Initially a recording of my noisy fridge and the street outside, hoping to draw a beat from the rain and passing cars. Cheated with edits, phasers and tremolo.

Melody by telecaster, fretless bass and grand piano.
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More on this 401st weekly Disquiet Junto project — Noise Pacing / Use background noise as a beat, as a rhythm — at: https://disquiet.com/0401/

This project is the third and final of a series being done in collaboration with Musikfestival Bern, which runs in Switzerland from September 11 – 15, 2019. More details at: https://www.musikfestivalbern.ch/

More on the Disquiet Junto at:
https://disquiet.com/junto/

Subscribe to project announcements here:
http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:
https://llllllll.co/t/disquiet-junto-project-0401-noise-pacing/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Dies ist das dritte und letzte Projekt in Zusammenarbeit mit dem Musikfestival Bern 2019, welches vom 11.-15. September stattfindet. Wir arbeiten auf Einladung von Tobias Reber, einem frühen Junto-Teilnehmer und Verantwortlicher für die Musikvermittlung beim Festival. Ausgewählte Resultate dieser Projekte werden im Rahmen des Festivals im Rauschlabor Schützenmatte (https://www.musikfestivalbern.ch) öffentlich gespielt oder auf dem Festtivalradio, Radio Antenne (www.radioantenne.ch), ausgestrahlt werden. Falls du nicht möchtest, dass dein Stück dafür verwendet wird, dann vermerke dies bitte wenn du es veröffentlichst.

Misericordia (Disquiet0401)

The motivation behind the intro track:
https://en.wikipedia.org/wiki/Pale_Blue_Dot

I'm with you on that

Intro (Pale Blue Dot)

intro - pale blue dot

Gustavo - Modular Live Improvisation #Juni 2020

An improvisation recorded live in one take.
Used Behringer Neutron, Model D, Odyssey, & Roland System 1, SH01A.

Midnight, new Moon

From https://peteswinton.bandcamp.com/album/orpheus-and-eurydice

Theme For Orpheus

Live improvisation by
Daniel Diaz, electric bass
André Charlier, drums

For this Haiku:
"two voices that sound alike
make their way...
clouds of blossoms"

Haiku by Kobayashi Issa
Photo by Igor Karimov

Two Voices On The Wild Side (naviarhaiku347)

Battle Of Voices ( Naviarhaiku 347 )

Keep Saying Its Easy

This track was pulled from Lockdown Jam 4, improvised live at home on 10/05/2020, using the inspiring work of of @idin-samimi-mofakham, @martyna-kosecka and Michael Vallone (@taraexperiment), and some contemporary piano provided by Heidi Hart as source material.

It's dark mysterious feel conjures up images of a North African labyrinthine medina, hence the title! 

Unlike most of our tracks, where we do use a certain amount of remixing of the original jams, a technical issue meant we only had the master track to work with, so this an edit of the live improv as it happened!

Medina

Following on straight from "Choker", this track was edited from our final jam of our Lockdown Collaboration series, recorded live at home on June 2nd 2020.

Crown Of Light

Even if you don't agree with all his ideas, his observations are thought-provoking, challenging, and to many of us, liberating. 

photo by Bob Cato

more Cage: https://www.youtube.com/watch?v=pcHnL7aS64Y(noted The source is the French documentary "Écoute (Listen)" (1992).)

Sounds Don't Talk (w John Cage)

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.