So huge, and so intimate concurrently. This reminds me of things I love about In the Nursery and Z'ev. Well done.

The realistic drums here work fantastic with the different kinds of reverberation used. Makes for a really anxiety-inducing result. If this were a movie scene, it would be when things are NOT going the protagonist's way! Also, very organic timing. Great job.

Article 638 - 1.  Tweaked

In the half-light between dreaming and waking, our world reveals its true nature: a perpetual threshold where nothing fully is, yet everything is becoming. Airport terminals at 3 AM hold their breath in fluorescent stillness, neither departure nor arrival, while empty parking garages echo with the ghostly memories of footsteps that might have been. We live in the spaces between definitive moments—the pause before the conductor's baton falls, the instant between clicking "send" and delivery, the sunset hour when day hasn't quite surrendered to night. These liminal spaces are reality's waiting rooms, where time feels both stretched and compressed, where identity becomes fluid as mercury, and where the familiar world dissolves into something stranger and more sublime. Here, in these threshold spaces, we are all travelers passing through doors that lead to doors that lead to doors, never quite arriving, never fully departed, suspended in the infinite moment between what was and what will be.

The piano used on this piece was a supposed haunted object, rescued from a cruise ship that had been left to float away.

The Liminal

Călin Torsan- fluiere, saxofon, voce
Alexandru Hegyesi- țambal, santur, korg monotron.
Juan Carlos Negretti- cajón, snare, cinele, chimes, tongue drum, shaker
Andrei Bălan - bălanophone, chitară electrică, zoia live, euromodular, digitone 
Robert Nedelcu- pian, flaut, ney, fluier îngemănat/dublu

Released December 19, 2024.

Live recording, No overdubs.
cover Andrei Bălan

Sfat de taină

Another track inspired by a visit to the National Museum of Computing at Bletchley Park. 
The DEC PDP 8 was the first commercially successful minicomputer, with over 50,000 units sold during the model's lifetime
https://en.wikipedia.org/wiki/PDP-8

Computer Echoes:0111(^) DEC PDP 8

Stay put | Resta fermo is an excerpt from my book 'Beginnings & Other Tragedies', which is included in the theatre work "Surviving You, Always' 2025 performed at LAC Lugano and SUDPOL Luzern by Swiss Collettivo Treppenwitz.

Field recording taken by IB in the Rhine w/jrz hydrophone in Basel in 2023 during the research phase.

'If I live with you
N latitudes and longitudes
simultaneous instants
before and after
my vertebral consumption
in between
we will rest.
Wherever you are
whenever you happen to be
stay put.

Se vivo con te
N latitudini e longitudini
istanti simultanei
prima e dopo il consumarsi
delle mie vertebre
in questo intervallo di mezzo
riposeremo.
Ovunque tu sia
in qualunque attimo ti trovi
resta fermo.'

Stay Put | Resta Fermo (part of Surviving You, Always performance)

Back after a lengthy absence from the Disquiet Junto.

The prompt aligned perfectly with my ongoing research into bell-like tones through ring modulation and frequency shifting, inspired by Oren Ambarchi's work, in particular "Grapes From The Estate" (Touch). 
Electric guitar, mostly harmonics, through ring mod plus some atrocious, violent guitar bits and bobs from my archive. 

Hope you enjoy!

More on the 682nd weekly Disquiet Junto project, Unring a Bell — The Assignment: What if you could? — at https://disquiet.com/0682/

Unring [disquiet0682]

Hello, this is a variation of a track I've been working on for a "all percussion" project. I decided to boost the reverb time and amount on all kick and bass drum hits and keep the manual little percussions fully dry, just leaving the ambient sound of my room that's a tad more  alive  than a small studio room, but still very dry. And no reverb added.

I think this assignment's idea was interesting and worked alright here, all the bamboo drums and little hi pitched manual toys sound in your face and the "Booms!"  are extremely wet and it works. I guess.


for
https://llllllll.co/t/disquiet-junto-project-0683-space-shot/70693

Rain Forrest Wet and Dry - disquiet0683

This is my submission to this week's Disquiet Junto assignment.

More on the 683rd weekly Disquiet Junto project, Space Shot — The Assignment: Combine reverberant and non-reverberant — at https://disquiet.com/0683/

250202 [disquiet0683]

#4071 (89.75% 465 left): Feb. 5 2025: She sent the gentle sleep from Heaven that slid into my soul  (E.H.Coleridge from Sep. 2, 2024) 

Today's pure primal piano music here. Happy if this music makes you feel peaceful.. : )

Looking for absolute natural beauty every day for Piano Ten Thousand Leaves. Target number is 4536:
This piece may might have good 1/f fluctuation characteristic although I stopped investigating it each piece.

######## Latest Album: 28th SELECTION ALBUM JUST RELEASED ########
"Forest in Moon Light" - the 28th selection album of piano ten thousand leaves

youtube: FULL VIDEO with 20 full songs in very high quality sounds
https://youtu.be/CwTVgfDHCn4?si=1QktmBR1FEGA-tQH

spotify
https://open.spotify.com/intl-ja/album/1RxJBVCU5vdt5O6kGUMbnv?si=hLjW3kbTThegEBOjgTHUbw

appleMusic
https://music.apple.com/jp/album/forest-in-moon-light/1773383143

amazonMusic
https://amazon.co.jp/music/player/albums/B0DJVSVF5K?marketplaceId=A1VC38T7YXB528&musicTerritory=JP&ref=dm_sh_V1XCbECO4uUYzRVs8apKAEEBl

all music streaming services:
https://linkco.re/SYNa3ueY?lang=en


she sent ithe gentle sleep from Heaven that slid into my soul - #4071 by chair house 250205

2025-04-30

people

tik tak tak tak

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

Rain Forrest Wet and Dry - disquiet0683

Daniel Diaz

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