminds me of things I love about In the Nursery and Z'ev. Well done.

The realistic drums here work fantastic with the different kinds of reverberation used. Makes for a really anxiety-inducing result. If this were a movie scene, it would be when things are NOT going the protagonist's way! Also, very organic timing. Great job.

SONG 68 - DisquietJunto0683 - Space Shot

Resonant/reverberant space is something I've thought about a lot since high school, but I never have dragged mics and equipment into a concrete stairwell or washroom before today.

I work at Alfred University in New York and our division of Expanded Media in the School of Art & Design has a four story stairwell which feeds the back of house to two of our galleries and the sonic/video arts studios. I set out four Tascam DR-100 field recorders and captured the sound of my wallet being dropped from the highest point to the lowest. In the accompanying artwork you can see two pictures of this stairwell (one from the bottom looking up [the bottom left picture], and one from the top looking down [the top right picture]). My calves always tighten up a bit at the top.

For the less reverberant space, I chose an old storage closet we're in the midst of transforming into a vocal/studio booth. It has rubberized floors, and a much lower drop-ceiling. I placed the quartet of recorders in the corners of the room, and then dropped my wallet from a much shorter height to the floor. You can see two images from this room set up in the other half of the cover art.

All of this for less than five seconds of audio total. In the first two seconds you'll hear the initial hit of the wallet, followed by a second quieter hit after it bounced in the concrete stairwell. At four seconds you hear the other room with a much more muted single drop (which to my ears sounds a bit like a champagne cork popping, but I've had champagne maybe twice in my life so I probably don't really know what that sounds like.)

More on the 683rd weekly Disquiet Junto project, Space Shot — The Assignment: Combine reverberant and non-reverberant — at https://disquiet.com/0683/

Space Shot disquiet0683

Recorded, mixed & mastered on 10 Aug 2018, 02 Sep 2018 & 30 Jan 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa, USA & Union Square, NYC, USA. 

Beer bottle, Korg Monotron Delay, grains, emulated springs. 

Artwork/Photography - Jim Lemanowicz, near the corner of 8th Ave & 44th St, NYC, USA - 31 Jan 2018

©2025 Jim Lemanowicz

---

This original version of “My Boots Are Filled With Spacey Eyes” was submitted as part of Disquiet Junto Project 0683: Space Shot. The Assignment: Combine reverberant and non-reverberant.

More on the Disquiet Junto at: disquiet.com/junto/

More on the 683rd weekly Disquiet Junto project, Space Shot — The Assignment: Combine reverberant and non-reverberant — at https://disquiet.com/0683/

#disquietjunto #disquiet0683 #unionsquare #soundart #electronicmusic #sounddesign #ableton #bottles #monotron #reverb #dry #spaceshot

My Boots Are Filled With Spacey Eyes (disquiet0683)

Hello, this is a variation of a track I've been working on for a "all percussion" project. I decided to boost the reverb time and amount on all kick and bass drum hits and keep the manual little percussions fully dry, just leaving the ambient sound of my room that's a tad more  alive  than a small studio room, but still very dry. And no reverb added.

I think this assignment's idea was interesting and worked alright here, all the bamboo drums and little hi pitched manual toys sound in your face and the "Booms!"  are extremely wet and it works. I guess.


for
https://llllllll.co/t/disquiet-junto-project-0683-space-shot/70693

Rain Forrest Wet and Dry - disquiet0683

Inspired bu this poem:


one by one
praising and withdrawing inside -
winter moon


Haiku by Senjo
Photo by NASA @nasa

@naviar-records

Another Winter Moon - naviarhaiku578

This is my submission to this week's Disquiet Junto assignment.

More on the 683rd weekly Disquiet Junto project, Space Shot — The Assignment: Combine reverberant and non-reverberant — at https://disquiet.com/0683/

250202 [disquiet0683]

Second track. in a new direction for a body of work/Second piece this direction made for Naviar Records. Alone in the cold darkness on the mountain watching the moon transit the sky, sitting in silence. I can hear the Earth turn.

Winter Moon 578 Naviarhaiku A/IV sky sky - 2_3_25, 11.14 PM

Created as a response to:

one by one
praising and withdrawing inside -
winter moon

Naviar haiku challenge 578: details here: https://www.naviarrecords.com/haiku-music-challenge

With the exception of the gongs, a combination of a modified Dreamsynth bell preset and Gong Amp, everything was made with one monster virtual modular patch using VCV Rack (Mostly Surge XT modules). 

Probably not the best way to do it, I should have learned from how easy it was splitting things last week, but everything including the gongs was multi-track recorded as a single live performance. Apart from pushing my far from shabby CPU to it's limit I wasn't able to modulate as many things as I'd have liked, ran into the not enough physical knobs/sliders limit.  ,

One_by_One-(naviarhaiku-578)

Part of the Naviar Haiku Music Challenge: https://www.naviarrecords.com/haiku-music-challenge

SONG 73 - Naviarhaiku580

This was my contribution for Disquiet Junto Project 0696: Chain of Layer. The first of three that are being done by the Disquiet Junto in collaboration with the 2025 Musikfestival Bern.  The Assignment: Make music change by altering its layers.

Here’s a copy of my post on the Disquiet Junto 0696 discussion thread on Lines:

Recorded 11 tracks from my modular synth using Make Noise Telharmonic and Verbos HO modules for the voices. Layered them in Ableton Live in the sequence in which they were recorded – fading one into the next. Also inserted 4 samples from field recordings I had and interspersed them between the synth tracks, and also at the end. So this has a total of 15 layers. Some reverb using Valhalla Room and a bit of auto panning using built in devices were the only effects added. Image by Ruido-98 via Unsplash. It's been altered slightly in Photoshop.

More on the 696th weekly Disquiet Junto project, Chain of Layers — The Assignment: Make music change by altering its layers — at https://disquiet.com/0696/

Fifteen Waveforms [disquiet0696]

#4166 91.84% 370 left): May. 11, 2025: She loves me dearly (again, John Keats from Apr. 12, 2025) 

Today's pure primal piano music here. Happy if this music makes you feel peaceful.. : )

Looking for absolute natural beauty every day for Piano Ten Thousand Leaves. Target number is 4536:
This piece may might have good 1/f fluctuation characteristic although I stopped investigating it each piece.

######## Latest Album: 29th SELECTION ALBUM JUST RELEASED ########
"shin Clair De Lune" - the 29th selection album of piano ten thousand leaves

The best song in the last few years, Shin Clair De Lune, was born, so I named the album after it. The opening song is that song.

youtube: FULL VIDEO with 20 full songs in very high quality sounds
https://youtu.be/_KoD3Urfn38?si=WP2OCvwwVeLYyfnU

Album Download:  iTune
https://music.apple.com/jp/album/shin-clair-de-lune/1796986397

spotify
https://open.spotify.com/album/0IesFKVy7eEyvrfn90AW8b?si=_-BDNh2JQ3yUSQyOpSUSFQ

appleMusic
https://music.apple.com/jp/album/shin-clair-de-lune/1796986397

amazonMusic
https://amazon.com/music/player/albums/B0DXKJ5655?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_Af4hYEidL5bbME7ncUiUORjxE

all music streaming services:
https://linkco.re/mF4G0R43?lang=en

she loves me dearly - #4166 (91R84 percent 370 left) by chair house 250511

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

Rain Forrest Wet and Dry - disquiet0683

Daniel Diaz

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