Wonderful piece Daniel, fitting beyond Buenos Aires, wherever the sad and lonely are looking for comfort.

Wonderful work as always Daniel - what I imagine a Yann Tiersen soundtrack to a dystopian sci-fi movie might sound like. Absolutely superb!

Title is great! I love the movements and instrumentation, there seemed to be a strong sense of loss.

I feel with the robots (and vacuum cleaners). Now I'm melancholic too. Great track.

Bass guitar(s) Trevor Thompson
Drums by Eric Wiegmann https://www.bandlab.com/ericwiegmanndrums/her-storm-d3d879c5?revId=1766b78a-67fe-ea11-96f5-501ac5b31de6

Her Storm

Hiding away again, Vera starts to feel her psychological stability falling apart.  She continues to pray to anything that will hear her pleas to save her from losing herself while trapped alone so far away from home, and no sign of hearing from Vincent and his team.

Project Umbriel

HIMOS (Hiding Inside My Own Space)

HIMOS - Hiding Inside My Own Space

Fifth track of my album based on Robert W Chambers book "The King in Yellow" (1895).

The King in Yellow

In the Court of the Dragon

A colaboration with the composer Oghamyst and the songwriter Mary Kils.

Music Is What Feelings Sound Like

Que fais-tu baby?

noxpox - Fidschi Fun

Tiefe Gedanken !

4 hour flip.
Original track - https://youtu.be/xU5oG8iYsOY 
MOSNAR DET - Remixing, Drum & Bass Programming

Loop Diggers SRC 125 MZRPKLPS Piks G A D G E T 🦾

Green View

Messing with the nn~ operator in MAX/MSP and two pre-trained RAVE AI models resulted in this uncanny voice recording. Strangely stuttering, but almost language. If you'd like to see exactly how it was created, check out the accompanying video @ https://youtu.be/WwNYD3Sm4H4

More about RAVE models @ https://github.com/acids-ircam/RAVE

Huge thanks to Intelligent Instruments Lab for making their RAVE models available @ https://huggingface.co/Intelligent-Instruments-Lab/rave-models

visual explanation

halF inflectioN

Original song using KORG Gadget.

Photo: https://stocksnap.io/photo/silhouette-woman-ZTFQL8008P by Allef Vinicius (https://stocksnap.io/author/30516)

Thank you, stars！

Created for:
Disquiet Junto Project 0331: Born Under a Bad Sine
What does it sound like when a robot has the blues?

Can’t quite tell for other cities, but believe me: this is  the kind of music robots like to listen to in my hometown when they get sad and low.
Buenos Aires is a melancholic city, and robots are not spared.

I won’t be surprised if this track becomes a hit among robots, my vacuum cleaner got weird while I was mixing this earlier this morning.
Me too, mind...

Bandoneon performed by Olivier Manoury, the rest by D.D.

Created in Paris, France 
Friday 4th May  2018.
Image by Franck V.


More on this 331st weekly Disquiet Junto project (Disquiet Junto Project 0331: Born Under a Bad Sine / What does it sound like when a robot has the blues?) at:
https://disquiet.com/0331/

More on the Disquiet Junto at:
https://disquiet.com/junto/

When Robots Cry in Buenos Aires

When Robots Cry In Buenos Aires (disquiet0331)

multi-instrumentalist & composer.
music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

When Robots Cry In Buenos Aires (disquiet0331)

Daniel Diaz

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