The easiest listening rock on here. Great job.

Nice and melodic. Cool guitar playing. I like it.

Day of Hope - love this instrumental and the relaxing vibe.

Très belle introduction, très beau titre aussi !

tothm and andy - der flüsterer

Latest original psychedelic music. Take one away from challenges of this strange physical world. Seventeen gems.

Hope everyone enjoys the musical magical ride.

All instruments: Daniel Lars
Written, mixed, produced, mastered: Daniel Lars


℗ 2025 Daniel A. Larsen

Psychedelic Cats

7 Feb 2025

Day of Hope

watch the video here : https://vimeo.com/1076474289 or here https://youtu.be/5fFAKgJpi1Y?si=xy4vQ6C22O7wC3Hk

TRACK: "Run Through the Fire, Climb Over the Dead"

A sonic war relic from the novel "Behind Us the Land" – fusing post-industrial brutality with raw rap storytelling to score the Feyerabend family's 1945 escape.

Sound:

Bass as Trauma Pulse: Switches between 808-like dread and metallic shrieks (like Stuka sirens)

Drums as Death March: Snare hits mimic MG42 bursts, kicks echo refugee footsteps

Rap DNA: Half-sung verses morph into typical Rap flows (think Clipping. meets Protomartyr)

Archaeological Sounds: Authentic WWII bomb impacts, Danzig's cobblestones cracking

"Post-rock's despair meets rap's urgency – my mother's diaries ('...and then the guns fell silent') spat back as survival rhymes over collapsing basslines."

For fans of:

The Body's bass-driven doom with Billy Woods' historical lyricism

Godspeed You! Black Emperor scoring a war documentary

Music that doesn't entertain – it testifies

📖 Soundtrack to the novel "Behind Us the Land"
🎤 Lyrics sourced from my mother's survival diaries

---


TRACK: "Run Through the Fire, Climb Over the Dead"

Ein klangliches Kriegsrelikt aus dem Roman "Hinter uns dem Land" – verschmilzt post-industrielle Wucht mit Rap-Erzählkraft zur Vertonung von Flucht 1945.

Sound:

Bass als Trauma-Puls: Pendelt zwischen 808-Drohnen und Stuka-Sirenen-Schreien

Schlagzeug als Todesmarsch: Snares wie MG42-Salven, Kicks wie Flüchtlingsschritte

Rap-Einfluss: Zeilen im typischen Rap-Stil (zwischen Audio88 und Author & Punisher)

Sound-Archäologie: Echte Bombeneinschläge, splitterndes Danziger Pflaster

"Post-Rock-Verzweiflung trifft Rap's Dringlichkeit – meine Mutter's Tagebücher ('...und dann schwiegen die Waffen') als Überlebens-Reime über kollabierenden Basslinien."

Für Fans von:

Swans mit der lyrischen Wucht von Haftbefehl

Einstürzende Neubauten vertonen ein Geschichtsbuch

Musik, die nicht unterhält – sondern bezeugt

📖 Soundtrack zum Roman "Hinter uns das Land"
🎤 Textfragmente aus den Flucht-Tagebüchern meiner Mutter

Run Through The Fire, Climb Over The Dead

Télak a song by Lágy Szellő.Enjoy!  😎
✨ Mr Woodhand:  🎸sologuitar and mastering and  the hammond track🎵👍

Télak

the piece  is almost polyrhythmic 
uses as a riff a 7-note rhythmic pattern x-x-xx-x-x-x taken from african drums
this gives 3 bars of 4 which seems assymetric when repeated
deep in the mix there is also the pulse of 4 bars of 3

seven on twelve

Truth Hurts

Whispers in New York – Instrumental Sessions Vol.2

Letters in the Window Rain

Through An Hourglass

Strada maestra

Sort of classical love song duet with coffee advert type sax break:)         Thank you for listening

Be That It May

STARI BAR

Daniel Lars: Multi-Instrumentalist, vocalist, songwriter, producer. Born, initially grew up in the heart of San Francisco. Music deeply rooted...young age of four. Psychedelic music scene was electrifying. Nevertheless, Daniel Lars was deeply influenced from extensive variety of music. Rock, Hard Rock, Psychedelic, Glam Rock, R&B, Funk, Soul, Motown, late '60s pop music, Progressive Rock, Gothic, Eastern music, Blues, Disco, Bossa nova, Folk, Jazz Fusion, Jazz, Classical, World Music, Techno, Psychedelic Trance, Hip-hop. 

Daniel Lars: "My father would play stacks of vinyl from extensive record collection. Especially, during weekends. Late, through the night. Recall in record collection...early Beatles, Big Band, classical, jazz, Elvis, Frank Sinatra, MC5, Dusty Springfield, Motown. Various country artists in record collection. While my oldest brothers were playing '60s rock, Southern Rock, English psychedelic bands, from vinyl collection. During late '60s psychedelic era, early '70s." 

Young age of twenty, Daniel decided to seriously pursue music career. First band, younger brother on bass. Jammed with various musicians, friends, bands. San Francisco Bay Area, during the eighties. Formed power trio, "Third Eye." Performed various popular clubs in San Francisco. Relocated in the East Bay Area. Small town in Pleasanton. Shortly, after Third Eye disbanded. Joined popular local East Bay Area hard rock band, Most Wanted. Final gig, major benefit concert. Billed with several other popular Bay Area local bands. Such as Black Tiger (former members of Y&T). To support "October 17th, 1989 Loma Prieta" earthquake victims. During late '90s, hired as a professional session guitarist for two years. Major recording studio in Oakland, CA. Where he learned extensive skills in studio production. Left California in 2008. Always creating gems in musical moments of time. His two lovely rescue cats Syd & Ziggy, daily magical hikes in the forest...are current "musical" inspirations. Cheers.

Day of Hope

Daniel Lars

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