ears 3 75 bpm take 1 22325

Heavy Sky

Le moniteur silencieux / Silent Monitor

Recess

Stab of Pain, the new album of Sig Valax, is now available at Snow in Water Records (release date: July 3rd 2020).

In Stab of Pain, Sig Valax presents synthetic landscapes open like dreams through which she invites us to travel. Interior spaces of endless resonance, drones piercing the blanket of the night like a beacon, sequences that force us to listen differently. The listener is caught up in a magical flow of multiple streams.
There is something very feminine - stiched or woven - in Sig Valax's music, and there are clearly correspondences with her work as a digital artist and her onirochromes which draw wave tables and three-dimensional spectra. Dream figures that escape our perception, threads that intersect and create a mesh where the pattern alters repetition, a spirituality that is both wise and adolescent and offers new paths mapped out through sound synthesis. These 8 inspiring and singular titles resonate with the universe of artists such as Sarah Davachi, Eliane Radigue, Delya Derbyshire and Laurie Spiegel.

Sig Valax - Broken Eden

Nature sounds were recorded live today from my residence.
This track was created for the Naviar Haiku group.
346 week Haiku.

https://naviarlab.tumblr.com/

https://www.naviarrecords.com/2020/08/19/naviarhaiku346-pause-pause-pause/

OneAmbient4 - A Crescendo Of Silence (Naviarhaiku 346)

Live improvisation by
Daniel Diaz, electric bass
André Charlier, drums

For this Haiku:
"two voices that sound alike
make their way...
clouds of blossoms"

Haiku by Kobayashi Issa
Photo by Igor Karimov

Two Voices On The Wild Side (naviarhaiku347)

The SETI Institute posts an artistic challenge this month. This month’s was issued by the organization’s co-founder, Dr. Jill Tarter. (portrayed as Dr. Ellie Arroway in Contact). 
- In brief, the idea is to consider that First Contact between humans and extraterrestrials will likely be technologically mediated. “We use technology as a proxy for intelligence, and then we go looking with various types of telescopes and detectors to see if we can find evidence that somewhere else someone or something else has used technology to modify their environment in ways that we can sense over vast differences.”
-Consider what First Contact might be like elsewhere in the universe in light of Dr. Tarter’s challenge.
- Produce a piece in music/sound that responds to the challenge.

Synthesizers
Orchestral samples
Field recordings (explosions, space sounds)

Photo by @NASA

https://llllllll.co/t/disquiet-junto-project-0453-dial-up/

Morse (Interstellar Chat) - disquiet0453

Marco Lucchi : piano

18 settembre 2020

***

A morte é a curva da estrada,
Morrer é só não ser visto.
Se escuto, eu te oiço a passada
Existir como eu existo.
A terra é feita de céu.
A mentira não tem ninho.
Nunca ninguém se perdeu.
Tudo é verdade e caminho.

Fernando Pessoa

piano patterns no 4

Free Download

Dawn at El-Mo’Alla

Participation in the "Disquiet Junto" project led by Marc Weidenbaum: Phase Transition.
The Assignment: Record the sound of ice in a glass and make something with it.
https://disquiet.com/0471/

Ice cubes fall into a glass.
Recorded with a Tascam DR-100MKII + built-in mics Uni.
The Tascam is placed vertically on the glass, in contact.
A Pure data patch lets you hear the recording transposed to 3 voices  and brings out their harmonic components by spreading out them over time.
At the beginning we hear the untransposed sound.
This is the same Pure data patch as for:
https://soundcloud.com/gerard-paresys/3stones-disquiet0441

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Participation au projet "Disquiet Junto" de Marc Weidenbaum: Phase Transition.
Enregistrer le son d'un glaçon dans un verre et faire quelque chose avec.

https://disquiet.com/0471/

Des glaçons tombent dans un verre.
Enregistrés avec un Tascam DR-100MKII + micros intégrés Uni.
Le Tascam est posé verticalement sur le verre, en contact.
Un patch Pure data fait entendre l'enregistrement transposé sur 3 voix et fait apparaitre ses composantes harmoniques en les déployant dans le temps.
On entends au début le son non transposé.
C'est le même patch que pour:
https://soundcloud.com/gerard-paresys/3stones-disquiet0441

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More on the Disquiet Junto at:
https://disquiet.com/junto/

Subscribe to project announcements here:
https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:
https://llllllll.co/t/disquiet-junto-project-0471-phase-transition/

Phase - Transition - Disquiet0471

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.