heartwarming melodies, acclamations, love it!

I love the way this weaves together. I am a big believer in developing different timelines. I think it comes from following works like the Beach Boys Smile and "if the Beatles stayed together, let's take songs from their solo albums and make an imaginary album." I frequently reuse my stuff.

as always, love the (a)live-feeling touch your music has.

Absolutely beautiful! I love this gentle, flowing feeling, Like finding peace while watching the clouds...

all music written and produced by Justin Luckcuck. July, 2021 solo piano and strings. 

Connected

we wrote so many songs,in all kinds of moods but this was just a fun rock song to write,written by Gary Hayward,Ken Hodges,bass john coote members of Volt Edge

Unknown album (15/11/2022 12:44:27 PM)

life is full of good times

I’m taking from the trash bin this complete take on an actual composition that I recorded during last September and decided not to use, and instead make a new, different version. The new , “approved” version, shorter, faster, all acoustic, will be released during the winter, so this one became obsolete and has been lying on the trash for a couple of months now.

I took that photo in Tokyo Oct 2019.

For this junto project:

At the end of the calendar year, people often participate in holidays that result in lots of leftover food. Think about the leftovers — discarded tracks, or MIDI files, or ideas — that result from your music-making process.

Scrounge around on your hard drive and recording equipment, and in your memory, to access that sort of creative leftovers.
Make a new track primarily using those resources.

Scintillating Heights (Long version demo) disquiet0621

RETORCIDO - banda de Mar del Plata años 92/94
integrada por:Fabian cachu Spaltro-bateria,Guillermo Cerato-guitarra,Pablo di Giovanni-bajo,Berni Villar-guitarra y Christian Lisotti-voz

02-Bajon

DBM ECLIPZE - HAPPY NEW YEAR! (ALMOST LOST TRACKS)
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My Mac book fried and I almost lost all of these!! Got a new Mac though and my iCloud saved all these songs so these all almost didn’t exist! All some B-Sides but still would be sad if these got deleted there’s some heat in here! Let me know what you think starting to figure out a unique style I feel like nobody sounds like this. That’s either a real good thing or a bad thing. Also still working on the mixing so sorry for that!!
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1.) DBM ECLIPZE - BUBBLE YUM [PROD. ROLLIE]
2.) DBM ECLIPZE -  BLANGIN [PROD AEXOU]
3.) DBM ECLIPZE -  PETES SAKE [PROD. WD BEATS x 1SHIMLY]
4.) DBM ECLIPZE -  GEMINI [PROD. PMJ]
5.) DBM ECLIPZE -  LICK [PROD. AWAKEAGAIN X TJAY]
6.) DBM ECLIPZE -  SPY [PROD. TREETIME]
7.) DBM ECLIPZE -  HEART BROKE [PROD. ???]
8.) DBM ECLIPZE -  FOR A LIL BIT (FREESTYLE) [PROD. NNOVAD]
9.) DBM ECLIPZE -  RAS FLIP [PROD. SQUIRL BEATS]
10.) DBM ECLIPZE -  HELL [PROD. JEAN PARKER]
11.) DBM ECLIPZE -  I CARE A LIL BIT [PROD. BRANWEN]
12.) DBM ECLIPZE -  SLAY [PROD. SQUIRL BEATS]
13.) DBM ECLIPZE -  OH OH [PROD. FIFTYZEROS X SANDROGEEKY]
14.) DBM ECLIPZE -  PUFF BAR [PROD. YUREI]
15.) DBM ECLIPZE -  NOT REALLY (FREESTYLE) [PROD. YUREI BEATS]
16.) DBM ECLIPZE -  AHH FUCK [PROD. ROLLIE]
17.) DBM ECLIPZE -  WTF [PROD. ???]
18.) DBM ECLIPZE -  SEWER SHARK [PROD. QWTWQEEWQ]

DBM ECLIPZE - BUBBLE YUM [PROD. ROLLIE] (ALMOST LOST)

A psychedelic rock tour de force!! This is a co-write with Catherine Rose, who made excellent contributions to the lyrics.

Special thanks to my musical collaborators for using their considerable musical talents to help me bring the vision for this song to life

Rich O’Brien - Vocal, Guitars, Production, and Mix

J.J. Terrell -@j-j-terrell - Organ

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1– Bass

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken Karasek - Drums and Percussion

No Longer There (with J.J. Terrell, Josh Clary, and Ken Karasek)

emma duele la cabeza

Emma duele la cabeza

The Revolution

In the Sun

The spirit of my drum "asked me" to heal the pain of betrayal in all those who wished to attune to it, and so I used my breath and intention while drumming between 4 and 7 beats per second, the rhythm most conducive for going into shamanic trance.

Andreas (APi_ZZ) found that the resonance of my drumming was of the frequency 109 Hz, close to the 108 Hz which is the sound tuning used to heal the sacral chakra, the Svadhishthana. So he fine tuned the drumming frequencies to that exact 108 Hz. 

The sacral chakra governs the reproductive region and when it has been knocked out of balance, it can block our fertility in all aspects of our lives, such as our joy and enthusiasm that gives rise to our creativity. And so I added in the Adi Shakti mantra, the prayer to the Great Mother, who is associated with the Svadhishthana. The Adi Shakti mantra tunes us into Her and into Her mantle of protective, generating energy that gently dissolves our fear blocks. 

Andreas then put the whole thing to music, using flute and Tibetan sound bowls attuned to the frequency of 432 Hz. He also added a bowl drone sound (again at 432 Hz), augmented by bells chiming in deeply associated frequencies of  (again) 108 Hz, 162 Hz, and 243 Hz and a second bowl at 364.5 Hz. These frequencies relate to the sacral, solar, heart and throat chakras.

The whole track has been carefully developed to enrich (self) healing ideas and offers a deep listening experience as well. 

The Cover Art, by APi_ZZ, incorporates the Svadhishthana yantra, the visual, symbolic interpretation of the Svadhishthana mantra.

Drumming and vocals by Annie Dieu-Le-Veut
Copyright © Annie Dieu-Le-Veut, April 2024, all rights reserved

Music by APi_ZZ
Copyright © APi_ZZ (Andreas Pirner) April 2024, all rights reserved
You can find APi_ZZ here: https://soundcloud.com/api_zz

Svadhishthana - shamanic healing for betrayal

It seems to me that many people these days make more effort to separate themselves from others than to compare themselves with others. Both are triggers for unhappiness, in my opinion, but it's something more than that.

This song has very few bass parts. Most parts use an 8-string guitar. This is the result of avoiding the competition between the bass and the area of existence. I did slaps, thumbs, tapping, and all sorts of other things. It took me a long time to finish the song because there were so many parts I had to practice and I had tendonitis....hahahaha

lyrics

Only those who are allowed to exist are allowed to exist in this town.
Those that are not will be eliminated from existence.
I am forgotten by time.
I distanced myself from you.

Who would need me?
Who will look at me?
There is no one alive in this world.
Only cold nights and attacks will come.

A whale as cold as blue steel is looking at me.
He says if he's tired of me then he can be done with it.
But I am not mine.
What about my family? What about my elderly parents?
I can't finish it on my own.

My consciousness fades away.
Many diseases are eating away at my organs.
But I won't be allowed to die for another ten years.
I have to be there for my family.

Who would need me?
Who will look at me?
There is no one alive in this world.
Only cold nights and attacks will come.

Every morning we are transported on a crammed train.
Someone steps on my foot. I also push someone away.
Someone please carry me to that distant castle.
someone please help me
Soldiers who cannot fight are carried away.
Where are they going?

Those No Longer Needed

multi-instrumentalist & composer.
music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

Scintillating Heights (Long version demo) disquiet0621

Daniel Diaz

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